Scenes Of Sympathy
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| Author | : Audrey Jaffe |
| Publisher | : Cornell University Press |
| Total Pages | : 198 |
| Release | : 2018-03-15 |
| Genre | : Literary Criticism |
| ISBN | : 150171998X |
In Scenes of Sympathy, Audrey Jaffe argues that representations of sympathy in Victorian fiction both reveal and unsettle Victorian ideologies of identity. Situating these representations within the context of Victorian visual culture, and offering new readings of key works by Charles Dickens, Elizabeth Gaskell, Ellen Wood, George Eliot, Oscar Wilde, and Arthur Conan Doyle, Jaffe shows how mid-Victorian spectacles of social difference construct the middle-class self, and how late-Victorian narratives of feeling pave the way for the sympathetic affinities of contemporary identity politics. Perceptive and elegantly written, Scenes of Sympathy is the first detailed examination of the place of sympathy in Victorian fiction and ideology. It will redirect the current critical conversation about sympathy and refocus discussions of late-Victorian fictions of identity.
| Author | : Molly Harper |
| Publisher | : Simon and Schuster |
| Total Pages | : 320 |
| Release | : 2017-11-21 |
| Genre | : Fiction |
| ISBN | : 1501151320 |
From beloved author Molly Harper comes the first novel in the contemporary romance series, Southern Eclectic, about a big-city party planner who finds true love in a small Georgia town. Nestled on the shore of Lake Sackett, Georgia is the McCready Family Funeral Home and Bait Shop. (What, you have a problem with one-stop shopping?) Two McCready brothers started two separate businesses in the same building back in 1928, and now it’s become one big family affair. And true to form in small Southern towns, family business becomes everybody’s business. Margot Cary has spent her life immersed in everything Lake Sackett is not. As an elite event planner, Margot’s rubbed elbows with the cream of Chicago society, and made elegance and glamour her business. She’s riding high until one event goes tragically, spectacularly wrong. Now she’s blackballed by the gala set and in dire need of a fresh start—and apparently the McCreadys are in need of an event planner with a tarnished reputation. As Margot finds her footing in a town where everybody knows not only your name, but what you had for dinner last Saturday night and what you’ll wear to church on Sunday morning, she grudgingly has to admit that there are some things Lake Sackett does better than Chicago—including the dating prospects. Elementary school principal Kyle Archer is a fellow fish-out-of-water who volunteers to show Margot the picture-postcard side of Southern living. The two of them hit it off, but not everybody is happy to see an outsider snapping up one of the town's most eligible gentleman. Will Margot reel in her handsome fish, or will she have to release her latest catch?
| Author | : A. Rai |
| Publisher | : Springer |
| Total Pages | : 244 |
| Release | : 2002-06-14 |
| Genre | : History |
| ISBN | : 0312299176 |
The Rule of Sympathy is a social and historical critique of sympathy in British discourse in the late eighteenth and early nineteenth century. Although initially associated with feminized or effeminate forms of sentimental discourse (the romance, the novel, the gothic), sympathy came to function as a key technology of gender and race in new evangelical social movements, such as abolitionism and missionizing. Amit Rai argues that sympathy was a paradoxical mode of power. The differences of racial, gender and class inequalities that increasingly divided the object and agent of sympathy were precisely what must be bridged through identification. Yet without such differences, which were differences of power, sympathy itself would be impossible. This paradoxical mode of power transformed the ways in which people came to think of how best to manage, order, and govern individuals and populations in the late eighteenth century.
| Author | : Joseph Adamson |
| Publisher | : SUNY Press |
| Total Pages | : 296 |
| Release | : 1999-01-01 |
| Genre | : Psychology |
| ISBN | : 9780791439753 |
Explores the role of shame as an important affect in the complex psychodynamics of literary and philosophical works.
| Author | : Susan Foster |
| Publisher | : Routledge |
| Total Pages | : 293 |
| Release | : 2010-11-08 |
| Genre | : Art |
| ISBN | : 1136893458 |
"This is an urgently needed book – as the question of choreographing behavior enters into realms outside of the aesthetic domains of theatrical dance, Susan Foster writes a thoroughly compelling argument." – André Lepecki, New York University "May well prove to be one of Susan Foster’s most important works." – Ramsay Burt, De Montford University, UK What do we feel when we watch dancing? Do we "dance along" inwardly? Do we sense what the dancer’s body is feeling? Do we imagine what it might feel like to perform those same moves? If we do, how do these responses influence how we experience dancing and how we derive significance from it? Choreographing Empathy challenges the idea of a direct psychophysical connection between the body of a dancer and that of their observer. In this groundbreaking investigation, Susan Foster argues that the connection is in fact highly mediated and influenced by ever-changing sociocultural mores. Foster examines the relationships between three central components in the experience of watching a dance – the choreography, the kinesthetic sensations it puts forward, and the empathetic connection that it proposes to viewers. Tracing the changing definitions of choreography, kinesthesia, and empathy from the 1700s to the present day, she shows how the observation, study, and discussion of dance have changed over time. Understanding this development is key to understanding corporeality and its involvement in the body politic.
