Rudy Wiebe And The Historicity Of The Word
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| Author | : Penelope Van Toorn |
| Publisher | : University of Alberta |
| Total Pages | : 282 |
| Release | : 1995 |
| Genre | : Literary Criticism |
| ISBN | : 9780888642653 |
In an entertaining re-examination of Rudy Wiebe's major novels, Penny van Toorn presents a completely new way of reading one of Canada's foremost contemporary writers. She analyzes Wiebe's struggle to control the "socially contested territory" of language, and identifies the principles that underlie his complex narrative structures.
| Author | : George Melnyk |
| Publisher | : University of Alberta |
| Total Pages | : 328 |
| Release | : 1998 |
| Genre | : Literary Criticism |
| ISBN | : 9780888643247 |
In this, the companion to the landmark volume The Literary History of Alberta, Volume One: From Writing-on-Stone to World War Two, George Melnyk examines Alberta literature in the second half of the twentieth century. At last, Melnyk argues, Alberta writers have found their voice--and their accomplishments have been remarkable. The contradictory landscape, the stereotypes of the Indian, the Mountie, and the Cowboy, and the language of the Other, speaking from the margins--these elements all left their impressions on the consciousness of early Alberta. But writers in the last few decades have turned this inheritance to their advantage, to create compelling stories about this place and its people. Today, Melnyk discovers, Alberta writers can appreciate not only this achievement, but also its essential source: the symbolic communication of Writing-on-Stone. The Literary History of Alberta, Volume Two extends the study of Alberta's cultural history to the present day. It is a vital text for anyone interested in Alberta's vibrant literary culture.
| Author | : Rudy Wiebe |
| Publisher | : Vintage Canada |
| Total Pages | : 411 |
| Release | : 2009-06-12 |
| Genre | : Biography & Autobiography |
| ISBN | : 0307373479 |
A beautiful, moving memoir of a boy’s coming of age, infused with a deep love of the land, from one of Canada’s most cherished and acclaimed writers. In Of This Earth, Rudy Wiebe gives vivid life again to the vanished world of Speedwell, Saskatchewan, an isolated, poplar-forested, mostly Mennonite community – and Rudy’s first home. Too young to do heavy work, Rudy witnessed a way of life that was soon to disappear. And we experience with him the hard labour of clearing the stony, silty bushland; the digging out of precious wells one bucket of dirt at a time; sorrow at the death of a beloved sister; the disorienting searches for grazing cattle in the vast wilderness sloughs and the sweet discovery of the power of reading. Rare personal photographs (reproduced throughout the book) and the fragile memories of those who are left give shape to the story of Mennonite immigrants building a life in Canada, the growth and decline of the small Speedwell community, the sway of religion, and a young boy’s growing love of the extreme beauty of the aspen forests – as well as how all these elements came to inform his destiny as a writer. A hymn to a lost place and a distant time, Of This Earth follows the best of memoirs in the tradition of Sharon Butala’s The Perfection of the Morning and W. G. Sebald’s Austerlitz. It is an evocation of the Canadian west that only a writer of Rudy Wiebe’s powers could summon.
| Author | : Herb Wyile |
| Publisher | : Wilfrid Laurier Univ. Press |
| Total Pages | : 337 |
| Release | : 2009-10-22 |
| Genre | : Literary Criticism |
| ISBN | : 1554588251 |
“Speaking in the Past Tense participates in an expanding critical dialogue on the writing of historical fiction, providing a series of reflections on the process from the perspective of those souls intrepid enough to step onto what is, practically by definition, contested territory.” — Herb Wyile, from the Introduction The extermination of the Beothuk ... the exploration of the Arctic ... the experiences of soldiers in the trenches during World War I ... the foibles of Canada’s longest-serving prime minister ... the Ojibway sniper who is credited with 378 wartime kills—these are just some of the people and events discussed in these candid and wide-ranging interviews with eleven authors whose novels are based on events in Canadian history. These sometimes startling conversations take the reader behind the scenes of the novels and into the minds of their authors. Through them we explore the writers’ motives for writing, the challenges they faced in gathering information and presenting it in fictional form, the sometimes hostile reaction they faced after publication, and, perhaps most interestingly, the stories that didn’t make it into their novels. Speaking in the Past Tense provides fascinating insights into the construction of national historical narratives and myths, both those familiar to us and those that are still being written.
