M. Jourdain, a character in a Moliere play, was amazed when told he had been speaking prose all his life. Willard Espy, who has been compared to Lewis Carroll for his light-hearted and fanciful treatment of words, points out that every day we use rhetoric just as unknowingly. In this latest book, Mr. Espy has created a preposterous wonderland, a garden such as never was; and in the words of Henry Peacham (who published the first Garden of Eloquence in 1577), he has "set therein such figurative Flowers, both of Grammar and Rhetoric, as do yield the sweet savor of Eloquence." Besides its flowers, Espy's Garden is inhabited by creatures large and small, lovable and quarrelsome, beautiful and ugly, each incarnating some figure of speech (or trope)-that magical device that extends the range of language to infinity. We are all familiar with such common tropes as metaphor, hyperbole, and alliteration, but did you know that when the minister says "let us gather together" he is employing pleonasmus? Or that "it was no small task" is an example of litotes? Was Eliza Doolittle aware, when she said she wanted to sit "absobloominlutely still," that she was teaching Henry Higgins about tmesis? Metaphor, hyperbole, alliteration, pleonasmus, litotes, tmesis-these are but a sprinkling of the unforgettable Garden folk. Espy explains more than 200 rhetorical devices, dozens of them in verses sung by the tropes themselves. Each verse is followed by a definition, a comment, and examples of the usage in history, literature, and everyday speech. Thirty of the figures come visually alive in Teresa Allen's charming and witty illustrations, and word games abound throughout the book.