Russian Literature And Psychoanalysis
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Author | : Daniel Rancour-Laferriere |
Publisher | : John Benjamins Publishing |
Total Pages | : 496 |
Release | : 1989-01-01 |
Genre | : Literary Criticism |
ISBN | : 9027215367 |
This is a collection of psychoanalytical essays on a broad spectrum of well-known Russian authors, such as Puskin, Dostoevsky, Gogol, Belyj, Tjutcev, Axmatova, and Nabokov. The volume includes some reprints, among which a contribution by Sigmund Freud on Dostoevsky and Parricide'. The majority of the contributions are original publications by present-day specialists in the field. This is a book which may benefit literary scholars as well as professional psychoanalysts.
Author | : Daniel Rancour-Laferriere |
Publisher | : John Benjamins Publishing |
Total Pages | : 497 |
Release | : 1989-01-01 |
Genre | : Literary Criticism |
ISBN | : 9027278423 |
This is a collection of psychoanalytical essays on a broad spectrum of well-known Russian authors, such as Puskin, Dostoevsky, Gogol, Belyj, Tjutcev, Axmatova, and Nabokov. The volume includes some reprints, among which a contribution by Sigmund Freud on Dostoevsky and Parricide'. The majority of the contributions are original publications by present-day specialists in the field. This is a book which may benefit literary scholars as well as professional psychoanalysts.
Author | : Catriona Kelly |
Publisher | : Cambridge University Press |
Total Pages | : 340 |
Release | : 2000-03-09 |
Genre | : Literary Criticism |
ISBN | : 9780521661911 |
In the Russian modernist era, literature threw itself open to influences from other art forms, most particularly the visual arts. Collaborations between writers, artists, designers, and theatre and cinema directors took place more intensively and productively than ever before or since. Equally striking was the incursion of spatial and visual motifs and structures into verbal texts. Verbal and visual principles of creation joined forces in an attempt to transform and surpass life through art. Yet willed transcendence of the boundaries between art forms gave rise to confrontation and creative tension as well as to harmonious co-operation. This collection of essays by leading British, American and Russian scholars, first published in 2000, draws on a rich variety of material - from Dostoevskii to Siniavskii, from writers' doodles to cabarets, from well-known modernists such as Akhmatova, Malevich, Platonov and Olesha to less well-known figures - to demonstrate the creative power and dynamism of Russian culture 'on the boundaries'.
Author | : Yuri Corrigan |
Publisher | : Northwestern University Press |
Total Pages | : 359 |
Release | : 2017-10-15 |
Genre | : Literary Criticism |
ISBN | : 081013571X |
Dostoevsky was hostile to the notion of individual autonomy, and yet, throughout his life and work, he vigorously advocated the freedom and inviolability of the self. This ambivalence has animated his diverse and often self-contradictory legacy: as precursor of psychoanalysis, forefather of existentialism, postmodernist avant la lettre, religious traditionalist, and Romantic mystic. Dostoevsky and the Riddle of the Self charts a unifying path through Dostoevsky's artistic journey to solve the “mystery” of the human being. Starting from the unusual forms of intimacy shown by characters seeking to lose themselves within larger collective selves, Yuri Corrigan approaches the fictional works as a continuous experimental canvas on which Dostoevsky explored the problem of selfhood through recurring symbolic and narrative paradigms. Presenting new readings of such works as The Idiot, Demons, and The Brothers Karamazov, Corrigan tells the story of Dostoevsky’s career-long journey to overcome the pathology of collectivism by discovering a passage into the wounded, embattled, forbidding, revelatory landscape of the psyche. Corrigan’s argument offers a fundamental shift in theories about Dostoevsky's work and will be of great interest to scholars of Russian literature, as well as to readers interested in the prehistory of psychoanalysis and trauma studies and in theories of selfhood and their cultural sources.
