Robert Nixon And Police Torture In Chicago 1871 1971
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Author | : Elizabeth Dale |
Publisher | : Northern Illinois University Press |
Total Pages | : 163 |
Release | : 2016-05-25 |
Genre | : History |
ISBN | : 1501757504 |
In 2015, Chicago became the first city in the United States to create a reparations fund for victims of police torture, after investigations revealed that former Chicago police commander Jon Burge tortured numerous suspects in the 1970s, '80s, and '90s. But claims of police torture have even deeper roots in Chicago. In the late 19th century, suspects maintained that Chicago police officers put them in sweatboxes or held them incommunicado until they confessed to crimes they had not committed. In the first decades of the 20th century, suspects and witnesses stated that they admitted guilt only because Chicago officers beat them, threatened them, and subjected them to "sweatbox methods." Those claims continued into the 1960s. In Robert Nixon and Police Torture in Chicago, 1871–1971, Elizabeth Dale uncovers the lost history of police torture in Chicago between the Chicago Fire and 1971, tracing the types of torture claims made in cases across that period. To show why the criminal justice system failed to adequately deal with many of those allegations of police torture, Dale examines one case in particular, the 1938 trial of Robert Nixon for murder. Nixon's case is famous for being the basis for the novel Native Son, by Richard Wright. Dale considers the part of Nixon's account that Wright left out of his story: Nixon's claims that he confessed after being strung up by his wrists and beaten and the legal system's treatment of those claims. This original study will appeal to scholars and students interested in the history of criminal justice, and general readers interested in Midwest history, criminal cases, and the topic of police torture.
Author | : Elizabeth Dale |
Publisher | : Cornell University Press |
Total Pages | : 160 |
Release | : 2016-05-25 |
Genre | : History |
ISBN | : 1609092007 |
In 2015, Chicago became the first city in the United States to create a reparations fund for victims of police torture, after investigations revealed that former Chicago police commander Jon Burge tortured numerous suspects in the 1970s, '80s, and '90s. But claims of police torture have even deeper roots in Chicago. In the late 19th century, suspects maintained that Chicago police officers put them in sweatboxes or held them incommunicado until they confessed to crimes they had not committed. In the first decades of the 20th century, suspects and witnesses stated that they admitted guilt only because Chicago officers beat them, threatened them, and subjected them to "sweatbox methods." Those claims continued into the 1960s. In Robert Nixon and Police Torture in Chicago, 1871–1971, Elizabeth Dale uncovers the lost history of police torture in Chicago between the Chicago Fire and 1971, tracing the types of torture claims made in cases across that period. To show why the criminal justice system failed to adequately deal with many of those allegations of police torture, Dale examines one case in particular, the 1938 trial of Robert Nixon for murder. Nixon's case is famous for being the basis for the novel Native Son, by Richard Wright. Dale considers the part of Nixon's account that Wright left out of his story: Nixon's claims that he confessed after being strung up by his wrists and beaten and the legal system's treatment of those claims. This original study will appeal to scholars and students interested in the history of criminal justice, and general readers interested in Midwest history, criminal cases, and the topic of police torture.
Author | : W. Fitzhugh Brundage |
Publisher | : Belknap Press |
Total Pages | : 417 |
Release | : 2018-11-12 |
Genre | : History |
ISBN | : 0674737660 |
Pulitzer Prize Finalist Silver Gavel Award Finalist “A sobering history of how American communities and institutions have relied on torture in various forms since before the United States was founded.” —Los Angeles Times “That Americans as a people and a nation-state are violent is indisputable. That we are also torturers, domestically and internationally, is not so well established. The myth that we are not torturers will persist, but Civilizing Torture will remain a powerful antidote in confronting it.” —Lawrence Wilkerson, former Chief of Staff to Secretary of State Colin Powell “Remarkable...A searing analysis of America’s past that helps make sense of its bewildering present.” —David Garland, author of Peculiar Institution Most Americans believe that a civilized state does not torture, but that belief has repeatedly been challenged in moments of crisis at home and abroad. From the Indian wars to Vietnam, from police interrogation to the War on Terror, US institutions have proven far more amenable to torture than the nation’s commitment to liberty would suggest. Civilizing Torture traces the history of debates about the efficacy of torture and reveals a recurring struggle to decide what limits to impose on the power of the state. At a time of escalating rhetoric aimed at cleansing the nation of the undeserving and an erosion of limits on military power, the debate over torture remains critical and unresolved.
