Romanticism Comes Of Age
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Author | : Simon Blaxland-de Lange |
Publisher | : Temple Lodge Publishing |
Total Pages | : 392 |
Release | : 2021-04-28 |
Genre | : Religion |
ISBN | : 1912230720 |
‘Barfield towers above us all… the wisest and best of my unofficial teachers.’ – C.S. Lewis ‘We are well supplied with interesting writers, but Owen Barfield is not content to be merely interesting. His ambition is to set us free from the prison we have made for ourselves by our ways of knowing, our limited and false habits of thought, our “common sense”.’ – Saul Bellow Owen Barfield – philosopher, author, poet and critic – was a founding member of the Inklings, the private Oxford society that included the leading literary figures C.S. Lewis, J.R.R. Tolkien and Charles Williams. C.S. Lewis, who was greatly affected by Barfield during their long friendship, wrote of their many heated debates: ‘I think he changed me a good deal more than I him.’ Simon Blaxland-de Lange’s biography – the first on Owen Barfield to be published – was written with the active cooperation of Barfield himself who, before his death in 1997, gave numerous interviews to the author and shared a large quantity of his papers and manuscripts. The fruit of this collaboration is a book that penetrates deeply into the life and thought of one of the most important figures of the twentieth century. It studies the influences on Barfield by the Romantic poet Coleridge and the philosopher Rudolf Steiner (founder of anthroposophy), and elaborates on Barfield’s profound personal connection with C.S. Lewis. The book also features a biographical sketch in his own words (based on personally conducted interviews), and describes Barfield’s strong relationship with North America and his dual profession as a lawyer and writer. This updated edition features vital new material including Barfield’s own ‘Psychography’ from 1948 and an illustrative plate section.
Author | : Owen Barfield |
Publisher | : |
Total Pages | : 268 |
Release | : 1967 |
Genre | : Anthroposophy |
ISBN | : |
Author | : Andrew Piper |
Publisher | : University of Chicago Press |
Total Pages | : 321 |
Release | : 2009-08 |
Genre | : Education |
ISBN | : 0226669726 |
Examining novels, critical editions, gift books, translations, and illustrated books, as well as the communities who made them, Dreaming in Books tells a wide-ranging story of the book's identity at the turn of the nineteenth century. In so doing, it shows how many of the most pressing modern communicative concerns are not unique to the digital age but emerged with a particular sense of urgency during the bookish upheavals of the romantic era. In revisiting the book's rise through the prism of romantic literature, Piper aims to revise our assumptions about romanticism, the medium of the printed book, and, ultimately, the future of the book in our so-called digital age."--Pub. desc.
Author | : Rosemary Hill |
Publisher | : Penguin UK |
Total Pages | : 365 |
Release | : 2021-06-24 |
Genre | : History |
ISBN | : 0141947411 |
From the Wolfson Prize-winning author of God's Architect: Pugin and the Building of Romantic Britain Between the fall of the Bastille in 1789 and the opening of the Great Exhibition in 1851, history changed. The grand narratives of the Enlightenment, concerned with kings and statesmen, gave way to a new interest in the lives of ordinary people. Oral history, costume history, the history of food and furniture, of Gothic architecture, theatre and much else were explored as never before. Antiquarianism, the study of the material remains of the past, was not new, but now hundreds of men - and some women - became antiquaries and set about rediscovering their national history, in Britain, France and Germany. The Romantic age valued facts, but it also valued imagination and it brought both to the study of history. Among its achievements were the preservation of the Bayeux Tapestry, the analysis and dating of Gothic architecture, and the first publication of Beowulf. It dispelled old myths, and gave us new ones: Shakespeare's birthplace, clan tartans and the arrow in Harold's eye are among their legacies. From scholars to imposters the dozen or so antiquaries at the heart of this book show us history in the making.