Author | : Vicky Lebeau |
Publisher | : Wallflower Press |
Total Pages | : 148 |
Release | : 2001 |
Genre | : Performing Arts |
ISBN | : 9781903364192 |
Lebeau examines the long and uneven history of developments in modern art, science, and technology that brought pychoanalysis and the cinema together towards the end of the nineteenth century. She explores the subsequent encounters between the two: the seductions of psychoanalysis and cinema as converging, though distinct, ways of talking about dream and desire, image and illusion, shock, and sexuality. Beginning with Freud's encounter with the spectacle of hysteria on display in fin-de-siecle Paris, this study offers a detailed reading of the texts and concepts which generated the field of psychoanalytic film theory.
Author | : Victor Terras |
Publisher | : Yale University Press |
Total Pages | : 584 |
Release | : 1985-01-01 |
Genre | : Literary Criticism |
ISBN | : 9780300048681 |
Profiles the careers of Russian authors, scholars, and critics and discusses the history of the Russian treatment of literary genres such as drama, fiction, and essays
Author | : Brian James Baer |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 225 |
Release | : 2015-11-19 |
Genre | : Literary Criticism |
ISBN | : 1628927984 |
Explores the complex role played by translation in the development of modern Russian literature and Russian national identity.
Author | : Evgeny Dobrenko |
Publisher | : University of Pittsburgh Pre |
Total Pages | : 425 |
Release | : 2011-11-27 |
Genre | : Literary Criticism |
ISBN | : 0822977443 |
This edited volume assembles the work of leading international scholars in a comprehensive history of Russian literary theory and criticism from 1917 to the post-Soviet age. By examining the dynamics of literary criticism and theory in three arenas—political, intellectual, and institutional—the authors capture the progression and structure of Russian literary criticism and its changing function and discourse. The chapters follow early movements such as formalism, the Bakhtin Circle, Proletklut, futurism, the fellow-travelers, and the Russian Association of Proletarian Writers. By the cultural revolution of 1928, literary criticism became a mechanism of Soviet policies, synchronous with official ideology. The chapters follow theory and criticism into the 1930s with examinations of the Union of Soviet Writers, semantic paleontology, and socialist realism under Stalin. A more "humanized" literary criticism appeared during the ravaging years of World War II, only to be supplanted by a return to the party line, Soviet heroism, and anti-Semitism in the late Stalinist period. During Khrushchev's Thaw, there was a remarkable rise in liberal literature and criticism, that was later refuted in the nationalist movement of the "long" 1970s. The same decade saw, on the other hand, the rise to prominence of semiotics and structuralism. Postmodernism and a strong revival of academic literary studies have shared the stage since the start of the post-Soviet era. For the first time anywhere, this collection analyzes all of the important theorists and major critical movements during a tumultuous ideological period in Russian history, including developments in emigre literary theory and criticism.
Author | : Martin Alan Miller |
Publisher | : Yale University Press |
Total Pages | : 270 |
Release | : 1998-01-01 |
Genre | : Psychology |
ISBN | : 9780300068108 |
This study explores Freud's influence in Russia during the 20th century, discussing the lives of the Russian Freudians. The author concludes that the oscillations in Russian attitudes toward Freud during Soviet rule reflected shifting tensions within Russian culture at large.
Author | : Neil Cornwell |
Publisher | : Routledge |
Total Pages | : 288 |
Release | : 2002-06-01 |
Genre | : Literary Criticism |
ISBN | : 1134569068 |
The Routledge Companion to Russian Literature is an engaging and accessible guide to Russian writing of the past thousand years. The volume covers the entire span of Russian literature, from the Middle Ages to the post-Soviet period, and explores all the forms that have made it so famous: poetry, drama and, of course, the Russian novel. A particular emphasis is given to the nineteenth and twentieth centuries, when Russian literature achieved world-wide recognition through the works of writers such as Pushkin, Dostoevsky, Tolstoy, Chekhov, Nabokov and Solzhenitsyn. Covering a range of subjects including women's writing, Russian literary theory, socialist realism and émigré writing, leading international scholars open up the wonderful diversity of Russian literature. With recommended lists of further reading and an excellent up-to-date general bibliography, The Routledge Companion to Russian Literature is the perfect guide for students and general readers alike.