Author | : Michael Nowlin |
Publisher | : Cambridge University Press |
Total Pages | : 652 |
Release | : 2021-07-22 |
Genre | : Literary Criticism |
ISBN | : 1108803296 |
Richard Wright was one of the most influential and complex African American writers of the twentieth century. Best known as the trailblazing, bestselling author of Native Son and Black Boy, he established himself as an experimental literary intellectual in France who creatively drew on some of the leading ideas of his time - Marxism, existentialism, psychoanalysis, and postcolonialism - to explore the sources and meaning of racism both in the United States and worldwide. Richard Wright in Context gathers thirty-three new essays by leading scholars relating Wright's writings to biographical, regional, social, literary, and intellectual contexts essential to understanding them. It explores the places that shaped his life and enabled his literary destiny, the social and cultural contexts he both observed and immersed himself in, and the literary and intellectual contexts that made him one the most famous Black writers in the world at mid-century.
Author | : Silvan Niedermeier |
Publisher | : UNC Press Books |
Total Pages | : 225 |
Release | : 2019-09-17 |
Genre | : History |
ISBN | : 1469652986 |
Available for the first time in English, The Color of the Third Degree uncovers the still-hidden history of police torture in the Jim Crow South. Based on a wide array of previously neglected archival sources, Silvan Niedermeier argues that as public lynching decreased, less visible practices of racial subjugation and repression became central to southern white supremacy. In an effort to deter unruly white mobs, as well as oppress black communities, white southern law officers violently extorted confessions and testimony from black suspects and defendants in jail cells and police stations to secure speedy convictions. In response, black citizens and the NAACP fought to expose these brutal practices through individual action, local organizing, and litigation. In spite of these efforts, police torture remained a widespread, powerful form of racial control and suppression well into the late twentieth century. The first historical study of police torture in the American South, Niedermeier draws attention to the willing acceptance of violent coercion by prosecutors, judges, and juries, and brings to light the deep historical roots of police violence against African Americans, one of the most urgent and distressing issues of our time.
Author | : Simon Balto |
Publisher | : UNC Press Books |
Total Pages | : 360 |
Release | : 2019-03-05 |
Genre | : Social Science |
ISBN | : 1469649608 |
In July 1919, an explosive race riot forever changed Chicago. For years, black southerners had been leaving the South as part of the Great Migration. Their arrival in Chicago drew the ire and scorn of many local whites, including members of the city's political leadership and police department, who generally sympathized with white Chicagoans and viewed black migrants as a problem population. During Chicago's Red Summer riot, patterns of extraordinary brutality, negligence, and discriminatory policing emerged to shocking effect. Those patterns shifted in subsequent decades, but the overall realities of a racially discriminatory police system persisted. In this history of Chicago from 1919 to the rise and fall of Black Power in the 1960s and 1970s, Simon Balto narrates the evolution of racially repressive policing in black neighborhoods as well as how black citizen-activists challenged that repression. Balto demonstrates that punitive practices by and inadequate protection from the police were central to black Chicagoans' lives long before the late-century "wars" on crime and drugs. By exploring the deeper origins of this toxic system, Balto reveals how modern mass incarceration, built upon racialized police practices, emerged as a fully formed machine of profoundly antiblack subjugation.
Author | : Michael O'Malley |
Publisher | : University of Chicago Press |
Total Pages | : 359 |
Release | : 2022-05-18 |
Genre | : History |
ISBN | : 0226818713 |
The remarkable story of how modern Irish music was shaped and spread through the brash efforts of a Chicago police chief. Irish music as we know it today was invented not just in the cobbled lanes of Dublin or the green fields of County Kerry, but also in the burgeoning metropolis of early-twentieth-century Chicago. The genre’s history combines a long folk tradition with the curatorial quirks of a single person: Francis O’Neill, a larger-than-life Chicago police chief and an Irish immigrant with a fervent interest in his home country’s music. Michael O’Malley’s The Beat Cop tells the story of this singular figure, from his birth in Ireland in 1865 to his rough-and-tumble early life in the United States. By 1901, O’Neill had worked his way up to become Chicago’s chief of police, where he developed new methods of tracking criminals and recording their identities. At the same time, he also obsessively tracked and recorded the music he heard from local Irish immigrants, enforcing a strict view of what he felt was and wasn’t authentic. Chief O’Neill’s police work and his musical work were flip sides of the same coin, and O’Malley delves deep into how this brash immigrant harnessed his connections and policing skills to become the foremost shaper of how Americans see, and hear, the music of Ireland.