| Author | : Janne Korkka |
| Publisher | : Rodopi |
| Total Pages | : 315 |
| Release | : 2013-09-01 |
| Genre | : Literary Criticism |
| ISBN | : 9401209790 |
The problems of knowing and representing the other are acute every time we encounter a text as writers or readers. Ethical Encounters engages with the representation of encounters with alterity in the writings of the Canadian author Rudy Wiebe. Drawing on Emmanuel Levinas’s philosophy on the ethics of encountering the other, the book argues that Wiebe’s writings show that the self’s knowledge offers an inadequate basis for ethically valid representations of those encounters. In the search for ethical ways of engaging with alterity, Wiebe’s writings offer new ways of employing silence and the presence of the unknowable as means to explore encounters with alterity. Ethical Encounters shows that dividing Wiebe’s work into two sharply distinct categories of ‘Mennonite’ and ‘First Nations’ writings overlooks important connections between the author’s central works and may seriously hinder the interrogation of narrative engagement with alterity. While such human encounters resonate against ethical strategies of representation, the greatest challenge for the ethics of encounter in Wiebe’s texts arises in encounters with the alterity of space. Ethical Encounters engages with both physical and narrative spaces which are not permanently fixed in landscape or geography, or in human perceptions of place, arguing that the most radical expressions of alterity in Wiebe’s writings emerge in encounters with the spaces of the Canadian North. The study raises questions about the relationship between the self and the other as they concern knowing: what does the self know when it claims to know another person or space? How does the narrating self negotiate the seeming collapse of its own knowledge when it encounters others whose stories cannot be known? Ethical Encounters casts new light not just on Wiebe’s writings but also on how we as authors and readers engage with expressions of alterity which refuse to be transformed into familiar, knowable forms. Janne Korkka is post-doctoral researcher and coordinator of the North American Studies programme in the Department of English, University of Turku, Finland. His main research interests lie in the problems of representing space and encountering alterity in Canadian writing. He is co-editor of Seeking the Self – Encountering the Other: Diasporic Narrative and the Ethics of Representation (2008). He teaches Canadian and postcolonial literatures and North American Studies, and publishes mainly on Canadian writing.
| Author | : Jenny Kerber |
| Publisher | : Wilfrid Laurier Univ. Press |
| Total Pages | : 393 |
| Release | : 2011-03-17 |
| Genre | : Social Science |
| ISBN | : 1554587212 |
Writing in Dust is the first sustained study of prairie Canadian literature from an ecocritical perspective. Drawing on recent scholarship in environmental theory and criticism, Jenny Kerber considers the ways in which prairie writers have negotiated processes of ecological and cultural change in the region from the early twentieth century to the present. The book begins by proposing that current environmental problems in the prairie region can be understood by examining the longstanding tendency to describe its diverse terrain in dualistic terms—either as an idyllic natural space or as an irredeemable wasteland. It inquires into the sources of stories that naturalize ecological prosperity and hardship and investigates how such narratives have been deployed from the period of colonial settlement to the present. It then considers the ways in which works by both canonical and more recent writers ranging from Robert Stead, W.O. Mitchell, and Margaret Laurence to Tim Lilburn, Louise Halfe, and Thomas King consistently challenge these dualistic landscape myths, proposing alternatives for the development of more ecologically just and sustainable relationships among people and between humans and their physical environments. Writing in Dust asserts that “reading environmentally” can help us to better understand a host of issues facing prairie inhabitants today, including the environmental impacts of industrial agriculture, resource extraction, climate change, shifting urban–rural demographics, the significance of Indigenous understandings of human–nature relationships, and the complex, often contradictory meanings of eco-cultural metaphors of alien/invasiveness, hybridity, and wildness.
