Satire in the Early English Drama
Author | : Eva Marie Campbell |
Publisher | : |
Total Pages | : 152 |
Release | : 1914 |
Genre | : English drama |
ISBN | : |
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Author | : Eva Marie Campbell |
Publisher | : |
Total Pages | : 152 |
Release | : 1914 |
Genre | : English drama |
ISBN | : |
Author | : Eva Marie Campbell |
Publisher | : |
Total Pages | : 140 |
Release | : 1914 |
Genre | : English drama |
ISBN | : |
Author | : Takeo Fujii |
Publisher | : |
Total Pages | : 226 |
Release | : 1983 |
Genre | : Comparative literature |
ISBN | : |
Author | : Donald Jerry White |
Publisher | : Hall Reference Books |
Total Pages | : 320 |
Release | : 1986 |
Genre | : Literary Criticism |
ISBN | : |
Author | : Sarah Ruhl |
Publisher | : ReadHowYouWant.com |
Total Pages | : 146 |
Release | : 2010-02 |
Genre | : Drama |
ISBN | : 1458766306 |
An incessantly ringing cell phone in a quiet caf. A stranger at the next table who has had enough. And a dead man - with a lot of loose ends. So begins Dead Man's Cell Phone, a wildly imaginative new comedy by playwright Sarah Ruhl, recipient of a MacArthur ''Genius'' Grant and Pulitzer Prize finalist for her play The Clean House. A work about how we memorialize the dead - and how that remembering changes us - it is the odyssey of a woman forced to confront her own assumptions about morality, redemption, and the need to connect in a technologically obsessed world. Sarah Ruhl's plays have been produced at theaters around the country, including Lincoln Center Theater, the Goodman Theatre, Arena Stage, South Coast Repertory, Yale Repertory Theatre, Berkeley Repertory Theatre, among others, and internationally. She is the recipient of the Susan Smith Blackburn Prize (for The Clean House, 2004), the Helen Merrill Emerging Playwrights Award, and the Whiting Writers' Award. The Clean House was a Pulitzer Prize finalist in 2005. She is a member of 13P and New Dramatists.
Author | : Eva Marie Campbell |
Publisher | : [Folcroft, Pa.] : Folcroft Library Editions |
Total Pages | : 152 |
Release | : 1974 |
Genre | : Literary Criticism |
ISBN | : |
Author | : Ruben Quintero |
Publisher | : John Wiley & Sons |
Total Pages | : 624 |
Release | : 2008-04-15 |
Genre | : Literary Criticism |
ISBN | : 1405171995 |
This collection of twenty-nine original essays, surveys satire fromits emergence in Western literature to the present. Tracks satire from its first appearances in the prophetic booksof the Old Testament through the Renaissance and the Englishtradition in satire to Michael Moore’s satirical movieFahrenheit 9/11. Highlights the important influence of the Bible in the literaryand cultural development of Western satire. Focused mainly on major classical and European influences onand works of English satire, but also explores the complex andfertile cultural cross-semination within the tradition of literarysatire.
Author | : John D. Cox |
Publisher | : Columbia University Press |
Total Pages | : 590 |
Release | : 1997 |
Genre | : Drama |
ISBN | : 9780231102438 |
Twenty-six original essays by leading theorists and historians of the pre-seventeenth-century English stage chart a paradigmatic shift within the field. In contrast to the traditional emphasis on individual authors, the contributors to this storehouse of new historical information and critical insight explore the place of the stage within the larger society, as well as issues of performance and physical space, providing an innovative approach to both literary studies and cultural history.
Author | : Ben Parsons |
Publisher | : DS Brewer |
Total Pages | : 310 |
Release | : 2012 |
Genre | : Drama |
ISBN | : 1843842912 |
"During the Middle Ages and early modern period, a dramatic culture of astonishing vitality developed in the Low Countries. Owing to the activities of organizations known as rederijkerskamers, or "chambers of rhetoric", dramas became a central aspect of public life in the cities of the Netherlands. The comedies produced by these groups are particularly interesting. Drawing their forms and narratives from folklore and popular ritual, and entertaining in their own right, they also bring together a range of important concerns; they respond directly to some of the key developments in the period, reflecting the political and religious turmoil of the Reformation and Dutch Revolt, the emergence of humanism, and the appearance of an early capitalist economy. This collection brings together the original Middle Dutch text of ten of these comic plays, with facing translation into modern English. The selection is divided evenly between formal stage-plays and monologues, and provides a representation of the full range of rederijker drama, from the sophisticated Farce of the Fisherman, with its sly undermining of audience expectation, to the hearty scatology of A Mock-Sermon on Saint Nobody, and the grim gallows humor of The Farce of the Beggar. An introduction and notes place the plays in their context and elucidate difficulties of interpretation." --from back cover.