Report

Report
Author: United States. Congress. Senate
Publisher:
Total Pages:
Release:
Genre: United States
ISBN:

A History of the Church in Latin America

A History of the Church in Latin America
Author: Enrique Dussel
Publisher: Wm. B. Eerdmans Publishing
Total Pages: 396
Release: 1981
Genre: Religion
ISBN: 9780802821317

This comprehensive history of the church in Latin America, with its emphasis on theology, will help historians and theologians to better understand the formation and continuity of the Latin American tradition.

Coloniality of Diasporas

Coloniality of Diasporas
Author: Yolanda Martínez-San Miguel
Publisher: Springer
Total Pages: 418
Release: 2014-07-24
Genre: Literary Criticism
ISBN: 1137413077

Focusing on piracy in the seventeenth century, filibustering in the nineteenth century, intracolonial migrations in the 1930s, metropolitan racializations in the 1950s and 1960s, and feminist redefinitions of creolization and sexile from the 1940s to the 1990s, this book redefines the Caribbean beyond the postcolonial debate.

My Two Moms

My Two Moms
Author: Zach Wahls
Publisher: Avery
Total Pages: 258
Release: 2013-04-02
Genre: Biography & Autobiography
ISBN: 1592407633

An advocate and son of same-gender parents recounts his famed address to the Iowa House of Representatives on civil unions, and describes his positive experiences of growing up in an alternative family in spite of prejudice.

News in Early Modern Europe

News in Early Modern Europe
Author: Simon Davies
Publisher: BRILL
Total Pages: 283
Release: 2014-07-07
Genre: History
ISBN: 9004276866

News in Early Modern Europe presents new research on the nature, production, and dissemination of a variety of forms of news writing from across Europe during the early modern period.

From Lack to Excess

From Lack to Excess
Author: Yolanda Martínez-San Miguel
Publisher: Associated University Presse
Total Pages: 254
Release: 2008
Genre: History
ISBN: 9780838756997

"From Lack to Excess analyzes the narrative and rhetorical structures of Latin American colonial texts by establishing a dialogue with studies on minority discourse, minor literatures, and postcolonial theory. After reviewing the main contributions and limitations of Transatlantic, Early Modern, and Postcolonial studies for the interpretation of Latin American colonial textualities, Martinez-San Miguel takes as a point of departure the subtle yet pervasive semantic link between the terms "minority" and "colonialism" prevalent in current studies on ethnic and sexual identities. She then engages the disciplinary debate between Colonial Latin American studies and Early Modern, Transatlantic, and Postcolonial studies, paying attention to the epistemic and institutional junctures that explain the current reconfiguration of these fields." "As an alternative to an exhausted debate, Martinez-San Miguel uses Gilles Deleuze and Felix Guattari's notion of a "minor literature," along with current studies on minority discourse to propose new close readings of texts by Hernan Cortes, Alvar Nunez Cabeza de Vaca, the Inca Garcilaso de la Vega, Carlos de Siguenza y Gongora, and Sor Juana Ines de la Cruz. From Lack to Excess traces a discursive voyage that configures a linguistic matrix from the initial lack of language to the excessive Baroque representation of American reality."--BOOK JACKET.

Hollywood Highbrow

Hollywood Highbrow
Author: Shyon Baumann
Publisher: Princeton University Press
Total Pages: 242
Release: 2018-06-05
Genre: Performing Arts
ISBN: 0691187282

Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.