Tarantas

Tarantas
Author: Vladimir Sollogub
Publisher: University of Pittsburgh Press
Total Pages: 205
Release: 2020-11-10
Genre: Fiction
ISBN: 0822987929

Translated by Michael R. Katz In this 19th century Russian social novella, two contrasting characters—one a western-educated intellectual, the other a hidebound country squire—find themselves thrown together on a long cross country journey in a primitive but sturdy carriage—a tarantas. Their shared observations as the troubled panorama of the Russian countryside rolls past is the basis for this commentary on the country’s prospects for social change. Renowned translator Michal R. Katz offers the first new translation of this overlooked novella since the late 1800s, shortly after original publication.

Reflections on the Russian Soul

Reflections on the Russian Soul
Author: Dmitry S. Likhachev
Publisher: Central European University Press
Total Pages: 344
Release: 2000-01-06
Genre: Biography & Autobiography
ISBN: 9633864925

This compelling and often traumatic book is the memoir of one of the most important figures in modern Russian history, Dmitry S. Likhachev, revered as ‘a guardian of national culture’. Reflections on the Russian Soul is an incredible account of an intellectual’s turbulent journey through twentieth century Russia. Likhachev re-counts the fortunes of people with whom he came into contact and reproduces the air of passed years in Russia. Likhachev vividly portrays his childhood years in St. Petersburg and continues into his student life at Leningrad University that led to an agonizing period of imprisonment and near death. He describes how a harmless prank caught the attention of the Secret Police, resulting in his exile and confinement within the infamous prison island of Solovki. He describes his first-hand experience of brutality in prison during the early Stalin years and the incident that not only saved him but also haunted him for the rest of his life. He reflects on the years after his release from prison and the events leading up to the Second World War. His powerful recollection of the blockade of Leningrad provides the reader with a horrific insight into the harsh effects of war, hunger and survival. Lichachev goes on to describe post-war Russia and how his own livelihood developed from literary editor to a return to Leningrad University as Professor of History. This compelling autobiography finishes with Likhachev’s poignant return to Solovki as a free man.

Russian and Soviet Views of Modern Western Art, 1890s to Mid-1930s

Russian and Soviet Views of Modern Western Art, 1890s to Mid-1930s
Author: Ilia Dorontchenkov
Publisher: Univ of California Press
Total Pages: 364
Release: 2009-06-10
Genre: Art
ISBN: 0520253728

From the first Modernist exhibitions in the late 1890s to the Soviet rupture with the West in the mid-1930s, Russian artists and writers came into wide contact with modern European art and ideas. Introducing a wealth of little-known material set in an illuminating interpretive context, this sourcebook presents Russian and Soviet views of Western art during this critical period of cultural transformation. The writings document complex responses to these works and ideas before the Russians lost contact with them almost entirely. Many of these writings have been unavailable to foreign readers and, until recently, were not widely known even to Russian scholars. Both an important reference and a valuable resource for classrooms, the book includes an introductory essay and shorter introductions to the individual sections.

Vogue for Russia

Vogue for Russia
Author: Caroline Maclean
Publisher: Edinburgh University Press
Total Pages: 240
Release: 2015-01-20
Genre: Literary Criticism
ISBN: 0748647309

Explores the influence of Russian aesthetics on British modernistsIn what ways was the British fascination with Russian arts, politics and people linked to a renewed interest in the unseen? How did ideas of Russianness and 'the Russian soul' - prompted by the arrival of the Ballets Russes and the rise of revolutionary ideals - attach themselves to the existing British fashion for theosophy, vitalism and occultism? In answering these questions, this study is the first to explore the overlap between Slavophilia and mysticism between 1900 and 1930 in Britain. The main Russian characters that emerge are Fedor Dostoevsky, Boris Anrep, Vasily Kandinsky, Petr Ouspensky and Sergei Eisenstein. The British modernists include Roger Fry, Virginia Woolf, Mary Butts, John Middleton Murry, Michael Sadleir and Katherine Mansfield. Key Features: Draws on unpublished archive material as well as on periodicals, exhibition catalogues, reviews, diaries, fiction and the visual artsAddresses the omission in modernist studies of the importance of Russian aesthetics and Russian discourses of the occult to British modernismChallenges the dominant Western European and transatlantic focus in modernist studies and provides an original contribution to our understanding of new global modernismsCombines literary studies with aesthetics, modernist history, the history of modern esotericism, film history, periodical studies and science studies

Japan and Russia

Japan and Russia
Author: Yulia Mikhailova
Publisher: Global Oriental
Total Pages: 288
Release: 2008-08-28
Genre: History
ISBN: 9004213155

This volume recognizes the growing awareness of the importance of images in international relations, exploring the phenomenon over three centuries as it relates to Russia and Japan. The general perception of one country by another – the ‘stereotypical collective mentality’ – is an historic phenomenon that continues to be a fundamental component in international relations at all levels, but especially in the political and business arenas, and remains an ongoing challenge for future generations. Bringing together international scholars from various disciplines, this innovative study focuses especially on modes of seeing and on the enigma of visual experience. It draws on numerous visual representations from propaganda posters and cartoons to artworks and films and to more recent media, such as television, the internet, pop-culture icons, as well as direct visual encounters. The volume raises questions of how different cultures observe, understand and represent each other, how and why mutual representations have changed or remained unchanged during the long history of Japanese-Russian interactions, what mental frameworks exist on both sides of the encounter; and how visions of otherness influence the construction of national, cultural and social identities.