Author | : Owen Barfield |
Publisher | : SteinerBooks |
Total Pages | : 275 |
Release | : 2003-06-15 |
Genre | : Language Arts & Disciplines |
ISBN | : 1584205121 |
"The playful artistry of the Waldorf Alphabet Book speaks to the heart of childhood. These lively illustrations, so filled with color, movement, eloquent gesture, and invention conjure up long-forgotten memories of books from a time when pictures were still alive and spoke with power. Each page is a magical door, opening to the bright realm where stories are enacted, a realm of wonders accessible to children, artists, and ll those in whom the light of imagination shines. "The most important thing as you peruse the delightful pages of the Waldorf Alphabet Book with your child is the engaging conversation that flows between you as you search among the pictures for words." (from the afterword) In this delightful, bestselling alphabet and game book for young children, each consonant and vowel comes to life in vivid pictures that show each letter's unique qualities in the world. The vibrant and playful illustrations help children learn the alphabet in the most natural and living way. This expanded paperback edition includes a complete essay by master Waldorf teacher William Ward, "Learning to Read and Write in Waldorf Schools": This is the alphabet book for parents and teachers who want to encourage the most natural development in children. It is ideal for both at home and in the classroom. It also makes an ideal gift for your favorite young child or parents!
Author | : Owen Barfield |
Publisher | : |
Total Pages | : 388 |
Release | : 2014-03 |
Genre | : Philosophy |
ISBN | : 9780956942340 |
'What Coleridge Thought' presents Coleridge's ideas in a coherent form, carefully organized to demonstrate precisely what his thoughts were and how his writings develop them. Coleridge's objective was to stimulate his readers into thinking for themselves - "to excite the germinal power that craves no knowledge but what it can take up into itself" (S. T. Coleridge). Barfield guides the reader towards this. Here will be found the heart of Coleridge's thinking.
Author | : Patrick Grant |
Publisher | : Springer |
Total Pages | : 186 |
Release | : 1979-06-17 |
Genre | : Literary Criticism |
ISBN | : 1349046159 |
Author | : Gregory Maertz |
Publisher | : SUNY Press |
Total Pages | : 276 |
Release | : 1998-02-05 |
Genre | : Literary Criticism |
ISBN | : 9780791435601 |
Charts the interactive contours of European culture of the late eighteenth to mid-nineteenth centuries, extending the chronological limits of Romanticism by identifying fresh links among works, authors, contexts, and institutions across national and linguistic borders.
Author | : Richard C. Sha |
Publisher | : Johns Hopkins University Press |
Total Pages | : 342 |
Release | : 2021-03-02 |
Genre | : Literary Criticism |
ISBN | : 1421439832 |
How did the idea of the imagination impact Romantic literature and science? 2018 Winner, Jean-Pierre Barricelli Book Prize, The International Conference on Romanticism Richard C. Sha argues that scientific understandings of the imagination indelibly shaped literary Romanticism. Challenging the idea that the imagination found a home only on the side of the literary, as a mental vehicle for transcending the worldly materials of the sciences, Sha shows how imagination helped to operationalize both scientific and literary discovery. Essentially, the imagination forced writers to consider the difference between what was possible and impossible while thinking about how that difference could be known. Sha examines how the imagination functioned within physics and chemistry in Percy Bysshe Shelley's Prometheus Unbound, neurology in Blake's Vala, or The Four Zoas, physiology in Coleridge's Biographia Literaria, and obstetrics and embryology in Mary Shelley's Frankenstein. He also demonstrates how the imagination was called upon to do aesthetic and scientific work using primary examples taken from the work of scientists and philosophers Davy, Dalton, Faraday, Priestley, Kant, Mary Somerville, Oersted, Marcet, Smellie, Swedenborg, Blumenbach, Buffon, Erasmus Darwin, and Von Baer, among others. Sha concludes that both fields benefited from thinking about how imagination could cooperate with reason—but that this partnership was impossible unless imagination's penchant for fantasy could be contained.
Author | : John Tresch |
Publisher | : University of Chicago Press |
Total Pages | : 469 |
Release | : 2012-06-05 |
Genre | : History |
ISBN | : 0226812200 |
Introduction: Mechanical Romanticism -- DEVICES OF COSMIC UNITY -- Ampère's Experiments: Contours of a Cosmic Cubstance -- Humboldt's Instruments: Even the Tools Will Be Free -- Arago's Daguerreotype: The Labor Theory of Knowledge -- SPECTACLES OF CREATION AND METAMORPHOSIS -- The Devil's Opera: Fantastic Physiospiritualism -- Monsters, Machine-Men, Magicians: The Automaton in the Garden -- ENGINEERS OF ARTIFICIAL PARADISES -- Saint-Simonian Engines: Love and Conversions -- Leroux's Pianotype: The Organogenesis of Humanity -- Comte's Calendar: From Infinite Universe to Closed World -- Conclusion: Afterlives of the Romantic Machine.