Rue Ordener Rue Labat
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Author | : Sarah Kofman |
Publisher | : U of Nebraska Press |
Total Pages | : 112 |
Release | : 1996-01-01 |
Genre | : Biography & Autobiography |
ISBN | : 9780803227316 |
The author, a prominent French philosopher, writes of life under the German occupation
Author | : Michael Stanislawski |
Publisher | : University of Washington Press |
Total Pages | : 224 |
Release | : 2012-09-20 |
Genre | : Social Science |
ISBN | : 0295803797 |
Autobiographical Jews examines the nature of autobiographical writing by Jews from antiquity to the present, and the ways in which such writings can legitimately be used as sources for Jewish history. Drawing on current literary theory, which questions the very nature of autobiographical writing and its relationship to what we normally designate as the truth, and, to a lesser extent, the new cognitive neurosciences, Michael Stanislawski analyzes a number of crucial and complex autobiographical texts written by Jews through the ages. Stanislawski considers The Life by first-century historian Josephus; compares the early modern autobiographies of Asher of Reichshofen (Book of Memories) and Glikl of Hameln (Memoirs); analyzes the radically different autobiographies of two Russian Jewish writers, the Hebrew Enlightenment author Moshe Leib Lilienblum and the famous Russian poet Osip Mandelstam; and looks at two autobiographies written out of utter despair in the midst and in the wake of World War II, Stefan Zweig’s The World of Yesterday and Sarah Kofman’s Rue Ordener, Rue Labat. These writers’ attempts to portray their private and public struggles, anxieties, successes, and failures are expressions of a basic drive for selfhood which is both timeless and time-bound, universal and culturally specific. The challenge is to attempt to unravel the conscious from the unconscious distortions in these texts and to regard them as artifacts of individuals’ quests to make sense of their lives, first and foremost for themselves and then, if possible, for their readers.
Author | : Emilie Carles |
Publisher | : Penguin |
Total Pages | : 305 |
Release | : 1992-06-01 |
Genre | : Biography & Autobiography |
ISBN | : 0140169652 |
First published in France in 1977, this autobiography vivifies the captivating Carles from her peasant origins in a tiny Alpine village through her work as a teacher, farmer, mother, feminist and political activist.
Author | : Sarah Kofman |
Publisher | : Northwestern University Press |
Total Pages | : 132 |
Release | : 1998 |
Genre | : Holocaust survivors' writings |
ISBN | : 9780810115057 |
In Smothered Words, the philosopher Sarah Kofman acknowledges her personal history, evoking for the first time in a published work her father's deportation and death in Auschwitz. Kofman juxtaposes readings of the work of Maurice Blanchot, reflections on The Human Race, Robert Antelme's account of his deportation to a German prison (also available from Northwestern University Press), and her recognition of having outlived her father and survived the Holocaust. Her consideration of these three figures and the texts associated with them serves as a meditation on the contrasting imperatives of history, autobiography, and critical writing. Kofman committed suicide in 1995. Smothered Words addresses both the effects on representation of the emotional suffering of the survivors and the ethical questions raised in representing the Holocaust. Kofman explores the relationships and tensions among autobiographical, historical, and philosophical approaches to writing the Holocaust.
Author | : Faye Moskowitz |
Publisher | : The Feminist Press at CUNY |
Total Pages | : 101 |
Release | : 2011-10-25 |
Genre | : Biography & Autobiography |
ISBN | : 155861771X |
A collection of life stories so funny, moving that “you don’t have to be a Jewish feminist mama to love this book . . . but it wouldn’t hurt” (Tablet Magazine). Here are the collected autobiographical writings of memoirist, poet, and professor Faye Moskowitz. Known for both her sense of humor—even in the bleakest of circumstances—and her insight into the relationships that define who we are, where we come from, and where we hope to be going, Moskowitz shares her own life stories in “a book that will make you stand up and cheer” (The Detroit News). From her childhood in Detroit during the Great Depression to the time when her mother abandoning the family to pursue her own dreams; from helping a dying friend simply get through another day to a hilarious account of binge eating at a wedding; from finding love and leaving home to building her own family and legacy, these recounted experiences give us “her piercingly tender observations about unlikely friendships, transgressive love, disappointing plants, and sacred Jewish rituals of the kitchen” (Lilith Magazine).
