Scream Deconstructed
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| Author | : Scott Kessinger |
| Publisher | : |
| Total Pages | : 160 |
| Release | : 2011-09-25 |
| Genre | : Motion pictures |
| ISBN | : 9780615545790 |
Someone's taken their love of Scream one step too far... and written a book about it! Having earned the respect and accolades of critics and audiences, generated more than half a billion dollars in revenue, and inspired a gaggle of imitators, it's safe to say Scream is millions of people's favorite scary movie. While the Scream films have scared and entertained moviegoers worldwide, they've also invited us to closer examine the movies we watch: to deconstruct them. This book aims to do just that. Scream Deconstructed: An Unauthorized Analysis puts all four Scream movies under the knife to examine the meaning, themes and philosophy of the movie series that brought horror back from the dead by breaking all the rules. Take a close look into the heart of this pop culture phenomenon and what its characters - including Sidney, Gale, Dewey, and each film's killer - represent. Find out what reality, film, fantasy, and sex have to do with it all. Scream Deconstructed is sure to please any fan of Scream, horror, or film in general.
| Author | : Harlan Ellison |
| Publisher | : Open Road Media |
| Total Pages | : 167 |
| Release | : 2014-04-29 |
| Genre | : Fiction |
| ISBN | : 1497609615 |
Seven stunning stories of speculative fiction by the author of A Boy and His Dog. In a post-apocalyptic world, four men and one woman are all that remain of the human race, brought to near extinction by an artificial intelligence. Programmed to wage war on behalf of its creators, the AI became self-aware and turned against humanity. The five survivors are prisoners, kept alive and subjected to brutal torture by the hateful and sadistic machine in an endless cycle of violence. This story and six more groundbreaking and inventive tales that probe the depths of mortal experience prove why Grand Master of Science Fiction Harlan Ellison has earned the many accolades to his credit and remains one of the most original voices in American literature. I Have No Mouth and I Must Scream also includes “Big Sam Was My Friend,” “Eyes of Dust,” “World of the Myth,” “Lonelyache,” Hugo Award finalist “Delusion for a Dragon Slayer,” and Hugo and Nebula Award finalist “Pretty Maggie Moneyeyes.”
| Author | : Brian J. Robb |
| Publisher | : Birlinn Ltd |
| Total Pages | : 364 |
| Release | : 2022-04-07 |
| Genre | : Performing Arts |
| ISBN | : 1913538737 |
Writer, producer, and director Wes Craven has successfully tapped into the horror vein for over forty years, serving up scary, funny, cutting-edge thrillers that have become classics in the genre. His films have been both critical and commercial successes, most notably Nightmare on Elm Street, which spawned a series of sequels and made Craven (and his creation, Freddy Kruger) an international sensation. He then created a second indelible series in the horror movie trope with Scream. In Screams & Nightmares, Brian J. Robb examines Craven's entire career, from his low-budget beginnings to his most recent box office hits, from the banned thriller The Last House on the Left and the cult classic The Hills Have Eyes to the outrageous Shocker and The People Under the Stairs. Through exclusive interviews with Craven, Robb provides in-depth accounts of the making of each of the films – including the final instalments of the Scream series – Craven's foray into writing novels, and his numerous television projects.
| Author | : Johann Hari |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 433 |
| Release | : 2015-01-20 |
| Genre | : Social Science |
| ISBN | : 1620408929 |
The New York Times Bestseller What if everything you think you know about addiction is wrong? Johann Hari's journey into the heart of the war on drugs led him to ask this question--and to write the book that gave rise to his viral TED talk, viewed more than 62 million times, and inspired the feature film The United States vs. Billie Holiday and the documentary series The Fix. One of Johann Hari's earliest memories is of trying to wake up one of his relatives and not being able to. As he grew older, he realized he had addiction in his family. Confused, not knowing what to do, he set out and traveled over 30,000 miles over three years to discover what really causes addiction--and what really solves it. He uncovered a range of remarkable human stories--of how the war on drugs began with Billie Holiday, the great jazz singer, being stalked and killed by a racist policeman; of the scientist who discovered the surprising key to addiction; and of the countries that ended their own war on drugs--with extraordinary results. Chasing the Scream is the story of a life-changing journey that transformed the addiction debate internationally--and showed the world that the opposite of addiction is connection.
| Author | : Michael J. Seidlinger |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 137 |
| Release | : 2022-11-03 |
| Genre | : Literary Criticism |
| ISBN | : 150138676X |
Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. When you are born, the first thing you do is scream. Be it a response to fear, anger, sadness, or happiness, the scream is a declaration of being alive. The metal vocalist cupping the microphone blares out a deafeningly harsh scream. The drill instructor screams out commands to their soldiers. And then there's the bloodcurdling screams we know from horror films. A scream has many meanings, but it is an instinctive and reflexive action that, at its core, reveals raw emotion. Investigating popular and alternative cultures, art, and science, Michael J. Seidlinger tracks the resonance of the scream across media and literature and in his own voice. Object Lessons is published in partnership with an essay series in The Atlantic.
