Robert Colescott
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Author | : Raphaela Platow |
Publisher | : Rizzoli Publications |
Total Pages | : 254 |
Release | : 2019-09-24 |
Genre | : Art |
ISBN | : 0847866955 |
The most comprehensive volume devoted to the life and work of pioneering African American artist Robert Colescott, accompanying the largest traveling exhibition of his work ever mounted. Robert Colescott (1925-2009) was a trailblazing artist, whose august career was as unique as his singular artistic style. Known for figurative satirical paintings that exposed the ugly ironies of race in America from the 1970s through the late 1990s, his work was profoundly influential to the generations of artists that have followed him, such as Kara Walker, Kehinde Wiley, and Henry Taylor, among many others. This volume surveys the entirety of Colescott's body of work, with contributions by more than ten curators and writers, including a substantive essay by the show's cocurator, the renowned Lowery Stokes Sims. It provides a detailed stylistic analysis of his politically inflected oeuvre, focusing on Colescott's own consideration of his work in the context of the grand traditions of European painting and contemporary polemic. In addition, the book features reminiscences and thought pieces by a variety of family, friends, students, curators, dealers, and scholars on his work as well as a selection of writings by the artist himself. Relying on previously unpublished transcripts of lectures, reviews, and archival materials provided by institutions and individuals, the book will provide a fuller story of the artist's life and career.
Author | : Lowery Stokes Sims |
Publisher | : Museum |
Total Pages | : 40 |
Release | : 1987 |
Genre | : Art |
ISBN | : |
Author | : Lowery Stokes Sims |
Publisher | : Yale University Press |
Total Pages | : 0 |
Release | : 2018 |
Genre | : Art |
ISBN | : 9780300233896 |
Contemporary artists Robert Colescott (1925-2009), Kerry James Marshall (b. 1955), and Mickalene Thomas (b. 1971) are distinguished by their attention to a history of representation, which they re-visit and revise to reflect on individual and collective Black experience. Equally engaged with social and political histories, and the history of art, Colescott, Marshall, and Thomas have created works that at times poignantly and satirically critique dominant narratives and posit alternatives. By considering these artists together, this thought-provoking book expands our understanding of contemporary history painting, a genre first defined during the 17th century and known for didactic paintings that often depicted Biblical or mythological subjects, and expressed the tastes and narratives of a ruling class. Colescott, Marshall, and Thomas marry appreciation of these traditional forms of representation to a deep understanding of contemporary American culture to create insightful works that disrupt historic narratives and read canonic art history against the grain. Published in association with the Seattle Art Museum Exhibition Schedule: Seattle Art Museum (02/15/18-05/13/18)
Author | : Richard J. Powell |
Publisher | : Yale University Press |
Total Pages | : 241 |
Release | : 2020-10-02 |
Genre | : Art |
ISBN | : 0300245742 |
A kaleidoscopic survey of black satire in 20th- and 21st-century American art In this groundbreaking study, Richard J. Powell investigates the visual forms of satire produced by black artists in 20th- and 21st-century America. Underscoring the historical use of visual satire as antiracist dissent and introspective critique, Powell argues that it has a distinctly African American lineage. Taking on some of the most controversial works of the past century—in all their complexity, humor, and provocation—Powell raises important questions about the social power of art. Expansive in both historical reach and breadth of media presented, Going There interweaves discussions of such works as the midcentury cartoons of Ollie Harrington, the installations of Kara Walker, the paintings of Robert Colescott, and the movies of Spike Lee. Other artists featured in the book include David Hammons, Arthur Jafa, Beverly McIver, Howardena Pindell, Betye Saar, and Carrie Mae Weems. Thoroughly researched and rich in context, Going There is essential reading in the history of satire, racial politics, and contemporary art.
Author | : Rubell Family Collection |
Publisher | : Rubell Family Collection |
Total Pages | : 240 |
Release | : 2008 |
Genre | : Art |
ISBN | : |
Text by Franklin Sirmans, Glenn Ligon, Robert Hobbs, Michele Wallace.
