Ride The Pink Horse
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| Author | : Dorothy B. Hughes |
| Publisher | : Open Road Media |
| Total Pages | : 284 |
| Release | : 2013-06-18 |
| Genre | : Fiction |
| ISBN | : 1480426962 |
During the annual Fiesta, three desperate men converge in a perilous New Mexico town in this “extraordinary” crime novel (The New Yorker). It takes four days for Sailor to travel to New Mexico by bus. He arrives broke, sweaty, and ready to get what’s his. It’s the annual Fiesta, and the locals burn an effigy of Zozobra so that their troubles follow the mythical character into the fire. But for former senator Willis Douglass, trouble is just beginning. Sailor was Willis’s personal secretary when his wife died in an apparent robbery-gone-wrong. Only Sailor knows it was Willis who ordered her murder, and he’s agreed to keep his mouth shut in exchange for a little bit of cash. On Sailor’s tail is a cop who wants the senator for more than a payoff. As Fiesta rages on, these three men will circle one another in a dance of death, as they chase truth, money, and revenge.
| Author | : Dorothy B. Hughes |
| Publisher | : New York Review of Books |
| Total Pages | : 265 |
| Release | : 2012-07-03 |
| Genre | : Fiction |
| ISBN | : 1590175093 |
“It was surprising what old experiences remembered could do to a presumably educated, civilized man.” And Hugh Denismore, a young doctor driving his mother’s Cadillac from Los Angeles to Phoenix, is eminently educated and civilized. He is privileged, would seem to have the world at his feet, even. Then why does the sight of a few redneck teenagers disconcert him? Why is he reluctant to pick up a disheveled girl hitchhiking along the desert highway? And why is he the first person the police suspect when she is found dead in Arizona a few days later? Dorothy B. Hughes ranks with Raymond Chandler and Patricia Highsmith as a master of mid-century noir. In books like In a Lonely Place and Ride the Pink Horse she exposed a seething discontent underneath the veneer of twentieth-century prosperity. With The Expendable Man, first published in 1963, Hughes upends the conventions of the wrong-man narrative to deliver a story that engages readers even as it implicates them in the greatest of all American crimes.
| Author | : Imogen Sara Smith |
| Publisher | : McFarland |
| Total Pages | : 257 |
| Release | : 2014-01-10 |
| Genre | : Performing Arts |
| ISBN | : 0786489081 |
Although film noir is traditionally associated with the mean streets of the Dark City, this volume explores the genre from a new angle, focusing on non-urban settings. Through detailed readings of more than 100 films set in suburbs, small towns, on the road, in the desert, borderlands and the vast, empty West, the author investigates the alienation expressed by film noir, pinpointing its motivation in the conflict between desires for escape, autonomy and freedom--and fears of loneliness, exile and dissolution. Through such films as Out of the Past, They Live by Night and A Touch of Evil, this critical study examines how film noir reflected radical changes in the physical and social landscapes of postwar America, defining the genre's contribution to the eternal debate between the values of individualism and community.
| Author | : Elizabeth Letts |
| Publisher | : Ballantine Books |
| Total Pages | : 337 |
| Release | : 2021-06-01 |
| Genre | : Nature |
| ISBN | : 0525619321 |
NATIONAL BESTSELLER • The triumphant true story of a woman who rode her horse across America in the 1950s, fulfilling her dying wish to see the Pacific Ocean, from the #1 New York Times bestselling author of The Perfect Horse and The Eighty-Dollar Champion “The gift Elizabeth Letts has is that she makes you feel you are the one taking this trip. This is a book we can enjoy always but especially need now.”—Elizabeth Berg, author of The Story of Arthur Truluv In 1954, sixty-three-year-old Maine farmer Annie Wilkins embarked on an impossible journey. She had no money and no family, she had just lost her farm, and her doctor had given her only two years to live. But Annie wanted to see the Pacific Ocean before she died. She ignored her doctor’s advice to move into the county charity home. Instead, she bought a cast-off brown gelding named Tarzan, donned men’s dungarees, and headed south in mid-November, hoping to beat the snow. Annie had little idea what to expect beyond her rural crossroads; she didn’t even have a map. But she did have her ex-racehorse, her faithful mutt, and her own unfailing belief that Americans would treat a stranger with kindness. Annie, Tarzan, and her dog, Depeche Toi, rode straight into a world transformed by the rapid construction of modern highways. Between 1954 and 1956, the three travelers pushed through blizzards, forded rivers, climbed mountains, and clung to the narrow shoulder as cars whipped by them at terrifying speeds. Annie rode more than four thousand miles, through America’s big cities and small towns. Along the way, she met ordinary people and celebrities—from Andrew Wyeth (who sketched Tarzan) to Art Linkletter and Groucho Marx. She received many offers—a permanent home at a riding stable in New Jersey, a job at a gas station in rural Kentucky, even a marriage proposal from a Wyoming rancher. In a decade when car ownership nearly tripled, when television’s influence was expanding fast, when homeowners began locking their doors, Annie and her four-footed companions inspired an outpouring of neighborliness in a rapidly changing world.
