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| Author | : Jack Boss |
| Publisher | : Cambridge University Press |
| Total Pages | : 407 |
| Release | : 2019-07-04 |
| Genre | : Music |
| ISBN | : 1108419135 |
Portrays Schoenberg's atonal music as successions of motives and pitch-class sets that flesh out 'musical idea' and 'basic image' frameworks.
| Author | : Bryan R. Simms |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 276 |
| Release | : 2000 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0195128265 |
Between 1908 and 1923, Schoenberg developed a compositional strategy that moved beyond the accepted concepts and practices of Western tonality. This study synthesizes and advances the state of knowledge about this body of work.
| Author | : George Perle |
| Publisher | : Univ of California Press |
| Total Pages | : 220 |
| Release | : 1972 |
| Genre | : Music |
| ISBN | : 9780520019355 |
| Author | : Ethan Haimo |
| Publisher | : Cambridge University Press |
| Total Pages | : 357 |
| Release | : 2006-11-09 |
| Genre | : Music |
| ISBN | : 0521865425 |
A study of the innovative music of the twentieth-century composer, Arnold Schoenberg.
| Author | : Jack Boss |
| Publisher | : Cambridge University Press |
| Total Pages | : 467 |
| Release | : 2014-10-02 |
| Genre | : Literary Criticism |
| ISBN | : 1107046866 |
Jack Boss presents detailed analyses of Arnold Schoenberg's twelve-tone pieces, bringing the composer's 'musical idea' - problem, elaboration, solution - to life.
| Author | : Arnold Schoenberg |
| Publisher | : Courier Corporation |
| Total Pages | : 82 |
| Release | : 1999-01-01 |
| Genre | : Music |
| ISBN | : 0486406423 |
Possessing a soloistic texture and variations in instrumental color defined by Grove's as "chamber music for full orchestra," this 1909 work demonstrates the composer's daring explorations in music that renounces motivic connections and tonality. Includes bar-numbered movements and ample margins at the bottom of each page for notes and analysis.
| Author | : Arnold Schoenberg |
| Publisher | : |
| Total Pages | : 72 |
| Release | : 1935 |
| Genre | : Suites (String orchestra) |
| ISBN | : |
| Author | : Walter Frisch |
| Publisher | : Univ of California Press |
| Total Pages | : 352 |
| Release | : 1997-01-01 |
| Genre | : Music |
| ISBN | : 9780520212183 |
Between 1893 and 1908, composer Arnold Schoenberg created many genuine masterworks in the genres of Lieder, chamber music and symphonic music. Here is the first full-scale account of Schoenberg's rich repertory of early tonal works. 139 music examples. 2 illustrations.
| Author | : Michiel Schuijer |
| Publisher | : University Rochester Press |
| Total Pages | : 334 |
| Release | : 2008 |
| Genre | : Music |
| ISBN | : 9781580462709 |
For the past 40 years, pitch-class set theory has served as a frame of reference for the study of atonal music, through the efforts of Allan Forte, Milton Babbitt, and others. This text combines thorough discussions of musical concepts with an historical narrative.
| Author | : George Perle |
| Publisher | : Univ of California Press |
| Total Pages | : 182 |
| Release | : 1991-04-11 |
| Genre | : Biography & Autobiography |
| ISBN | : 0520074300 |
Widely recognized as the definitive work in its field ever since its original publication in 1962, Serial Composition and Atonality remains an unsurpassed introduction to the technical features of what is probably the most revolutionary body of work since the beginnings of polyphony. In the analysis of specific compositions there is first and last of all a concern with the musical surface—an attempt to trace connections and distinctions there before offering any deeper-level constructions, and to offer none where their effects are not obvious on more immediate levels of musical experience. In this sixth edition of the book, George Perle employs the new and more consistent terminology for the identification of transpositional levels of twelve-tone sets that he first proposed in Twelve-Tone Tonality (1977).