| Author | : Alexandra West |
| Publisher | : McFarland |
| Total Pages | : 196 |
| Release | : 2018-06-08 |
| Genre | : Performing Arts |
| ISBN | : 1476670641 |
Many critics and fans refer to the 1990s as the decade that horror forgot, with few notable entries in the genre. Yet horror went mainstream in the '90s by speaking to the anxieties of American youth during one of the country's most prosperous eras. No longer were films made on low budgets and dependent on devotees for success. Horror found its way onto magazine covers, fashion ads and CD soundtrack covers. "Girl power" feminism and a growing distaste for consumerism defined an audience that both embraced and rejected the commercial appeal of these films. This in-depth study examines the youth subculture and politics of the era, focusing on such films as Buffy the Vampire Slayer (1992), Scream (1996), I Know What You Did Last Summer (1997), Idle Hands (1999) and Cherry Falls (2000).
| Author | : Daurius Figueira |
| Publisher | : AHTLE FIGUEIRA |
| Total Pages | : 165 |
| Release | : 2020-07-18 |
| Genre | : Political Science |
| ISBN | : 9769624551 |
This is a deconstruction of the published books of poetry of Derek Walcott from 1961 to 1981 to unearth, expose and analyze the discourse and worldview of Walcott of miscegenated being, the Caribbean dystopia and the existential condition of the African and Indian Diasporas in the Caribbean dystopia. Walcott segregates himself from the Caribbean dystopia as he excoriates the African and Indian Diasporas blaming them for constructing the dystopia, they are trapped in. Walcott exempts white supremacist colonial and neo-colonial imperial power relations which condemns us to dependency and underdevelopment at the level of the idea. Which he must do for Walcott insists that what separates him from the Dystopia and enables his freedom from the dystopia, his flight to the North Atlantic is his white grandfather's legacy bequeathed to him by his miscegenated father. At the level of his genome Walcott is special, exceptional in the realm of the Dystopia compelled to prove and affirm this state of being in the North Atlantic. Walcott then frames his poetry on the foundation of the binary, Manichean duality of white North Atlantic discourse. I had a white grandfather and father which makes this deconstruction a personal conversation between two conflicting discourses of miscegenated being and our place in the world.
| Author | : Haki R. Madhubuti |
| Publisher | : |
| Total Pages | : 72 |
| Release | : 1969 |
| Genre | : African Americans |
| ISBN | : |
| Author | : Andy Warhol |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2010 |
| Genre | : |
| ISBN | : 9788791607790 |
Andy Warhol (1928-1987) famously once declared: "If you want to know all about Andy Warhol, just look at the surface of my paintings and films and me, and there I am. There's nothing behind it." In 1984, the avatar of superficiality took on a potentially surprising new subject: the work of Norwegian Symbolist Edvard Munch (1863-1944). Warhol made an extensive series of prints based on four of Munch's major subjects--the iconic "The Scream," "Madonna," "Self-Portrait" and "The Brooch"--working with dazzling new color tones including silver and gold. Published on the occasion of an exhibition at the Louisiana Museum of Modern Art, and featuring a beautiful silkscreened cover, Warhol after Munch unites Warhol's unusual series with its source material. With some never-before-reproduced works, along with in-depth scholarly essays, this catalogue is a must for fans of Munch and Warhol alike, and anyone interested in the cross-germination of visual ideas.
| Author | : Martha Feldman |
| Publisher | : University of Chicago Press |
| Total Pages | : 404 |
| Release | : 2019-09-30 |
| Genre | : Music |
| ISBN | : 022664717X |
In the contemporary world, voices are caught up in fundamentally different realms of discourse, practice, and culture: between sounding and nonsounding, material and nonmaterial, literal and metaphorical. In The Voice as Something More, Martha Feldman and Judith T. Zeitlin tackle these paradoxes with a bold and rigorous collection of essays that look at voice as both object of desire and material object. Using Mladen Dolar’s influential A Voice and Nothing More as a reference point, The Voice as Something More reorients Dolar’s psychoanalytic analysis around the material dimensions of voices—their physicality and timbre, the fleshiness of their mechanisms, the veils that hide them, and the devices that enhance and distort them. Throughout, the essays put the body back in voice. Ending with a new essay by Dolar that offers reflections on these vocal aesthetics and paradoxes, this authoritative, multidisciplinary collection, ranging from Europe and the Americas to East Asia, from classics and music to film and literature, will serve as an essential entry point for scholars and students who are thinking toward materiality.