Author | : Adrienne L. Childs |
Publisher | : Rizzoli Publications |
Total Pages | : 210 |
Release | : 2020-03-03 |
Genre | : Art |
ISBN | : 0847866645 |
A timely consideration of African-American artists' rich engagement with the history of art from the twentieth century, this book is the winner of the James A. Porter and David C. Driskell Book Award for African American Art History. Riffs and Relations: African American Artists and the European Modernist Tradition presents works by African American artists of the twentieth and twenty-first centuries together with works by the early-twentieth-century European artists with whom they engaged. Black artists have investigated, interrogated, invaded, entangled, annihilated, or immersed themselves in the aesthetics, symbolism, and ethos of European art for more than a century. The powerful push and pull of this relationship constitutes a distinct tradition for many African American artists who source the master narratives of art history to critique, embrace, or claim their own space. This groundbreaking catalog--accompanying a major exhibition at the Phillips Collection in Washington, D.C.--explores the connections and frictions around modernism in the works of artists such as Romare Bearden, Pablo Picasso, Faith Ringgold, Renee Cox, Robert Colescott, Norman Lewis, Hank Willis Thomas, Carrie Mae Weems and Henri Matisse. The volume explores how blackness has often been conceived from the standpoint of these international and intergenerational connections and presents the divergent and complex works born of these important dialogues.
Author | : David C. Driskell |
Publisher | : Pomegranate |
Total Pages | : 252 |
Release | : 2001 |
Genre | : African American art |
ISBN | : 0764914553 |
This volume presents selections from the highly-respected Cosby collection of African American art. Their introductions elaborate on their strong belief that African American families should themselves seek to preserve their cultural history and not rely on the mainstream. They also provide interesting background about how they began their collection and what owning the art has meant to them. The essay by Driskell (curator, author, and scholar) places each artist within the context of his or her era from the late 1700s to the present, and explores the historical, biographical, social, and political background of each period. Also contains biographies of the artists. Beautifully illustrated with 91 color plates and several other illustrations. Oversize: 10.25x13.25". Annotation copyrighted by Book News Inc., Portland, OR
Author | : Glenda Carpio |
Publisher | : Oxford University Press |
Total Pages | : 302 |
Release | : 2008-07-01 |
Genre | : Literary Criticism |
ISBN | : 0199719543 |
Reassessing the meanings of "black humor" and "dark satire," Laughing Fit to Kill illustrates how black comedians, writers, and artists have deftly deployed various modes of comedic "conjuring"--the absurd, the grotesque, and the strategic expression of racial stereotypes--to redress not only the past injustices of slavery and racism in America but also their legacy in the present. Focusing on representations of slavery in the post-civil rights era, Carpio explores stereotypes in Richard Pryor's groundbreaking stand-up act and the outrageous comedy of Chappelle's Show to demonstrate how deeply indebted they are to the sly social criticism embedded in the profoundly ironic nineteenth-century fiction of William Wells Brown and Charles W. Chesnutt. Similarly, she reveals how the iconoclastic literary works of Ishmael Reed and Suzan-Lori Parks use satire, hyperbole, and burlesque humor to represent a violent history and to take on issues of racial injustice. With an abundance of illustrations, Carpio also extends her discussion of radical black comedy to the visual arts as she reveals how the use of subversive appropriation by Kara Walker and Robert Colescott cleverly lampoons the iconography of slavery. Ultimately, Laughing Fit to Kill offers a unique look at the bold, complex, and just plain funny ways that African American artists have used laughter to critique slavery's dark legacy.
Author | : Jane Culp |
Publisher | : SF Design, LLC / Frescobooks |
Total Pages | : 0 |
Release | : 2020 |
Genre | : Art |
ISBN | : 9781934491737 |
Jane Culp's muscular paintings and drawings make palpable the rush she feels when on location interacting with nature. From her modernist perspective she conveys a powerful sense of the moment using surface tension and movement. "I'm interested in the life and language of form," she explains. "How form talks as it goes into space, how light and distance swallow and selectively magnify the forms, how a rhythmic movement in space releases forms that change direction, split, bulge, and fall back into space." Working in harsh weather conditions that force her to strap her easel to her knees, Culp explores wilderness terrain along the spine of the Sierra Nevada, transporting viewers from her home base north of the Anza-Borrego Desert, through Joshua Tree and Death Valley national parks, up to Tioga Pass, and into Yosemite Valley.
Author | : Thelma Golden |
Publisher | : |
Total Pages | : 228 |
Release | : 1994 |
Genre | : Art |
ISBN | : |