Samuel Beckett And The Bible
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| Author | : Iain Bailey |
| Publisher | : Bloomsbury Academic |
| Total Pages | : 0 |
| Release | : 2015-07-30 |
| Genre | : Literary Criticism |
| ISBN | : 9781474250252 |
From Waiting for Godot to such later novels as Ill Seen, Ill Said, the work of Samuel Beckett is filled with Biblical references. Samuel Beckett and the Bible re-appraises the relationships between Beckett's work and the Bible, exploring both as objects of history, matter and memory. Iain Bailey ranges across the Beckett oeuvre to examine how the Bible has come to be regarded as a book of unique significance in his work, offering innovative readings of intertextuality and influence in both published and archival writings. Beckett's Bibles, the book demonstrates, are thoroughly material, as significant for their involvement in histories of education, the family, common knowledge and canon-formation as for what they have to say about God, hope and salvation. The book explores Beckett's uneasy forms of memory, materiality, language and history to assess how far and in what ways the Bible matters in his work, and why Beckett's voice 'harps, but no worse than Holy Writ.'
| Author | : Sharon Jebb |
| Publisher | : Wipf and Stock Publishers |
| Total Pages | : 290 |
| Release | : 2011-05-01 |
| Genre | : Religion |
| ISBN | : 1498274129 |
Contemporary literature has, for several decades and in various guises, been dominated by questions of identity and the self. It has been forgotten that, until the Enlightenment, theological reflection emphasized the close connectedness of the self with God; knowledge of God is essential to knowledge of the self; and vice-versa, correct knowledge of the self is a necessary correlate to true knowledge of God. This has been called the double knowledge. Writing God and the Self examines two literary texts and lives as representative of two antithetical positions. The first, represented by Samuel Beckett's life and his Three Novels, is that the self is independent of God; the second, represented by C. S. Lewis and Till We Have Faces, is that God and the self are intimately connected. Beckett's radical apophaticism about God is shown to be tied to his extreme apophaticism about the self, whereas Lewis's sense of selfhood is demonstrated to be integrally connected to his sense of a personal and self-transcending God. Other voices--Augustine, Teresa of Avila, Charles Taylor, Rowan Williams, Mark McIntosh and Vladimir Lossky--join the chorus of theologians, psychologists, and other thinkers, past and present, that contribute to this exploration of what Christian theology has to say about the insistent problem of the self. Taken together, all these voices articulate a powerful vision of selfhood in relation to God that is desperately needed today.
| Author | : Wimbush Andy |
| Publisher | : BoD – Books on Demand |
| Total Pages | : 292 |
| Release | : 2020-06-18 |
| Genre | : Philosophy |
| ISBN | : 3838213696 |
In the 1930s, a young Samuel Beckett confessed to a friend that he had been living his life according to an ‘abject self-referring quietism’. Andy Wimbush argues that ‘quietism’—a philosophical and religious attitude of renunciation and will-lessness—is a key to understanding Beckett’s artistic vision and the development of his career as a fiction writer from his early novels Dream of Fair to Middling Women and Murphy to late short prose texts such as Stirrings Still and Company. Using Beckett’s published and archival material, Still: Samuel Beckett’s Quietism shows how Beckett distilled an understanding of quietism from the work of Arthur Schopenhauer, E.M. Cioran, Thomas à Kempis, Fyodor Dostoevsky, and André Gide, before turning it into an aesthetic that would liberate him from the powerful literary traditions of nineteenth-century realism and early twentieth-century high modernism. Quietism, argues Andy Wimbush, was for Beckett a lifelong preoccupation that shaped his perspectives on art, relationships, ethics, and even notions of salvation. But most of all it showed Beckett a way to renounce authorial power and write from a position of impotence, ignorance, and incoherence so as to produce a new kind of fiction that had, in Molloy’s words, the ‘tranquility of decomposition’.
| Author | : Dirk Van Hulle |
| Publisher | : Cambridge University Press |
| Total Pages | : 331 |
| Release | : 2013-06-28 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1107001269 |
The first study to assess the importance of the marginalia, inscriptions, and other manuscript notes in the 750 volumes of Samuel Beckett's personal library.
