Salish Weaving
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Salish Blankets
Author | : Leslie H. Tepper |
Publisher | : U of Nebraska Press |
Total Pages | : 217 |
Release | : 2017-07-01 |
Genre | : Social Science |
ISBN | : 0803296924 |
"A wide-ranging cultural study that explores Coast Salish weaving and culture through technical and anthropological approaches."--Provided by publisher.
Peace Weavers
Author | : Candace Wellman |
Publisher | : Washington State University Press |
Total Pages | : 383 |
Release | : 2020-10-14 |
Genre | : History |
ISBN | : 0874223911 |
Throughout the mid-1800s, outsiders, including many Euro-Americans, arrived in what is now northwest Washington. As they interacted with Samish, Lummi, S’Klallam, Sto:lo, and other groups, some of the men sought relationships with young local women. Hoping to establish mutually beneficial ties, Coast and Interior Salish families arranged strategic cross-cultural marriages. Some pairs became lifelong partners while other unions were short. These were crucial alliances that played a critical role in regional settlement and spared Puget Sound’s upper corner from the tragic conflicts other regions experienced. Accounts of the men, who often held public positions--army officer, Territorial Supreme Court justice, school superintendent, sheriff--exist in a variety of records. Some, like the nephew of Confederate President Jefferson Davis, were from prominent eastern families. Yet across the West, the contributions of their native wives remain unacknowledged. The women’s lives were marked by hardships and heartbreaks common for the time, but the four profiled--Caroline Davis Kavanaugh, Mary Fitzhugh Lear Phillips, Clara Tennant Selhameten, and Nellie Carr Lane--exhibited exceptional endurance, strength, and adaptability. Far from helpless victims, they influenced their husbands and controlled their homes. Remembered as loving mothers and good neighbors, they ran farms, nursed and supported family, served as midwives, and operated businesses. They visited relatives and attended ancestral gatherings, often with their children. Each woman’s story is uniquely hers, but together they and other intermarried women helped found Puget Sound communities and left lasting legacies. They were peace weavers. Author Candace Wellman hopes to shatter stereotypes surrounding these relationships. Numerous collaborators across the United States and Canada--descendants, local historians, academics, and more--graciously participated in her seventeen-year effort.
Red Paint
Author | : Sasha LaPointe |
Publisher | : Catapult |
Total Pages | : 241 |
Release | : 2023-03-07 |
Genre | : Biography & Autobiography |
ISBN | : 1640095888 |
An Indigenous artist blends the aesthetics of punk rock with the traditional spiritual practices of the women in her lineage in this bold, contemporary journey to reclaim her heritage and unleash her power and voice while searching for a permanent home Sasha taqʷšəblu LaPointe has always longed for a sense of home. When she was a child, her family moved around frequently, often staying in barely habitable church attics and trailers, dangerous places for young Sasha. With little more to guide her than a passion for the thriving punk scene of the Pacific Northwest and a desire to live up to the responsibility of being the namesake of her beloved great-grandmother—a linguist who helped preserve her Indigenous language of Lushootseed—Sasha throws herself headlong into the world, determined to build a better future for herself and her people. Set against a backdrop of the breathtaking beauty of Coast Salish ancestral land and imbued with the universal spirit of punk, Red Paint is ultimately a story of the ways we learn to find our true selves while fighting for our right to claim a place of our own. Examining what it means to be vulnerable in love and in art, Sasha offers up an unblinking reckoning with personal traumas amplified by the collective historical traumas of colonialism and genocide that continue to haunt native peoples. Red Paint is an intersectional autobiography of lineage, resilience, and, above all, the ability to heal.
Working with Wool
Author | : Sylvia Olsen |
Publisher | : Sono NIS Press |
Total Pages | : 328 |
Release | : 2010-01-01 |
Genre | : Coast Salish Indians |
ISBN | : 9781550391770 |
The Raven's Tail
Author | : Cheryl Samuel |
Publisher | : UBC Press |
Total Pages | : 169 |
Release | : 2011-11-01 |
Genre | : Art |
ISBN | : 0774843187 |
To produce this book, Cheryl Samuel travelled to Leningrad, Copenhagen, and London to examine the six robes in Europe. She also studied the robes housed in museums in Canada and the United States. In 1985, she reconstructed Chief Kotlean's robe, using information she had gathered from her study of the actual robes and Tikhanov's paintings. In the process, she resurrected an old weaving style no longer used by the Native people on the northern coast. Through her extensive and careful research, Cheryl Samuel makes an important contribution to the knowledge of early Indian weaving.
Brushed by Cedar, Living by the River
Author | : Crisca Bierwert |
Publisher | : University of Arizona Press |
Total Pages | : 344 |
Release | : 1999-03 |
Genre | : Social Science |
ISBN | : 9780816519194 |
A brilliant, experimental ethnography, Brushed by Cedar is destined to change the way anthropologists write about the people they befriend. Crisca Bierwert has created a fresh poststructural ethnography that offers new insights into Coast Salish cultures. Arguing against the existence of a master narrative, she presents her understanding of these Native American peoples of Washington state and British Columbia, Canada, through poetic bricolage, offering the reader a pastiche of rich cultural images. Bierwert employs postmodern literary and social analyses to examine many aspects of Salish culture: legends and their storytellers; domestic violence; longhouse ceremonies; the importance and power of place; and disputes over fishing rights. Her reflections overlap as a dialogue would, weaving throughout the book significant threads of Salish knowledge and creating a nonauthoritative text that nonetheless speaks knowingly. This book represents the future of contemporary anthropology. Unlike traditional ethnography, it makes no attempt to portray a complete picture of the Coast Salish. Instead, Bierwert utilizes a critical and diffuse approach that defies colonial, syncretic, and hegemonic structures and applies advanced literary theory to the creation of ethnography. Brushed by Cedar is an important guideline for anyone who writes about other cultures and will be expecially useful to classes in the methodology and history of ethnography, as well as to scholars specializing in Native American studies or oral literatures.
