Rhythm, Meter and Tempo in Gregorian Chant
Author | : J. van Biezen |
Publisher | : |
Total Pages | : 58 |
Release | : 2016 |
Genre | : Gregorian chants |
ISBN | : 9781945416002 |
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Author | : J. van Biezen |
Publisher | : |
Total Pages | : 58 |
Release | : 2016 |
Genre | : Gregorian chants |
ISBN | : 9781945416002 |
Author | : James Woodrow Krehbiel |
Publisher | : |
Total Pages | : 190 |
Release | : 1958 |
Genre | : Musical meter and rhythm |
ISBN | : |
Author | : Russell Hartenberger |
Publisher | : Cambridge University Press |
Total Pages | : 371 |
Release | : 2020-09-24 |
Genre | : Music |
ISBN | : 1108604951 |
One of the defining aspects of music is that it exists in time. From clapping to dancing, toe-tapping to head-nodding, the responses of musicians and listeners alike capture the immediacy and significance of the musical beat. This Companion explores the richness of musical time through a variety of perspectives, surveying influential writings on the topic, incorporating the perspectives of listeners, analysts, composers, and performers, and considering the subject across a range of genres and cultures. It includes chapters on music perception, visualizing rhythmic notation, composers' writings on rhythm, rhythm in jazz, rock, and hip-hop. Taking a global approach, chapters also explore rhythmic styles in the music of India, Africa, Bali, Latin America and the Caribbean, and Indigenous music of North and South America. Readers will gain an understanding of musicians' approaches to performing complex rhythms of contemporary music, and revealing insights into the likely future of rhythm in music.
Author | : Grosvenor W. Cooper |
Publisher | : University of Chicago Press |
Total Pages | : 232 |
Release | : 1963-04-15 |
Genre | : Music |
ISBN | : 9780226115221 |
In this book, the authors develop a theoretical framework based on a Gestalt approach, viewing rhythmic experience in terms of pattern perception or groupings. Musical examples of increasing complexity are used to provide training in the analysis, performance, and writing of rhythm.
Author | : Michael R. Rogers |
Publisher | : SIU Press |
Total Pages | : 276 |
Release | : 2004 |
Genre | : Education |
ISBN | : 9780809325955 |
Drawing on decades of teaching experience and the collective wisdom of dozens of the most creative theorists in the country, Michael R. Rogers's diverse survey of music theory--one of the first to comprehensively survey and evaluate the teaching styles, techniques, and materials used in theory courses--is a unique reference and research tool for teachers, theorists, secondary and postsecondary students, and for private study. This revised edition of Teaching Approaches in Music Theory: An Overview of Pedagogical Philosophies features an extensive updated bibliography encompassing the years since the volume was first published in 1984. In a new preface to this edition, Rogers references advancements in the field over the past two decades, from the appearance of the first scholarly journal devoted entirely to aspects of music theory education to the emergence of electronic advances and devices that will provide a supporting, if not central, role in the teaching of music theory in the foreseeable future. With the updated information, the text continues to provide an excellent starting point for the study of music theory pedagogy. Rogers has organized the book very much like a sonata. Part one, "Background," delineates principal ideas and themes, acquaints readers with the author's views of contemporary musical theory, and includes an orientation to an eclectic range of philosophical thinking on the subject; part two, "Thinking and Listening," develops these ideas in the specific areas of mindtraining and analysis, including a chapter on ear training; and part three, "Achieving Teaching Success," recapitulates main points in alternate contexts and surroundings and discusses how they can be applied to teaching and the evaluation of design and curriculum. Teaching Approaches in Music Theory emphasizes thoughtful examination and critique of the underlying and often tacit assumptions behind textbooks, materials, and technologies. Consistently combining general methods with specific examples and both philosophical and practical reasoning, Rogers compares and contrasts pairs of concepts and teaching approaches, some mutually exclusive and some overlapping. The volume is enhanced by extensive suggested reading lists for each chapter.
Author | : Samuel L. Macey |
Publisher | : Routledge |
Total Pages | : 451 |
Release | : 2018-10-10 |
Genre | : Philosophy |
ISBN | : 0429685130 |
Originally published in 1991. A multidisciplinary guide in the form of a bibliography of selected time-related books and articles divided into 25 existing academic disciplines and about 100 subdisciplines which have a wide application to time studies.
Author | : Eric Werner |
Publisher | : KTAV Publishing House, Inc. |
Total Pages | : 300 |
Release | : 1976 |
Genre | : Jews |
ISBN | : |
Author | : James R. Cowdery |
Publisher | : New York : Répertoire international de littérature musicale |
Total Pages | : 776 |
Release | : 2004 |
Genre | : Music |
ISBN | : |
Author | : Phil G. Goulding |
Publisher | : Ballantine Books |
Total Pages | : 657 |
Release | : 2011-03-16 |
Genre | : Music |
ISBN | : 0307760464 |
MAKE A SOUND INVESTMENT IN CLASSICAL MUSIC Who are the ten most important classical composers? Who in the world was Palestrina? Why did Stravinsky's "Rite of Spring" cause a riot? Which five of each important composer's works should you buy? What is a concerto and how does it differ from a sonata? Maybe you don't know the answers to these questions; author Phil Goulding certainly didn't. When Goulding first tried to learn about classical music, he found himself buried in an avalanche of technical terms and complicated jargon--so he decided to write the book he couldn't find. The result is a complete classical music education in one volume. Comprehensive, discriminating, and delightfully irreverent, Classical Music provides such essential information as: * Rankings of the top 50 composers (Bach is #1. Borodin is #50) * A detailed and anecdotal look at each composer's life and work * The five primary works of each composer and specific recommended CDs for each. * Further great works of each composer--if you really like him * Concise explanations of musical terminology, forms, and periods * A guide to the parts and history of the symphony orchestra "This book uses every conceivable gimmick to immerse readers in the richness of classical music: lists, rankings, sidebars devoted to lively anecdotes, and catchy leads." --The Washington Post "One terrific music appreciation book...The information is surprisingly detailed but concisely presented. Goulding's writing style is breezy yet mature....[He] has raised music appreciation from a racket to a service." --The Arizona Daily Star