Revolution and Power Politics in Yorubaland, 1840-1893
Author | : Stephen Adebanji Akintoye |
Publisher | : London : Longman |
Total Pages | : 322 |
Release | : 1971 |
Genre | : History |
ISBN | : |
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Author | : Stephen Adebanji Akintoye |
Publisher | : London : Longman |
Total Pages | : 322 |
Release | : 1971 |
Genre | : History |
ISBN | : |
Author | : Chima Jacob Korieh |
Publisher | : Cambria Press |
Total Pages | : 370 |
Release | : 2010 |
Genre | : Africa |
ISBN | : 162196874X |
Author | : Jeremy Seymour Eades |
Publisher | : CUP Archive |
Total Pages | : 212 |
Release | : 1980-05-08 |
Genre | : Social Science |
ISBN | : 9780521226561 |
Author | : Toyin Falola |
Publisher | : University Rochester Press |
Total Pages | : 352 |
Release | : 2010 |
Genre | : Biography & Autobiography |
ISBN | : 1580463584 |
The book traces the history of writing about Nigeria since the nineteenth century, with an emphasis on the rise of nationalist historiography and the leading themes. The second half of the twentieth century saw the publication of massive amounts of literature on Nigeria by Nigerian and non-Nigerian historians. This volume reflects on that literature, focusing on those works by Nigerians in thecontext of the rise and decline of African nationalist historiography. Given the diminishing share in the global output of literature on Africa by African historians, it has become crucial to reintroduce Africans into historicalwriting about Africa. As the authors attempt here to rescue older voices, they also rehabilitate a stale historiography by revisiting the issues, ideas, and moments that produced it. This revivalism also challenges Nigerian historians of the twenty-first century to study the nation in new ways, to comprehend its modernity, and to frame a new set of questions on Nigeria's future and globalization. In spite of current problems in Nigeria and its universities, that historical scholarship on Nigeria (and by extension, Africa) has come of age is indisputable. From a country that struggled for Western academic recognition in the 1950s to one that by the 1980s had emerged as one of the most studied countries in Africa, Nigeria is not only one of the early birthplaces of modern African history, but has also produced members of the first generation of African historians whose contributions to the development and expansion of modern African history is undeniable. Like their counterparts working on other parts of the world, these scholars have been sensitive to the need to explore virtually all aspects of Nigerian history. The book highlights the careers of some of Nigeria's notable historians of the first and second generation. Toyin Falola is Jacob and Frances Sanger Mossiker Chair in the Humanities and University Distinguished Teaching Professor at the University of Texas at Austin. Saheed Aderinto is Assistant Professor of History at Western Carolina University.
Author | : Saheed Aderinto |
Publisher | : Indiana University Press |
Total Pages | : 321 |
Release | : 2018-01-06 |
Genre | : History |
ISBN | : 0253031621 |
Guns are an enduring symbol of imperialism, whether they are used to impose social order, create ceremonial spectacle, incite panic, or to inspire confidence. In Guns and Society, Saheed Aderinto considers the social, political, and economic history of these weapons in colonial Nigeria. As he transcends traditional notions of warfare and militarization, Aderinto reveals surprising insights into how colonialism changed access to firearms after the 19th century. In doing so, he explores the unusual ways in which guns were used in response to changes in the Nigerian cultural landscape. More Nigerians used firearms for pastime and professional hunting in the colonial period than at any other time. The boom and smoke of gunfire even became necessary elements in ceremonies and political events. Aderinto argues that firearms in the Nigerian context are not simply commodities but are also objects of material culture. Considering guns in this larger context provides a clearer understanding of the ways in which they transformed a colonized society.
Author | : Achille Mbembe |
Publisher | : Univ of California Press |
Total Pages | : 292 |
Release | : 2001-06-17 |
Genre | : History |
ISBN | : 9780520204355 |
Refreshing a stale debate about power in the postcolonial state, this book addresses a topic debated across the humanities and social sciences: how to define, discuss, and address power and the subjective experience of ordinary people in the face of power?
Author | : International Scientific Committee for the drafting of a General History of Africa |
Publisher | : UNESCO Publishing |
Total Pages | : 886 |
Release | : 1989-12-31 |
Genre | : Political Science |
ISBN | : 9231017128 |
One of UNESCO's most important publishing projects in the last thirty years, the General History of Africa marks a major breakthrough in the recognition of Africa's cultural heritage. Offering an internal perspective of Africa, the eight-volume work provides a comprehensive approach to the history of ideas, civilizations, societies and institutions of African history. The volumes also discuss historical relationships among Africans as well as multilateral interactions with other cultures and continents.
Author | : John Iliffe |
Publisher | : Cambridge University Press |
Total Pages | : 436 |
Release | : 2005 |
Genre | : History |
ISBN | : 9780521546850 |
This is the first published account of the role played by ideas of honour in African history from the fourteenth century to the present day. It argues that appreciation of these ideas is essential to an understanding of past and present African behaviour. Before European conquest, many African men cultivated heroic honour, others admired the civic virtues of the patriarchal householder, and women honoured one another for industry, endurance, and devotion to their families. These values both conflicted and blended with Islamic and Christian teachings. Colonial conquest fragmented heroic cultures, but inherited ideas of honour found new expression in regimental loyalty, respectability, professionalism, working-class masculinity, the changing gender relationships of the colonial order, and the nationalist movements which overthrew that order. Today, the same inherited notions obstruct democracy, inspire resistance to tyranny, and motivate the defence of dignity in the face of AIDS.
Author | : Cristina Boscolo |
Publisher | : Rodopi |
Total Pages | : 369 |
Release | : 2009 |
Genre | : Drama |
ISBN | : 9042026804 |
A poetic 'voice' scans the rhythm of academic research, telling of the encounter with odún; then the voice falls silent. What is then raised is the dust of a forgotten academic debate on the nature of theatre and drama, and the following divergent standpoints of critical discourses bent on empowering their own vision, and defining themselves, rather, as counterdiscourses. This, the first part of the book: a metacritical discourse, on the geopolitics (the inherent power imbalances) of academic writing and its effects on odún, the performances dedicated to the gods, ancestors, and heroes of Yorùbá history. But odún: where is it? and what is it? And the 'voice'? The many critical discourses have not really answered these questions. In effect, odún is many things. To enable the reader to see these, the study proceeds with an 'intermezzo' a frame of reference that sets odún, the festival, in its own historico-cultural ecoenvironment, identifying the strategies that inform the performance and constitute its aesthetic. It is a 'classical' yet, for odún, an innovative procedure. This interdisciplinary background equips the reader with the knowledge necessary to watch the performance, to witness its beauty, and to understand the 'half words' odún utters. And now the performance can begin. The 'voice' emerges one last time, to introduce the second section, which presents two case studies. The reader is led, day by day, through the celebrations -odún edì, Morèmi's story, and its realization in performance; then confrontation by the masks of the ancestors duing odún egúngún (particularly as held in Ibadan). The meaning of odún becomes clearer and clearer. Odún is poetry, dances, masks, food, prayer. It is play (eré) and belief (ìgbàgbó). It is interaction between the players (both performers and spectators). It is also politics and power. It contains secrets and sacrifices. It is a reality with its own dimension and, above all, as the quintessential site of knowledge, it possesses the power to transform. In short, it is a challenge - a challenge that the present book and its voices take up.