Author | : Murray Lee |
Publisher | : Routledge |
Total Pages | : 494 |
Release | : 2017-12-01 |
Genre | : Social Science |
ISBN | : 1317311086 |
The Routledge International Handbook on Fear of Crime brings together original and international state of the art contributions of theoretical, empirical, policy-related scholarship on the intersection of perceptions of crime, victimisation, vulnerability and risk. This is timely as fear of crime has now been a focus of scholarly and policy interest for some fifty years and shows little sign of abating. Research on fear of crime is demonstrative of the inter-disciplinarity of criminology, drawing in the disciplines of sociology, psychology, political science, history, cultural studies, gender studies, planning and architecture, philosophy and human geography. This collection draws in many of these interdisciplinary themes. This collections also extends the boundaries of fear of crime research. It does this both methodologically and conceptually, but perhaps more importantly it moves us beyond some of the often repeated debates in this field to focus on novel topics from unique perspectives. The book begins by plotting the history of fear of crime’s development, then moves on to investigate the methodological and theoretical debates that have ensued and the policy transfer that occurred across jurisdictions. Key elements in debates and research on fear of crime concerning gender, race and ethnicity are covered, as are contemporary themes in fear of crime research, such as regulation, security, risk and the fear of terrorism, the mapping of fear of crime and fear of crime beyond urban landscapes. The final sections of the book explore geographies of fear and future and unique directions for this research.
Author | : Markus D. Dubber |
Publisher | : Oxford University Press |
Total Pages | : 1201 |
Release | : 2018-08-02 |
Genre | : Law |
ISBN | : 0192513133 |
Some of the most exciting and innovative legal scholarship has been driven by historical curiosity. Legal history today comes in a fascinating array of shapes and sizes, from microhistory to global intellectual history. Legal history has expanded beyond traditional parochial boundaries to become increasingly international and comparative in scope and orientation. Drawing on scholarship from around the world, and representing a variety of methodological approaches, areas of expertise, and research agendas, this timely compendium takes stock of legal history and methodology and reflects on the various modes of the historical analysis of law, past, present, and future. Part I explores the relationship between legal history and other disciplinary perspectives including economic, philosophical, comparative, literary, and rhetorical analysis of law. Part II considers various approaches to legal history, including legal history as doctrinal, intellectual, or social history. Part III focuses on the interrelation between legal history and jurisprudence by investigating the role and conception of historical inquiry in various models, schools, and movements of legal thought. Part IV traces the place and pursuit of historical analysis in various legal systems and traditions across time, cultures, and space. Finally, Part V narrows the Handbooks focus to explore several examples of legal history in action, including its use in various legal doctrinal contexts.
Author | : Jeffrey S. Adler |
Publisher | : University of Chicago Press |
Total Pages | : 265 |
Release | : 2019-08-02 |
Genre | : History |
ISBN | : 022664331X |
New Orleans in the 1920s and 1930s was a deadly place. In 1925, the city’s homicide rate was six times that of New York City and twelve times that of Boston. Jeffrey S. Adler has explored every homicide recorded in New Orleans between 1925 and 1940—over two thousand in all—scouring police and autopsy reports, old interviews, and crumbling newspapers. More than simply quantifying these cases, Adler places them in larger contexts—legal, political, cultural, and demographic—and emerges with a tale of racism, urban violence, and vicious policing that has startling relevance for today. Murder in New Orleans shows that whites were convicted of homicide at far higher rates than blacks leading up to the mid-1920s. But by the end of the following decade, this pattern had reversed completely, despite an overall drop in municipal crime rates. The injustice of this sharp rise in arrests was compounded by increasingly brutal treatment of black subjects by the New Orleans police department. Adler explores other counterintuitive trends in violence, particularly how murder soared during the flush times of the Roaring Twenties, how it plummeted during the Great Depression, and how the vicious response to African American crime occurred even as such violence plunged in frequency—revealing that the city’s cycle of racial policing and punishment was connected less to actual patterns of wrongdoing than to the national enshrinement of Jim Crow. Rather than some hyperviolent outlier, this Louisiana city was a harbinger of the endemic racism at the center of today’s criminal justice state. Murder in New Orleans lays bare how decades-old crimes, and the racially motivated cruelty of the official response, have baleful resonance in the age of Black Lives Matter.