Scenic Georgia Sketchbook
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Author | : Ronald R. Huffman |
Publisher | : Arcadia Publishing |
Total Pages | : 160 |
Release | : 2021 |
Genre | : History |
ISBN | : 1467149403 |
More than eighty historic buildings and roadside landmarks across Georgia have found sanctuary in this stark but powerful collection of sketch work. From obscure treasures like a Cobb County covered bridge to the instantly recognizable Forsyth Park in Savannah, landscape architect Ronald Huffman puts pencil to pad to safeguard moments of state history. Each piece is accompanied by anecdotes and related backstories that preserve the context of these icons before progress irrevocably alters the landscape. Explore the back roads of Georgia with a guide attuned to the unexpected splendors that mark the way.
Author | : Danny Gregory |
Publisher | : Simon and Schuster |
Total Pages | : 272 |
Release | : 2013-02-28 |
Genre | : Art |
ISBN | : 144032025X |
Collects excerpts from the personal travel journal sketchbooks of forty-three artists, illustrators, and designers.
Author | : Conie Mac Darnell |
Publisher | : Indigo Custom Publishing |
Total Pages | : 142 |
Release | : 2003 |
Genre | : Architecture |
ISBN | : 0972595120 |
Envision a place in the very heart of Georgia, where genteel living and genuine southern hospitality complement the progressive growth and dynamic community ties that have been the essence of Macon for more than 170 years. The Macon Sketchbook features more than 165 original watercolors created by talented, homegown artists.
Author | : John Evelev |
Publisher | : Oxford University Press |
Total Pages | : 289 |
Release | : 2021-05-04 |
Genre | : Literary Criticism |
ISBN | : 0192647326 |
Picturesque Literature and the Transformation of the American Landcape, 1835-1874 recovers the central role that the picturesque, a popular mode of scenery appreciation that advocated for an improved and manipulated natural landscape, played in the social, spatial, and literary history of mid-nineteenth century America. It argues that the picturesque was not simply a landscape aesthetic, but also a discipline of seeing and imaginatively shaping the natural that was widely embraced by bourgeois Americans to transform the national landscape in their own image. Through the picturesque, mid-century bourgeois Americans remade rural spaces into tourist scenery, celebrated the city streets as spaces of cultural diversity, created new urban public parks, and made suburban domesticity a national ideal. This picturesque transformation was promoted in a variety of popular literary genres, all focused on landscape description and all of which trained readers into the protocols of picturesque visual discipline as social reform. Many of these genres have since been dubbed "minor" or have been forgotten by our literary history, but the ranks of the writers of this picturesque literature include everyone from the most canonical (Hawthorne, Melville, Thoreau, Emerson, and Poe), to major authors of the period now less familiar (such as Henry Wadsworth Longfellow, Lydia Maria Child, Nathaniel Parker Willis, and Margaret Fuller), to those now completely forgotten. Individual chapters of the book link picturesque literary genres to the spaces that the genres helped to transform and, in the process, create what is recognizably our modern American landscape.