| Author | : Mark T. Conard |
| Publisher | : University Press of Kentucky |
| Total Pages | : 265 |
| Release | : 2005-01-27 |
| Genre | : Performing Arts |
| ISBN | : 0813171709 |
A drifter with no name and no past, driven purely by desire, is convinced by a beautiful woman to murder her husband. A hard-drinking detective down on his luck becomes involved with a gang of criminals in pursuit of a priceless artifact. The stories are at once romantic, pessimistic, filled with anxiety and a sense of alienation, and they define the essence of film noir. Noir emerged as a prominent American film genre in the early 1940s, distinguishable by its use of unusual lighting, sinister plots, mysterious characters, and dark themes. From The Maltese Falcon (1941) to Touch of Evil (1958), films from this classic period reflect an atmosphere of corruption and social decay that attracted such accomplished directors as John Huston, Alfred Hitchcock, Billy Wilder, and Orson Welles. The Philosophy of Film Noir is the first volume to focus exclusively on the philosophical underpinnings of these iconic films. Drawing on the work of diverse thinkers, from the French existentialist Albert Camus to the Frankurt school theorists Max Horkheimer and Theodor Adorno, the volume connects film noir to the philosophical questions of a modern, often nihilistic, world. Opening with an examination of what constitutes noir cinema, the book interprets the philosophical elements consistently present in the films—themes such as moral ambiguity, reason versus passion, and pessimism. The contributors to the volume also argue that the essence and elements of noir have fundamentally influenced movies outside of the traditional noir period. Neo-noir films such as Pulp Fiction (1994), Fight Club (1999), and Memento (2000) have reintroduced the genre to a contemporary audience. As they assess the concepts present in individual films, the contributors also illuminate and explore the philosophical themes that surface in popular culture. A close examination of one of the most significant artistic movements of the twentieth century, The Philosophy of Film Noir reinvigorates an intellectual discussion at the intersection of popular culture and philosophy.
| Author | : Annie Wedekind |
| Publisher | : Feiwel & Friends |
| Total Pages | : 234 |
| Release | : 2009-09-29 |
| Genre | : Young Adult Fiction |
| ISBN | : 1429939079 |
A girl who longs for her own horse is given the chance to care for a troubled, damaged horse, who needs her as much as she needs him. Fourteen-year-old Jane Ryan has always dreamed of having a horse of her own—but so long as she gets to ride her favorite school horse, Beau, at Sunny Acres farm, she's content. And this is the summer she means to try out for the advanced riding class. But just as camp begins, Jane receives heartbreaking news about Beau. She loses, not just her favorite horse, but also her chance to ride in the end-of-summer competition. When her trainer asks for her help with an out-of-control chestnut warmblood, Lancelot, a newcomer to the barn, she has no choice but to say yes. There's another new addition to the farm: Ben Reyes, the grandson of the barn's manager. As Jane struggles to go on without Beau, and to make Lancelot the great horse she believes him to be, her feelings for Ben, her relationships with the privileged group of girls she rides with, and her painful, joyous road to self-discovery all lead to a heart-pounding conclusion that is truly a new beginning. Only Jane's faith in Lancelot, and her own rediscovered skill and strength, can see her through the hard journey toward a horse of her own.