| Author | : John Calder |
| Publisher | : Calder Publications |
| Total Pages | : 0 |
| Release | : 2018-10-30 |
| Genre | : Literary Collections |
| ISBN | : 9780714543833 |
John Calder analyzes the dualism of Beckett's theological writing, his debt to the Gnostics, Manichaeism and Geulincx in particular, the presence of ghosts in his work, and why his late writing has received so little attentionLike all the greatest writers, Samuel Beckett was primarily interested in discovering the meaning and purpose of life and of the world into which we are born. Knowledgeable about the religion his family and education instilled in him, which as an adult he could neither accept nor reject, he used it extensively in his novels, plays, and poetry. Beckett's works also explored philosophy and the imaginative world of Dante and Milton, as well as the theories of Darwin and scientific speculation, in order to create a literature that investigates human destiny more deeply and originally than any other writer had done before.This studywill open up the much underestimated Beckett to deeper understanding and provide enjoyment to the many who have become convinced that this once derided author is one of the major literary figures of his time."
| Author | : Richard Ellmann |
| Publisher | : McGill-Queen's Press - MQUP |
| Total Pages | : 534 |
| Release | : 1989 |
| Genre | : Fiction |
| ISBN | : 9780773507074 |
Richard Ellmann's scholarly work is notable for its striking liveliness and clarity and its genuine illumination of the writers and works with which he dealt. His life of James Joyce, published in 1959, received more commendation and critical praise than any previous literary biography.
| Author | : Harold BLOOM |
| Publisher | : Harvard University Press |
| Total Pages | : 218 |
| Release | : 2009-06-30 |
| Genre | : Literary Criticism |
| ISBN | : 0674023102 |
Bloom surveys with majestic view the literature of the West from the Old Testament to Samuel Beckett. He provocatively rereads the Yahwist (or J) writer, Jeremiah, Job, Jonah, the Iliad, the Aeneid, Dante's Divine Comedy, Hamlet, King Lear, Othello, the Henry IV plays, Paradise Lost, Blake's Milton, Wordsworth's Prelude, and works by Freud, Kafka, and Beckett. In so doing, he uncovers the truth that all our attempts to call any strong work more sacred than another are merely political and social formulations. This is criticism at its best. Table of Contents: 1. The Hebrew Bible 2. From Homer to Dante 3. Shakespeare 4. Milton 5. Enlightenment and Romanticism 6. Freud and Beyond Reviews of this book: Bloom's puissance is not entirely his own; for some of it, he is indebted to Nietzsche, Freud, Schopenhauer, Gershom Scholem, and other masters. But enough of it is his own to constitute a distinctive form of splendor. --Denis Donoghue, New York Review of Books Reviews of this book: The wit, the eclecticism and the gripping paradoxes...the force of [Bloom's] intellect carries the reader from pinnacle to pinnacle, showing a new spiritual landscape from each. --Roger Scruton, Washington Times Reviews of this book: In some ways the wildest of the wild men (and women), in some ways the most traditional of the traditionalists, Harold Bloom remains serene amid the turbulence--much of it caused by him. He stands dauntless, a party of one, as thrilling to behold up on the high wire as he is (at times) throttling to read on the page...From this strong critic dealing with these strong poets comes a potent mix of insight. --Mark Feeney, Boston Globe
| Author | : Lois Oppenheim |
| Publisher | : Routledge |
| Total Pages | : 326 |
| Release | : 2021-05-18 |
| Genre | : Art |
| ISBN | : 1000378519 |
This book, first published in 1999, addresses Beckett’s visual and musical sensibilities, and examines his visionary use of such diverse modes of creative expression as stage, radio, television and film, when his medium was the written word. The first section of the book focuses on music; the second part analyses the visual arts; and the third part examines film, radio and television. This book uncovers aspects of his thinking on, and use of the arts that have been little studied, including the nonfigurative function of music and art in Beckett’s work; the ‘collaborations’ undertaken by composers, painters and choreographers with his texts; the relation of his literary to his visual and musical artistry; and his use of film, radio and television as innovative means and celebration of artistic process.
| Author | : Samuel Beckett |
| Publisher | : Psychology Press |
| Total Pages | : 832 |
| Release | : 2001 |
| Genre | : Drama |
| ISBN | : 9780815337676 |
This book contains the English and French texts and a complete record of the genesis of each. Besides Comment C'est How It Is, O'Reilly has included L'Image and an excerpt from Comment C'est that was published later in another volume.
| Author | : Robert Alter |
| Publisher | : Harvard University Press |
| Total Pages | : 700 |
| Release | : 1990-09 |
| Genre | : Literary Criticism |
| ISBN | : 9780674875319 |
Rediscover the incomparable literary richness and strength of a book that all of us live with an many of us live by. An international team of renowned scholars, assembled by two leading literary critics, offers a book-by-book guide through the Old and New Testaments as well as general essays on the Bible as a whole, providing an enticing reintroduction to a work that has shaped our language and thought for thousands of years.
