Rock Revolution
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Author | : Jim Dawson |
Publisher | : Hal Leonard Corporation |
Total Pages | : 212 |
Release | : 2005 |
Genre | : Music |
ISBN | : 9780879308292 |
The author of What Was the First Rock 'n' Roll Record? chronicles the spectacular chart-topping success of Bill Haley's hit record "Rock Around the Clock," focusing particular attention on the cultural setting that surrounded the birth of rock music in 1955. Original.
Author | : Sean Kay |
Publisher | : Rowman & Littlefield |
Total Pages | : 289 |
Release | : 2016-12-29 |
Genre | : Political Science |
ISBN | : 1442266058 |
In Rockin' the Free World, international relations expert Sean Kay takes readers inside “Bob Dylan’s America” and shows how this vision linked the rock and roll revolution to American values of freedom, equality, human rights, and peace while tracing how those values have spread globally. Rockin' the Free World then shows how artists have engaged in advancing change via opportunity and education; domestic and international issue advocacy; and within the recording and broader communications industry. The book is built around primary interviews with prominent American and international performing artists ranging from Rock and Roll Hall of Fame inductees and Grammy winners to regional and local musicians. The interviews include leading industry people, management, journalists, heads of non-profits, and activists. The book concludes with a look at how musical artists have defined the American experience and what that has meant for the world.
Author | : Kent Crowley |
Publisher | : Guitar Reference |
Total Pages | : 0 |
Release | : 2011 |
Genre | : Music |
ISBN | : 9781617130076 |
SURF BEAT: ROCK AND ROLL'S FORGOTTEN REVOLUTION
Author | : Will Birch |
Publisher | : Virgin Books Limited |
Total Pages | : 336 |
Release | : 2003 |
Genre | : Rock music |
ISBN | : 9780753507407 |
It began with an outrageous press trip to New York to launch unknown rock band Brinsley Schwarz, which went disastrously wrong, and it went on to launch the careers of Ian Dury, Elvis Costello and Joe Strummer. The pub rock scene of the early 1970s was one of the most eventful and important in British music history.
Author | : Michael L. Brown |
Publisher | : |
Total Pages | : 228 |
Release | : 2019 |
Genre | : Music |
ISBN | : 1629995959 |
This book will show you how music can either indoctrinate or educate you, spark rebellion or patriotism, and drive you to the devil or draw you closer to God.
Author | : Arthur Marwick |
Publisher | : Oxford University Press, USA |
Total Pages | : 388 |
Release | : 2002 |
Genre | : Arts, Modern |
ISBN | : 9780192892669 |
The 'Arts' hold a revered and respected place within modern Western society - but what exactly defines 'culture'; what gives it this enigmatic status; what influences its composition and propagation; what controls and limitations is it subject to; and what can it achieve within our world?Arthur Marwick tackles these issues head on, with a both detailed and eclectic account of the 'Arts' in the West since the Second World War. He looks at the full range of possible candidates for the category of 'Art', from both elite and popular cultures: from high literature to pulp fiction, fromart-house cinema to soap-opera, Art Music to Rock and Pop.This book looks at the fascinating diversity of twentieth-century art in the context of the social, technological, and political events, movements, and developments that have shaped our history - such as the holocaust, the television, feminism. Marwick examines how these factors have affected thecultural output of Western society since 1945, and in turn how art has fed back its own agenda and priorities into this society.
Author | : |
Publisher | : |
Total Pages | : 118 |
Release | : 2010-05 |
Genre | : |
ISBN | : |
From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.
Author | : Professor Ian Peddie |
Publisher | : Ashgate Publishing, Ltd. |
Total Pages | : 225 |
Release | : 2013-01-28 |
Genre | : Music |
ISBN | : 1409494470 |
Popular music has long understood that human rights, if attainable at all, involve a struggle without end. The right to imagine an individual will, the right to some form of self-determination and the right to self-legislation have long been at the forefront of popular music's approach to human rights. At a time of such uncertainty and confusion, with human rights currently being violated all over the world, a new and sustained examination of cultural responses to such issues is warranted. In this respect music, which is always produced in a social context, is an extremely useful medium; in its immediacy music has a potency of expression whose reach is long and wide. Contributors to this significant volume cover artists and topics such as Billy Bragg, punk, Fun-da-Mental, Willie King and the Liberators, Hedwig and the Angry Inch, the Anti-Death Penalty movement, benefit concerts, benefit albums, Gil Scott-Heron, Bruce Springsteen, Wounded Knee and Native American political resistance, Tori Amos, Joni Mitchell, as well as human rights in relation to feminism. A second volume covers World Music.