Re-awakening Ancient Salish Sea Basketry
Author | : Ed Carriere |
Publisher | : |
Total Pages | : 266 |
Release | : 2018 |
Genre | : Coast Salish Indians |
ISBN | : 9781973968221 |
Re-Awakening Ancient Salish Sea Basketry: Fifty Years of Basketry Studies in Culture and Science traces the evolution of traditional basketmaking on the Northwest Coast of North America from thousands of years ago to contemporary times. The book is the result of a collaboration between Mr. Ed Carriere, Suquamish Elder and Master Basketmaker, and Dr. Dale Croes, Northwest archaeologist specializing in ancient basketry and excavation of Northwest Coast waterlogged sites (also known as "wet sites"). Both men have spent over 50 years of their lives exploring their mutual interest in the art of basketry. Re-Awakening Ancient Salish Sea Basketry explores the lives of these two basketry specialists; describes their analyses of the 2,000-year-old basketry collection from the Biderbost wet-site, Snoqualmie Tribal Territory, currently housed at the University of Washington Burke Museum Archaeology Program; describes their development of Generationally-Linked Archaeology, a new approach that connects contemporary cultural specialists with ancient and ancestral specialists through collaboration with archaeologists; and details the sharing of their efforts with cultural audiences, such as the Northwest Native American Basketweavers Association, and scientific audiences, such as the annual Northwest Anthropological Conference. The book concludes with the authors' reflection on the contributions that ancient sites and artifacts can make to community cultural perpetuation efforts.
A Companion to Textile Culture
Author | : Jennifer Harris |
Publisher | : John Wiley & Sons |
Total Pages | : 528 |
Release | : 2020-09-16 |
Genre | : Design |
ISBN | : 1118768906 |
A lively and innovative collection of new and recent writings on the cultural contexts of textiles The study of textile culture is a dynamic field of scholarship which spans disciplines and crosses traditional academic boundaries. A Companion to Textile Culture is an expertly curated compendium of new scholarship on both the historical and contemporary cultural dimensions of textiles, bringing together the work of an interdisciplinary team of recognized experts in the field. The Companion provides an expansive examination of textiles within the broader area of visual and material culture, and addresses key issues central to the contemporary study of the subject. A wide range of methodological and theoretical approaches to the subject are explored—technological, anthropological, philosophical, and psychoanalytical, amongst others—and developments that have influenced academic writing about textiles over the past decade are discussed in detail. Uniquely, the text embraces archaeological textiles from the first millennium AD as well as contemporary art and performance work that is still ongoing. This authoritative volume: Offers a balanced presentation of writings from academics, artists, and curators Presents writings from disciplines including histories of art and design, world history, anthropology, archaeology, and literary studies Covers an exceptionally broad chronological and geographical range Provides diverse global, transnational, and narrative perspectives Included numerous images throughout the text to illustrate key concepts A Companion to Textile Culture is an essential resource for undergraduate and postgraduate students, instructors, and researchers of textile history, contemporary textiles, art and design, visual and material culture, textile crafts, and museology.
Contemporary Coast Salish Art
Author | : Rebecca Blanchard |
Publisher | : University of Washington Press |
Total Pages | : 98 |
Release | : 2005-01-01 |
Genre | : Art |
ISBN | : 9780295984865 |
By carving, weaving, and painting their stories into ceremonial and utilitarian objects, Coast Salish artists render tangible the words and ideas that have been the architecture of this remarkable Pacific Northwest Coast culture. The Coast Salish tribes have developed a culture that was and still is shared orally, steeped in the ritual and beauty of storytelling and mythology. Infused with centuries of sacred teaching, these accounts hold the secrets to the spiritual, political, social, and economic well-being of tribal life. As a testament to their cultural resilience, increasing numbers of contemporary Coast Salish artists have embraced the new materials that "progress" has bestowed--glass, concrete, and steel - juxtaposing ancient images with modern materials. Contemporary Coast Salish Artpresents the work of twenty artists, whose work ranges from traditional forms such as basketry and weaving to modern glass sculpture. The artists featured here - including Bruce Miller, Marvin Oliver, Shaun Peterson, and Susan Point, the progenitors of this movement--perpetuate and expand their ancestors' traditions through their lifelong commitment to visually interpret and rejoice in all the manifestations of their culture. Steven C. Browncontributes a thought-provoking review of the history of Coast Salish culture, incorporating an analysis of its formal elements while placing it in the context of the northern and southern artistic traditions of the region.Barbara Brothertoncelebrates the renaissance of the Coast Salish style. Many of the artists describe, in their own words, the Native legends that have inspired their work. The result is a unique and invaluable overview of a vibrant body of work that is both innovative and grounded in tradition. Rebecca BlanchardandNancy Davenportare co-directors of the Stonington Gallery in Seattle, Washington.Steven C. Brown, author ofNative Visions: Evolution in Northwest Coast Art from the Eighteenth through the Twentieth Century, is an independent researcher and artist.Barbara Brothertonis curator of Native American art at the Seattle Art Museum.