Satire In An Age Of Realism
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Author | : Aaron Matz |
Publisher | : Cambridge University Press |
Total Pages | : |
Release | : 2010-07-15 |
Genre | : Literary Criticism |
ISBN | : 1139488317 |
As nineteenth-century realism became more and more intrepid in its pursuit of describing and depicting everyday life, it blurred irrevocably into the caustic and severe mode of literature better named satire. Realism's task of portraying the human became indistinguishable from satire's directive to castigate the human. Introducing an entirely new way of thinking about realism and the Victorian novel, Aaron Matz refers to the fusion of realism and satire as 'satirical realism': it is a mode in which our shared folly and error are so entrenched in everyday life, and so unchanging, that they need no embellishment when rendered in fiction. Focusing on the novels of Eliot, Hardy, Gissing, and Conrad, and the theater of Ibsen, Matz argues that it was the transformation of Victorian realism into satire that granted it immense moral authority, but that led ultimately to its demise.
Author | : Aaron Matz |
Publisher | : Cambridge University Press |
Total Pages | : 240 |
Release | : 2010-07-15 |
Genre | : Literary Criticism |
ISBN | : 9780521197380 |
As nineteenth-century realism became more and more intrepid in its pursuit of describing and depicting everyday life, it blurred irrevocably into the caustic and severe mode of literature better named satire. Realism's task of portraying the human became indistinguishable from satire's directive to castigate the human. Introducing an entirely new way of thinking about realism and the Victorian novel, Aaron Matz refers to the fusion of realism and satire as 'satirical realism': it is a mode in which our shared folly and error are so entrenched in everyday life, and so unchanging, that they need no embellishment when rendered in fiction. Focusing on the novels of Eliot, Hardy, Gissing, and Conrad, and the theater of Ibsen, Matz argues that it was the transformation of Victorian realism into satire that granted it immense moral authority, but that led ultimately to its demise.
Author | : Aaron Matz |
Publisher | : Cambridge University Press |
Total Pages | : 265 |
Release | : 2021-07-15 |
Genre | : Literary Criticism |
ISBN | : 1108839274 |
An expansive study of the novel's moral ambivalence toward procreation, from the nineteenth century through modernism to the present.
Author | : Amy L. Friedman |
Publisher | : Rowman & Littlefield |
Total Pages | : 223 |
Release | : 2019-10-16 |
Genre | : Literary Criticism |
ISBN | : 1498571972 |
Postcolonial Satire: Indian Fiction and the Reimagining of Menippean Satire positions postcolonial South Asian satiric fiction in both the cutting-edge territory of political resistance writing and the ancient tradition of Menippean satire. Postcolonial Satire aims to disrupt the relationship between postcolonial literature and magic realism, by discussing the work of writers such as G. V. Desani, Aubrey Menen, Salman Rushdie, and Irwin Allan Sealy as one movement into the entirely subversive realm of satire. Indian fiction, and the fiction of other colonized cultures, can be re-construed through the lens of satire as openly critical of a broad spectrum of political and cultural issues. Employing the strengths of postcolonial theory and criticism, Postcolonial Satire expands upon the postcolonial works of these authors by analyzing them as satire, rather than magical realism with satirical elements.
Author | : Jonathan Greenberg |
Publisher | : Cambridge University Press |
Total Pages | : 335 |
Release | : 2019 |
Genre | : Humor |
ISBN | : 1107030188 |
Provides a comprehensive overview for both beginning and advanced students of satiric forms from ancient poetry to contemporary digital media.
Author | : George Gissing |
Publisher | : |
Total Pages | : 352 |
Release | : 1891 |
Genre | : Authors |
ISBN | : |
Author | : Linda M. Austin |
Publisher | : Cambridge University Press |
Total Pages | : 281 |
Release | : 2018-06-14 |
Genre | : Art |
ISBN | : 110842855X |
Shows how the scientific question, 'Are we automata?', was addressed in late nineteenth-century literature and the arts.
Author | : Dmitrij Tschižewskij |
Publisher | : Vanderbilt University Press |
Total Pages | : 236 |
Release | : 1974 |
Genre | : Russian literature |
ISBN | : 9780826511904 |
Author | : Terry Lindvall |
Publisher | : NYU Press |
Total Pages | : 376 |
Release | : 2015-11-13 |
Genre | : Humor |
ISBN | : 1479883824 |
Winner of the 2016 Religious Communication Association Book of the Year Award In God Mocks, Terry Lindvall ventures into the muddy and dangerous realm of religious satire, chronicling its evolution from the biblical wit and humor of the Hebrew prophets through the Roman Era and the Middle Ages all the way up to the present. He takes the reader on a journey through the work of Chaucer and his Canterbury Tales, Cervantes, Jonathan Swift, and Mark Twain, and ending with the mediated entertainment of modern wags like Stephen Colbert. Lindvall finds that there is a method to the madness of these mockers: true satire, he argues, is at its heart moral outrage expressed in laughter. But there are remarkable differences in how these religious satirists express their outrage.The changing costumes of religious satirists fit their times. The earthy coarse language of Martin Luther and Sir Thomas More during the carnival spirit of the late medieval period was refined with the enlightened wit of Alexander Pope. The sacrilege of Monty Python does not translate well to the ironic voices of Soren Kierkegaard. The religious satirist does not even need to be part of the community of faith. All he needs is an eye and ear for the folly and chicanery of religious poseurs. To follow the paths of the satirist, writes Lindvall, is to encounter the odd and peculiar treasures who are God’s mouthpieces. In God Mocks, he offers an engaging look at their religious use of humor toward moral ends.
Author | : James Walter McFarlane |
Publisher | : Cambridge University Press |
Total Pages | : 302 |
Release | : 1994 |
Genre | : Drama |
ISBN | : 9780521423212 |
In the history of modern theatre, Ibsen is one of the dominating figures. The sixteen chapters of this 1994 Companion explore his life and work, providing an invaluable reference work for students. In chronological terms they range from an account of Ibsen's earliest pieces, through the years of rich experimentation, to the mature 'Ibsenist' plays that made him famous towards the end of the nineteenth century. Among the thematic topics are discussions of Ibsen's comedy, realism, lyric poetry and feminism. Substantial chapters account for Ibsen's influence on the international stage and his challenge to theatre and film directors and playwrights today. Essential reference materials include a full chronology, list of works and essays on twentieth-century criticism and further reading.