| Author | : Dorothy B Hughes |
| Publisher | : Random House |
| Total Pages | : 242 |
| Release | : 2015-03-05 |
| Genre | : Fiction |
| ISBN | : 1473522307 |
Espionage, adventure and a hard-boiled heroine not to be trifled with - this classic noir will have you gripped from start to finish Julie Guilles is in trouble. She's fled her home in Occupied France for a seedy neighbourhood in New York and has been laying low - but not low enough. Because now she has the Gestapo, the FBI and her shady Uncle, the Duc de Guille, all on her tail, and her options are running out. Whispers of the Blackbirder reach her - a sinister figure who, for the right price, can promise safe passage across the border to New Mexico. Finding the Blackbirder is her only chance of escape - but what if the Blackbirder doesn't want to be found? 'Dorothy B. Hughes ranks with Raymond Chandler and Patricia Highsmith as a master of mid-century noir' New York Review of Books
| Author | : Dorothy B. Hughes |
| Publisher | : Penguin UK |
| Total Pages | : 202 |
| Release | : 2010-05-06 |
| Genre | : Fiction |
| ISBN | : 0141192313 |
Dix Steele is back in town, and 'town' is post-war LA. His best friend Brub is on the force of the LAPD, and as the two meet in country clubs and beach bars, they discuss the latest case: a strangler is preying on young women in the dark. Dix listens with interest as Brub describes their top suspect, as yet unnamed. Dix loves the dark and women in equal measure, so he knows enough to watch his step, though when he meets the luscious Laurel Gray, something begins to crack. The American Dream is showing its seamy underside.
| Author | : Dorothy B. Hughes |
| Publisher | : Open Road Media |
| Total Pages | : 232 |
| Release | : 2013-06-18 |
| Genre | : Fiction |
| ISBN | : 1480426997 |
A starlet on a transcontinental train fears her director may be trying to kill her in this novel by Mystery Writers of America Grand Master Dorothy B. Hughes. Four years after she arrived in Los Angeles, Kitten Agnew has become a star. Though beautiful and talented, she’d be nowhere without Vivien Spender: Hollywood’s most acclaimed director—and its most dangerous. But Kitten knew what she was getting into when she got involved with him; she had heard the stories of Viv’s past discoveries: Once he discarded them, they ended up in a chorus line, a sanatorium, or worse. She knows enough of his secrets that he wouldn’t dare destroy her career. But he may be willing to kill her. On a train from Los Angeles to Chicago, Kitten learns that Viv is planning to offer her roommate a part that was meant for her. If she lets him betray her, her career will be over. But fight for the part, and she will be fighting for her life as well.
| Author | : Halimah Marcus |
| Publisher | : HarperCollins |
| Total Pages | : 268 |
| Release | : 2021-08-03 |
| Genre | : Literary Collections |
| ISBN | : 0063009269 |
“A wild, rollicking ride into the heart of horse country—these essays get at what it means to love horses, in all that love's complexity.” —Anton DiSclafani, author of The Yonahlossee Riding Camp for Girls A compelling and provocative essay collection that smashes stereotypes and redefines the meaning of the term “horse girl,” broadening it for women of all cultural backgrounds. As a child, horses consumed Halimah Marcus’ imagination. When she wasn’t around horses she was pretending to be one, cantering on two legs, hands poised to hold invisible reins. To her classmates, girls like Halimah were known as “horse girls,” weird and overzealous, absent from the social worlds of their peers. Decades later, when memes about “horse girl energy,” began appearing across social media—Halimah reluctantly recognized herself. The jokes imagine girls as blinkered as carriage ponies, oblivious to the mockery behind their backs. The stereotypical horse girl is also white, thin, rich, and straight, a daughter of privilege. Yet so many riders don’t fit this narrow, damaging ideal, and relate to horses in profound ways that include ambivalence and regret, as well as unbridled passion and devotion. Featuring some of the most striking voices in contemporary literature—including Carmen Maria Machado, Pulitzer-prize winner Jane Smiley, T Kira Madden, Maggie Shipstead, and Courtney Maum—Horse Girls reframes the iconic bond between girls and horses with the complexity and nuance it deserves. And it showcases powerful emerging voices like Braudie Blais-Billie, on the connection between her Seminole and Quebecois heritage; Sarah Enelow-Snyder, on growing up as a Black barrel racer in central Texas; and Nur Nasreen Ibrahim, on the colonialist influence on horse culture in Pakistan. By turns thought-provoking and personal, Horse Girls reclaims its titular stereotype to ask bold questions about autonomy and desire, privilege and ambition, identity and freedom, and the competing forces of domestication and wildness.