Author | : Damon R. Bach |
Publisher | : University Press of Kansas |
Total Pages | : 384 |
Release | : 2020-12-03 |
Genre | : History |
ISBN | : 0700630104 |
Restricted to the shorthand of “sex, drugs, and rock ‘n’ roll,” the counterculture would seem to be a brief, vibrant stretch of the 1960s. But the American counterculture, as this book clearly demonstrates, was far more than a historical blip and its impact continues to resonate. In this comprehensive history, Damon R. Bach traces the counterculture from its antecedents in the 1950s through its emergence and massive expansion in the 1960s to its demise in the 1970s and persistent echoes in the decades since. The counterculture, as Bach tells it, evolved in discrete stages and his book describes its development from coast to heartland to coast as it evolved into a national phenomenon, involving a diverse array of participants and undergoing fundamental changes between 1965 and 1974. Hippiedom appears here in relationship to the era’s movements—civil rights, women’s and gay liberation, Red and Black Power, the New Left, and environmentalism. In its connection to other forces of the time, Bach contends that the counterculture’s central objective was to create a new, superior society based on alternative values and institutions. Drawing for the first time on documents produced by self-described “freaks” from 1964 through 1973—underground newspapers, memoirs, personal correspondence, flyers, and pamphlets—his book creates an unusually nuanced, colorful, and complete picture of a time often portrayed in clichéd or nostalgic terms. This is the counterculture of love-ins and flower children, of the Grateful Dead and Jefferson Airplane, but also of antiwar demonstrations, communes, co-ops, head shops, cultural feminism, Earth Day, and antinuclear activism. What Damon R. Bach conjures is the counterculture in all of its permutations and ramifications as he illuminates its complexity, continually evolving values, and constantly changing components and adherents, which defined and redefined it throughout its near decade-long existence. In the long run, Bach convincingly argues that the counterculture spearheaded cultural transformation, leaving a changed America in its wake.
Author | : Ramesh Srinivasan |
Publisher | : MIT Press |
Total Pages | : 419 |
Release | : 2020-09-01 |
Genre | : Computers |
ISBN | : 0262539608 |
How to repair the disconnect between designers and users, producers and consumers, and tech elites and the rest of us: toward a more democratic internet. In this provocative book, Ramesh Srinivasan describes the internet as both an enabler of frictionless efficiency and a dirty tangle of politics, economics, and other inefficient, inharmonious human activities. We may love the immediacy of Google search results, the convenience of buying from Amazon, and the elegance and power of our Apple devices, but it's a one-way, top-down process. We're not asked for our input, or our opinions—only for our data. The internet is brought to us by wealthy technologists in Silicon Valley and China. It's time, Srinivasan argues, that we think in terms beyond the Valley. Srinivasan focuses on the disconnection he sees between designers and users, producers and consumers, and tech elites and the rest of us. The recent Cambridge Analytica and Russian misinformation scandals exemplify the imbalance of a digital world that puts profits before inclusivity and democracy. In search of a more democratic internet, Srinivasan takes us to the mountains of Oaxaca, East and West Africa, China, Scandinavia, North America, and elsewhere, visiting the “design labs” of rural, low-income, and indigenous people around the world. He talks to a range of high-profile public figures—including Elizabeth Warren, David Axelrod, Eric Holder, Noam Chomsky, Lawrence Lessig, and the founders of Reddit, as well as community organizers, labor leaders, and human rights activists.. To make a better internet, Srinivasan says, we need a new ethic of diversity, openness, and inclusivity, empowering those now excluded from decisions about how technologies are designed, who profits from them, and who are surveilled and exploited by them.