Sanskrit Of The Body
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| Author | : William Keckler |
| Publisher | : Penguin |
| Total Pages | : 82 |
| Release | : 2003-05-27 |
| Genre | : Poetry |
| ISBN | : 1101176962 |
In this mesmerizing debut collection, chosen by Mary Oliver for the National Poetry Series, we’re witness to an expansive travelogue of the human spirit that moves throughtfully through multiples ages, cultures, and beings. Each poem explores in depth, through pensive, evocative images, aspects of the human condition and their place within the rich continuum of animal existence. W.B. Keckler presents these poems in a fugal form, uniting the individual works in what he describes as a “holistic formalism” that reveals the poems’ powerful collective meaning. Lives and afterlives are explored with equal care as Keckler attempts to restore the concept of “spirit” in a modern world often overwhelmed by materialistic priorities. “Readers will find these poems lively and pleasurable. They are deft and rich in language, grounded in the actual—even the ordinary—yet admitting into their brief structures a deeper existence of strangeness, or mystery. Which is to say, that they have entered the true realm of the poetry. In a literary age pleached with sameness, this book is a bright and swirling original.”—Mary Oliver
| Author | : Phillip Moffitt |
| Publisher | : North Atlantic Books |
| Total Pages | : 257 |
| Release | : 2017-09-05 |
| Genre | : Body, Mind & Spirit |
| ISBN | : 1623171911 |
This “beautiful” illustrated guide for meditation and yoga students of all spiritual traditions “offers subtle and vast teachings on the mystery of the body and mind” (Jack Kornfield, author of No Time Like the Present). Based on meditation practices Phillip Moffitt learned twenty years ago from Himalayan yoga master Sri Swami Balyogi Premvarni, this beautifully illustrated book is a guide to exploring the nature of mind and gaining a better understanding of experiences that arise during meditation. The Nine Bodies teachings map out a journey that starts with consciousness that arises in the physical body and is directly observable, and then travels through ever more subtle levels of consciousness to that which is not manifest and is only potential, and therefore has to be inferred. The book includes a series of mysterious illustrations that Balyogi created during his time of intense Samadhi explorations. Each illustration is a rich composition of symbols that express aspects of inner experiences that are almost impossible to express with language. Moffitt makes these teachings available for meditation students from all spiritual traditions to use as gateways for exploring the nature of mind and as additional means for tracking and classifying meditative experiences. Students of yoga will also find value in the teachings of the Nine Bodies as they provide a means for contextualizing and connecting with yogic teachings on chakras, koshas, gunas, and the Three Bodies.
| Author | : Sarah Coakley |
| Publisher | : Cambridge University Press |
| Total Pages | : 336 |
| Release | : 1997 |
| Genre | : Religion |
| ISBN | : 9780521783866 |
A rich source for comparative studies of the 'body', and of its relation to society.
| Author | : Vidya Dehejia |
| Publisher | : Columbia University Press |
| Total Pages | : 262 |
| Release | : 2009-02-26 |
| Genre | : History |
| ISBN | : 9780231512664 |
The sensuous human form-elegant and eye-catching-is the dominant feature of premodern Indian art. From the powerful god Shiva, greatest of all yogis and most beautiful of all beings, to stone dancers twisting along temple walls, the body in Indian art is always richly adorned. Alankara (ornament) protects the body and makes it complete and attractive; to be unornamented is to invite misfortune. In The Body Adorned, Vidya Dehejia, who has dedicated her career to the study of Indian art, draws on the literature of court poets, the hymns of saints and acharyas, and verses from inscriptions to illuminate premodern India's unique treatment of the sculpted and painted form. She focuses on the coexistence of sacred and sensuous images within the common boundaries of Buddhist, Jain, and Hindu "sacred spaces," redefining terms like "sacred" and "secular" in relation to Indian architecture. She also considers the paradox of passionate poetry, in which saints praised the sheer bodily beauty of the divine form, and nonsacred Rajput painted manuscripts, which freely inserted gods into the earthly realm of the courts. By juxtaposing visual and literary sources, Dehejia demonstrates the harmony between the sacred and the profane in classical Indian culture. Her synthesis of art, literature, and cultural materials not only generates an all-inclusive picture of the period but also revolutionizes our understanding of the cultural ethos of premodern India.
| Author | : Nisha Ramayya |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2019 |
| Genre | : SCOTBIB 2019 |
| ISBN | : 9781999675943 |
Love is a many-headed snake in Nisha Ramayya's debut poetry collection, twisting its way through devotion, sacrifice, and bliss. Seeking a way home, Ramayya discovers that homecoming - the impossible return - is a process of make-believe and magical thinking across Britain, India, and the infinite expanse. Ramayya's visionary poetry traces an opalescent, treacherous world by way of heritage, ritual, and myth. Thousand-petalled lotuses bloom inside skulls, goddesses with dirty feet charm honeybees, strains of jazz standards bleed into anti-national anthems. Meditating on diasporic identity and relationships, her writing roams the Indo-European language family, finds consolation in genealogies of decolonial and anti-racist resistance, and roots itself in the movements between ancient Sanskrit texts and contemporary feminist prose poems. In Ramayya's hands, the body assumes many forms as love produces many states: attraction and repulsion, excitement and exhaustion, selfishness and the dissolution of self. Desire, eroticism, and care contain the possibilities of shame, fury, and destruction. Moving towards and away from love, being translated and transformed by love, suffering under love and refusing its power - the poems in this book never leave love's hold.
| Author | : Friedrich Max Müller |
| Publisher | : |
| Total Pages | : 590 |
| Release | : 1876 |
| Genre | : Comparative linguistics |
| ISBN | : |
| Author | : Friedrich Max Müller |
| Publisher | : |
| Total Pages | : 586 |
| Release | : 1884 |
| Genre | : Comparative linguistics |
| ISBN | : |
| Author | : Steven P. Hopkins |
| Publisher | : Oxford University Press |
| Total Pages | : 365 |
| Release | : 2002-04-18 |
| Genre | : Literary Criticism |
| ISBN | : 0195127358 |
'Singing the Body of God' is a study of the devotional poetry of the 14th-century poet-philosopher Vedāntadeśika, one of the most influential figures in the Hindu tradition of Sri-Vaishnavism.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 970 |
| Release | : 2015-12-22 |
| Genre | : Religion |
| ISBN | : 9004299823 |
In The Indian System of Human Marks, Zysk offers a literary history of the Indian system of knowledge, which details divination by means of the marks on the bodies of both men and women. In addition to a historical analysis, the work includes texts and translations of the earliest treatises in Sanskrit. This is followed by a detailed philological analysis of the texts and annotations to the translations. The history follows the Indian system’s evolution from its roots in ancient Mesopotamian collections of omen on the human body to modern-day practice in Rajasthan in the north and Tamilnadu in the south. A special feature of the book is Zysk’s edition and translation of the earliest textual collection of the system in the Gargīyajyotiṣa from the 1st century CE. The system of human marks is one of the few Indian textual sources that links ancient India with the antique cultures of Mesopotamia and Greece.
| Author | : George S. Mentz |
| Publisher | : John Hunt Publishing |
| Total Pages | : 113 |
| Release | : 2016-01-29 |
| Genre | : Self-Help |
| ISBN | : 1785352040 |
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