| Author | : Brian W. Shaffer |
| Publisher | : John Wiley & Sons |
| Total Pages | : 1581 |
| Release | : 2011-01-18 |
| Genre | : Literary Criticism |
| ISBN | : 1405192445 |
This Encyclopedia offers an indispensable reference guide to twentieth-century fiction in the English-language. With nearly 500 contributors and over one million words, it is the most comprehensive and authoritative reference guide to twentieth-century fiction in the English language. Contains over 500 entries of 1000-3000 words written in lucid, jargon-free prose, by an international cast of leading scholars Arranged in three volumes covering British and Irish Fiction, American Fiction, and World Fiction, with each volume edited by a leading scholar in the field Entries cover major writers (such as Saul Bellow, Raymond Chandler, John Steinbeck, Virginia Woolf, A.S. Byatt, Samual Beckett, D.H. Lawrence, Zadie Smith, Salman Rushdie, V.S. Naipaul, Nadine Gordimer, Alice Munro, Chinua Achebe, J.M. Coetzee, and Ngûgî Wa Thiong’o) and their key works Examines the genres and sub-genres of fiction in English across the twentieth century (including crime fiction, Sci-Fi, chick lit, the noir novel, and the avant-garde novel) as well as the major movements, debates, and rubrics within the field, such as censorship, globalization, modernist fiction, fiction and the film industry, and the fiction of migration, diaspora, and exile
| Author | : Kerstin Knopf |
| Publisher | : BRILL |
| Total Pages | : 562 |
| Release | : 2008-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 9042028831 |
This is the first book that comprehensively examines Indigenous filmmaking in North America, as it analyzes in detail a variety of representative films by Canadian and US-American Indigenous filmmakers: two films that contextualize the oral tradition, three short films, and four dramatic films. The book explores how members of colonized groups use the medium of film as a means for cultural and political expression and thus enter the dominant colonial film discourse and create an answering discourse. The theoretical framework is developed as an interdisciplinary approach, combining postcolonialism, Indigenous studies, and film studies. As Indigenous people are gradually taking control over the imagemaking process in the area of film and video, they cease being studied and described objects and become subjects who create self-controlled images of Indigenous cultures. The book explores the translatability of Indigenous oral tradition into film, touching upon the changes the cultural knowledge is subject to in this process, including statements of Indigenous filmmakers on this issue. It also asks whether or not there is a definite Indigenous film practice and whether filmmakers tend to dissociate their work from dominant classical filmmaking, adapt to it, or create new film forms and styles through converging classical film conventions and their conscious violation. This approach presupposes that Indigenous filmmakers are constantly in some state of reaction to Western ethnographic filmmaking and to classical narrative filmmaking and its epitome, the Hollywood narrative cinema. The films analyzed are The Road Allowance People by Maria Campbell, Itam Hakim, Hopiit by Victor Masayesva, Talker by Lloyd Martell, Tenacity and Smoke Signals by Chris Eyre, Overweight With Crooked Teeth and Honey Moccasin by Shelley Niro, Big Bear by Gil Cardinal, and Atanarjuat: The Fast Runner by Zacharias Kunuk.
| Author | : Eugene Benson |
| Publisher | : Routledge |
| Total Pages | : 1950 |
| Release | : 2004-11-30 |
| Genre | : Literary Criticism |
| ISBN | : 1134468482 |
" ... Documents the history and development of [Post-colonial literatures in English, together with English and American literature] and includes original research relating to the literatures of some 50 countries and territories. In more than 1,600 entries written by more than 600 internationally recognized scholars, it explores the effect of the colonial and post-colonial experience on literatures in English worldwide.
| Author | : Nordic Association for Canadian Studies. International Conference |
| Publisher | : Peter Lang |
| Total Pages | : 392 |
| Release | : 2009 |
| Genre | : Business & Economics |
| ISBN | : 9789052014852 |
Has Canada moved beyond the nation state into the world of the post-national? To what extent have fixed notions of Canadian nationhood been replaced by a more global, decentralized sense of identification? Is nationhood (or post-nationhood) best expressed by statelessness and exile or by belonging? Or can Canadian national identity in fact fruitfully coexist with the post-national consciousness? These are some of the issues covered by this volume, issues seen from a range of perspectives - literary, cultural, political and economic. In the literary sphere the national/post-national debate is explored both through canonical writers, such as L. M. Montgomery, Stephen Leacock, and Marie-Claire Blais, and through recent First Nations, Asian-Canadian, African-Canadian, Ukrainian-Canadian and Quebec writing. The political and economic range is equally diverse, covering such topics as immigration policy, multiculturalism, Canadian-American relations, tourist imaginings of the Canadian North, the Canadian city, and Quebec nationalism. The book brings together 27 original articles from international scholars and creative writers, offering both European and Canadian perspectives. Six articles in French focus specifically on the francophone sphere.