Author | : Sarah Kofman |
Publisher | : Boston : Northeastern University Press |
Total Pages | : 196 |
Release | : 1991 |
Genre | : Literary Criticism |
ISBN | : 9781555530945 |
Author | : Tzvetan Todorov |
Publisher | : Dartmouth College Press |
Total Pages | : 168 |
Release | : 1996 |
Genre | : Biography & Autobiography |
ISBN | : |
An internationally renowned scholar examines an episode in the chaos & retributive strife that engulfed France during the liberation at the end of World War II.
Author | : Carol Mavor |
Publisher | : Duke University Press |
Total Pages | : 236 |
Release | : 2012-09-25 |
Genre | : Art |
ISBN | : 0822352710 |
Audacious and genre-defying, Black and Blue is steeped in melancholy, in the feeling of being blue, or, rather, black and blue, with all the literality of bruised flesh. Roland Barthes and Marcel Proust are inspirations for and subjects of Carol Mavor's exquisite, image-filled rumination on efforts to capture fleeting moments and to comprehend the incomprehensible. At the book's heart are one book and three films—Roland Barthes's Camera Lucida, Chris Marker's La Jetée and Sans soleil, and Marguerite Duras's and Alain Resnais's Hiroshima mon amour—postwar French works that register disturbing truths about loss and regret, and violence and history, through aesthetic refinement. Personal recollections punctuate Mavor's dazzling interpretations of these and many other works of art and criticism. Childhood memories become Proust's "small-scale contrivances," tiny sensations that open onto panoramas. Mavor's mother lost her memory to Alzheimer's, and Black and Blue is framed by the author's memories of her mother and effort to understand what it means to not be recognized by one to whom you were once so known.
Author | : Ayelet Tsabari |
Publisher | : Random House |
Total Pages | : 304 |
Release | : 2019-02-19 |
Genre | : Biography & Autobiography |
ISBN | : 081298899X |
An intimate memoir in essays by an award-winning Israeli writer who travels the world, from New York to India, searching for love, belonging, and an escape from grief following the death of her father when she was a young girl NAMED ONE OF THE BEST BOOKS OF THE YEAR BY KIRKUS REVIEWS This searching collection opens with the death of Ayelet Tsabari’s father when she was just nine years old. His passing left her feeling rootless, devastated, and driven to question her complex identity as an Israeli of Yemeni descent in a country that suppressed and devalued her ancestors’ traditions. In The Art of Leaving, Tsabari tells her story, from her early love of writing and words, to her rebellion during her mandatory service in the Israeli army. She travels from Israel to New York, Canada, Thailand, and India, falling in and out of love with countries, men and women, drugs and alcohol, running away from responsibilities and refusing to settle in one place. She recounts her first marriage, her struggle to define herself as a writer in a new language, her decision to become a mother, and finally her rediscovery and embrace of her family history—a history marked by generations of headstrong women who struggled to choose between their hearts and their homes. Eventually, she realizes that she must reconcile the memories of her father and the sadness of her past if she is ever going to come to terms with herself. With fierce, emotional prose, Ayelet Tsabari crafts a beautiful meditation about the lengths we will travel to try to escape our grief, the universal search to find a place where we belong, and the sense of home we eventually find within ourselves. Praise for The Art of Leaving “The Art of Leaving is, in large part, about what is passed down to us, and how we react to whatever it is. . . . [It] is not self-help—we cannot become whatever we put our mind to—yet it suggests that we can begin to heal from what has broken us, if we only let ourselves. . . . Tsabari’s intense prose gave me pause.”—The New York Times Book Review “Shortlist” “Told in a series of fierce, unflinching essays . . . an Israeli Canadian author explores her upbringing and the death of her father in this stark, beautiful memoir.” —Shelf Awareness (starred review) “The Art of Leaving will take you on an emotional journey you won’t soon forget.”—Hello Giggles “Candid, affecting . . . [Ayelet Tsabari’s] linked essays cohere into a tender, moving memoir.”—Kirkus Reviews (starred review)
Author | : E. Ann Kaplan |
Publisher | : Rutgers University Press |
Total Pages | : 208 |
Release | : 2005-07-11 |
Genre | : Literary Criticism |
ISBN | : 9780813535913 |
E. Ann Kaplan explores the relationship between the impact of trauma on individuals and on entire cultures and nations. Arguing that humans possess a need to draw meaning from personal experience and to communicate what happens to others, she examines the forms that are used to bridge the experience.