| Author | : David Marshall |
| Publisher | : University of Chicago Press |
| Total Pages | : 308 |
| Release | : 1988 |
| Genre | : Literary Criticism |
| ISBN | : 9780226507101 |
Through readings of works by Marivaux, Diderot, Rousseau, and Mary Shelley, David Marshall provides a new interpretation of the eighteenth-century preoccupation with theatricality and sympathy. Sympathy is seen not as an instance of sensibility or natural benevolence but rather as an aesthetic and epistemological problem that must be understood in relation to the problem of theatricality. Placing novels in the context of eighteenth-century writing about theater, fiction, and painting, Marshall argues that an unusual variety of authors and texts were concerned with the possibility of entering into someone else's thoughts and feelings. He shows how key eighteenth-century works reflect on the problem of how to move, touch, and secure the sympathy of readers and beholders in the realm of both "art" and "life." Marshall discusses the demands placed upon novels to achieve certain effects, the ambivalence of writers and readers about those effects, and the ways in which these texts can be read as philosophical meditations on the differences and analogies between the experiences of reading a novel, watching a play, beholding a painting, and witnessing the spectacle of someone suffering. The Surprising Effects of Sympathy traces the interaction of sympathy and theater and the artistic and philosophical problems that these terms represent in dialogues about aesthetics, moral philosophy, epistemology, psychology, autobiography, the novel, and society.
| Author | : Regina Morantz-Sanchez |
| Publisher | : Univ of North Carolina Press |
| Total Pages | : 501 |
| Release | : 2005-10-12 |
| Genre | : Medical |
| ISBN | : 0807876089 |
When first published in 1985, Sympathy and Science was hailed as a groundbreaking study of women in medicine. It remains the most comprehensive history of American women physicians available. Tracing the participation of women in the medical profession from the colonial period to the present, Regina Morantz-Sanchez examines women's roles as nurses, midwives, and practitioners of folk medicine in early America; recounts their successful struggles in the nineteenth century to enter medical schools and found their own institutions and organizations; and follows female physicians into the twentieth century, exploring their efforts to sustain significant and rewarding professional lives without sacrificing the other privileges and opportunities of womanhood. In a new preface, the author surveys recent scholarship and comments on the changing world of women in medicine over the past two decades. Despite extraordinary advances, she concludes, women physicians continue to grapple with many of the issues that troubled their predecessors.
| Author | : Dominique Battles |
| Publisher | : Taylor & Francis |
| Total Pages | : 213 |
| Release | : 2024-08-28 |
| Genre | : Literary Criticism |
| ISBN | : 1040091121 |
This is the first book-length exploration of the type-scenes of western medieval literature from the ninth to the fifteenth centuries, spanning both the Latinate and Germanic traditions. Type-scenes are the recurring, stock scenes comprising the basic structure and cognitive guidance for narrative. These formulaic scenes enabled medieval poets to express originality while honoring tradition. Central to medieval poetic invention, type-scenes form the vital “internal organs” of narrative, each serving a specialized function while working in concert with other organs to create and sustain the story. This accessible and engaging guide to medieval type-scenes consists of three parts: Part I is a compendium of the type-scenes commonly found in medieval narrative, including analyses of examples from individual poems. Part II explores combinations of type-scenes within single works of literature for purposes of chronology, characterization, or virtuosity. Part III examines how a single type-scene manifests across multiple poems, adapting to a variety of settings and periods, while maintaining its original intent. This volume kindles in scholars, teachers, and students alike a new and refreshing awareness of the foundational narrative strategies of medieval literature.
| Author | : Fritz Breithaupt |
| Publisher | : Cornell University Press |
| Total Pages | : 288 |
| Release | : 2019-06-15 |
| Genre | : Psychology |
| ISBN | : 1501735608 |
Many consider empathy to be the basis of moral action. However, the ability to empathize with others is also a prerequisite for deliberate acts of humiliation and cruelty. In The Dark Sides of Empathy, Fritz Breithaupt contends that people often commit atrocities not out of a failure of empathy but rather as a direct consequence of over-identification and a desire to increase empathy. Even well-meaning compassion can have many unintended consequences, such as intensifying conflicts or exploiting others. Empathy plays a central part in a variety of highly problematic behaviors. From mere callousness to terrorism, exploitation to sadism, and emotional vampirism to stalking, empathy all too often motivates and promotes malicious acts. After tracing the development of empathy as an idea in German philosophy, Breithaupt looks at a wide-ranging series of case studies—from Stockholm syndrome to Angela Merkel's refugee policy and from novels of the romantic era to helicopter parents and murderous cheerleader moms—to uncover how narcissism, sadism, and dangerous celebrity obsessions alike find their roots in the quality that, arguably, most makes us human.
| Author | : James Chandler |
| Publisher | : University of Chicago Press |
| Total Pages | : 453 |
| Release | : 2013-06-17 |
| Genre | : Literary Criticism |
| ISBN | : 022603495X |
In the middle of the eighteenth century, something new made itself felt in European culture—a tone or style that came to be called the sentimental. The sentimental mode went on to shape not just literature, art, music, and cinema, but people’s very structures of feeling, their ways of doing and being. In what is sure to become a critical classic, An Archaeology of Sympathy challenges Sergei Eisenstein’s influential account of Dickens and early American film by tracing the unexpected history and intricate strategies of the sentimental mode and showing how it has been reimagined over the past three centuries. James Chandler begins with a look at Frank Capra and the Capraesque in American public life, then digs back to the eighteenth century to examine the sentimental substratum underlying Dickens and early cinema alike. With this surprising move, he reveals how literary spectatorship in the eighteenth century anticipated classic Hollywood films such as Capra’s It Happened One Night, Mr. Deeds Goes to Town, and It’s a Wonderful Life. Chandler then moves forward to romanticism and modernism—two cultural movements often seen as defined by their rejection of the sentimental—examining how authors like Mary Shelley, Joseph Conrad, James Joyce, and Virginia Woolf actually engaged with sentimental forms and themes in ways that left a mark on their work. Reaching from Laurence Sterne to the Coen brothers, An Archaeology of Sympathy casts new light on the long eighteenth century and the novelistic forebears of cinema and our modern world.
