Shopping as Comedy: A Victorian Scrapbook

Shopping as Comedy: A Victorian Scrapbook
Author: Alexis Easley
Publisher: Taylor & Francis
Total Pages: 141
Release: 2024-05-09
Genre: Literary Criticism
ISBN: 1040021867

This volume is a critical edition of a Victorian scrapbook, composed of cuttings from advertising images from the 1880's. These images are arranged in hand-drawn domestic spaces and embellished with watercolour details. At the foot of each page is a handwritten running text, written by an unknown Victorian author, that provides a narrative to explain the accompanying images. The album also includes four original short stories, interspersed by twenty-three vignettes, which, like advertisements in a magazine, echo and reinforce themes in the surrounding content. The album highlights issues of concern to women at the fin de siècle: romance, marriage, shopping, and house decoration. The satirical commentary on late Victorian shopping and commodity culture provides a fascinating insight into the interests and responses of consumers during this period. The volume will be of great interest to students and scholars of literary and advertising history.

A Girl Can Do: Recognizing and Representing Girlhood

A Girl Can Do: Recognizing and Representing Girlhood
Author: Tiffany R. Isselhardt
Publisher: Vernon Press
Total Pages: 272
Release:
Genre: Social Science
ISBN: 1648894283

How do scholars research and interpret marginalized populations, especially those that are seldom recognized as marginalized or whose sources are believed to be rare? Combining intersectional feminism and public history methodologies, ‘A Girl Can Do: Recognizing and Representing Girlhood’ reflects on how girlhood is found, researched, and interpreted in museums, archives, and historic sites. Defining “girl” as “self-identifying females under the age of 21,” ‘A Girl Can Do’ lays the groundwork for understanding girlhood, its constructs, and its marginalization while providing faculty, students, and working professionals with ten case studies on researching and working with girlhood. Contributors include archaeologists, archivists, curators, educators, and historians who demonstrate how adding a girl studies lens fosters greater inclusivity and diversity in our work. Whether studying spatial techniques of marginalization in colonial Peru, the daybooks as records of girlhood in late-nineteenth century Sweden, or collaborating with self-identifying fangirls to produce a pop-up exhibition, the contributors demonstrate the variety of sources and methods that can be used to interpret this oft-overlooked population. Throughout, ‘A Girl Can Do’ petitions for collaborative and creative thinking in how we can reframe and reinterpret our sources – both traditional and overlooked – to shed new light on how girls have contributed to, and provide frames of reference for, human history and culture.

Spiritual Moderns

Spiritual Moderns
Author: Erika Doss
Publisher: University of Chicago Press
Total Pages: 348
Release: 2023-05-03
Genre: Art
ISBN: 0226823474

Examines how and why religion matters in the history of modern American art. Andy Warhol is one of the best-known American artists of the twentieth century. He was also an observant Catholic who carried a rosary, went to mass regularly, kept a Bible by his bedside, and depicted religious subjects throughout his career. Warhol was a spiritual modern: a modern artist who appropriated religious images, beliefs, and practices to create a distinctive style of American art. Spiritual Moderns centers on four American artists who were both modern and religious. Joseph Cornell, who showed with the Surrealists, was a member of the Church of Christ, Scientist. Mark Tobey created pioneering works of Abstract Expressionism and was a follower of the Bahá’í Faith. Agnes Pelton was a Symbolist painter who embraced metaphysical movements including New Thought, Theosophy, and Agni Yoga. And Warhol, a leading figure in Pop art, was a lifelong Catholic. Working with biographical materials, social history, affect theory, and the tools of art history, Doss traces the linked subjects of art and religion and proposes a revised interpretation of American modernism.

Harps and Harpists

Harps and Harpists
Author: Roslyn Rensch
Publisher: Indiana University Press
Total Pages: 400
Release: 2017-02-27
Genre: Music
ISBN: 0253030293

Revising her classic 1989 book Harps and Harpists, Roslyn Rensch expands her authoritative history of this timeless instrument. This lavishly illustrated edition, with 137 black-and-white images and 24 color plates, surveys the progress of the harp from antiquity to the present day. The new edition includes two new chapters; an extensive bibliography and index; personal anecdotes of the author's studies under Alberto Salvi; and an appendix on the Roslyn Rensch Papers and Harp Collection, which are housed at the University of Illinois–Urbana-Champaign.

Poetic Modernism in the Culture of Mass Print

Poetic Modernism in the Culture of Mass Print
Author: Bartholomew Brinkman
Publisher: JHU Press
Total Pages: 285
Release: 2017
Genre: Antiques & Collectibles
ISBN: 1421421348

Coda: Remaking Poetic Modernism after a Culture of Mass Print -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y

Popular Mechanics

Popular Mechanics
Author:
Publisher:
Total Pages: 296
Release: 1947-01
Genre:
ISBN:

Popular Mechanics inspires, instructs and influences readers to help them master the modern world. Whether it’s practical DIY home-improvement tips, gadgets and digital technology, information on the newest cars or the latest breakthroughs in science -- PM is the ultimate guide to our high-tech lifestyle.

Woolfian Boundaries

Woolfian Boundaries
Author: Anna Burrells
Publisher: Clemson University Press
Total Pages: 183
Release: 2023-12-15
Genre: Literary Criticism
ISBN: 163804127X

Woolfian Boundaries explores Woolf’s work from perspectives “beyond the boundary” of her own positions and attitudes, taking her coolness toward the provinces and “prejudice” against the regional novel (Letters 6: 381) as the starting point for considering her writing in the light of its own “limits,” self-declared and otherwise. Chapter topics range from Woolf’s connections with the “Birmingham School” of novelists in the 1930s to her interests in environmentalism, portraiture, photography, and the media, and her endlessly fascinating relationship with the writings of her contemporaries and predecessors.