Author | : Loran Smith |
Publisher | : Indigo Custom Publishing |
Total Pages | : 24 |
Release | : 2005 |
Genre | : Art, American |
ISBN | : 0977091236 |
The Athens Sketchbook is a dynamic book about the history of Athens, Georgia told through local writers and shown through local artists' paintings. As a hardcover, heirloom quality book, it is a keepsake edition for anyone who lives, works, or visits the Athens community
Author | : Estill Curtis Pennington |
Publisher | : Univ of South Carolina Press |
Total Pages | : 395 |
Release | : 2015-12-16 |
Genre | : Art |
ISBN | : 1611177170 |
The radical changes wrought by the rise of the salon system in nineteenth-century Europe provoked an interesting response from painters in the American South. Painterly trends emanating from Barbizon and Giverny emphasized the subtle textures of nature through warm color and broken brush stroke. Artists' subject matter tended to represent a prosperous middle class at play, with the subtle suggestion that painting was indeed art for art's sake and not an evocation of the heroic manner. Many painters in the South took up the stylistics of Tonalism, Impressionism, and naturalism to create works of a very evocative nature, works which celebrated the Southern scene as an exotic other, a locale offering refuge from an increasingly mechanized urban environment. Scenic Impressions offers an insight into a particular period of American art history as borne out in seminal paintings from the holdings of the Johnson Collection of Spartanburg, South Carolina. By consolidating academic information on a disparate group of objects under a common theme and important global artistic umbrella, Scenic Impressions will underscore the Johnsons' commitment to illuminating the rich cultural history of the American South and advancing scholarship in the field, specifically examining some forty paintings created between 1880 and 1940, including landscapes and genre scenes. A foreword, written by Kevin Sharp, director of the Dixon Gallery and Gardens in Memphis, Tennessee, introduces the topic. Two lead essays, written by noted art historians Estill Curtis Pennington and Martha R. Severens, discuss the history and import of the Impressionist movement—abroad and domestically—and specifically address the school's influence on art created in and about the American South. The featured works of art are presented in full color plates and delineated in complementary entries written by Pennington and Severens. Also included are detailed artist biographies illustrated by photographs of the artists, extensive documentation, and indices. Featured artists include Wayman Adams, Colin Campbell Cooper, Elliott Daingerfield, G. Ruger Donoho, Harvey Joiner, John Ross Key, Blondelle Malone, Lawrence Mazzanovich, Paul Plaschke, Hattie Saussy, Alice Ravenel, Huger Smith, Anthony Thieme, and Helen Turner.
Author | : Tony Anderson |
Publisher | : Random House |
Total Pages | : 386 |
Release | : 2013-03-31 |
Genre | : Travel |
ISBN | : 1446426297 |
Tony Anderson set out in the summer of 1998 to walk through Georgia. He wanted particularly to visit the Georgian mountain tribes - Tush, Khevsurs, Ratchuelians and Svans - to discover if they shared a common mountain culture, and to test the old idea of the Caucasus as an impenetrable barrier from sea to sea. From Azerbaijan to Svaneti, Anderson found communities where the old customs and beliefs still triumphantly survive, despite years of Communist oppression and the terrible uncertainties since the collapse of the Soviet Union. Throughout his journey Anderson refers back to many other visits to Georgia, to the politics of independence, to the war in Abkhazia and Ossetia, to the civil war and Shevardnadze's accession to power, to the history of these people at one of the great crossroads of the world. It remains an abiding mystery that Georgia has managed to survive at all, devastated time and again by the vagabond hordes from the steppes and torn between the mighty empires that struggled over it. But survive it has with a vibrant culture still intact and, in the mountains, still deeply connected to its ancient ways.
Author | : Richard C. Sha |
Publisher | : University of Pennsylvania Press Anniversary Collection |
Total Pages | : 298 |
Release | : 1998 |
Genre | : Art |
ISBN | : |
The Visual and Verbal Sketch in British Romanticism investigates the varied implications of sketching in late eighteenth- and early nineteenth-century culture.
Author | : Georgia Museum of Art |
Publisher | : |
Total Pages | : 80 |
Release | : 1982 |
Genre | : Art |
ISBN | : |
Author | : Tim Barringer |
Publisher | : Yale University Press |
Total Pages | : 193 |
Release | : 2018-01-01 |
Genre | : Art |
ISBN | : 0300233531 |
Thomas Cole (1801-1848) is widely acknowledged as the founder of American landscape painting. Born in England, Cole emigrated in 1818 to the United States, where he transformed British and continental European traditions to create a distinctive American idiom. He embraced the picturesque, which emphasized touristic pleasures, and the sublime, an aesthetic category rooted in notions of fear and danger. Including striking paintings and a broad range of works on paper, from watercolors to etchings, mezzotints, aquatints, engravings, and lithographs, this book explores the trans-Atlantic context for Cole's oeuvre. These works chart a history of landscape aesthetics and demonstrate the essential role of prints as agents of artistic transmission. The authors offer new interpretations of work by Cole and the British artists who influenced him, including J.M.W. Turner and John Constable, revealing Cole's debt to artistic traditions as he formulated a profound new category in art. the American sublime.