Revista De Literatura Mexicana Contemporanea
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Author | : Eladio Cortes |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 815 |
Release | : 1992-11-24 |
Genre | : Literary Criticism |
ISBN | : 0313368996 |
This volume features approximately 600 entries that represent the major writers, literary schools, and cultural movements in the history of Mexican literature. A collaborative effort by American, Mexican, and Hispanic scholars, the text contains bibliographical, biographical, and critical material--placing each work cited within its cultural and historical framework. Intended to enrich the English-speaking public's appreciation of the rich diversity of Mexican literature, works are selected on the basis of their contribution toward an understanding of this unique artistry. The dictionary contains entries keyed by author and works, the length of each entry determined by the relative significance of the writer or movement being discussed. Each biographical entry identifies the author's literary contribution by including facts about his or her life and works, a chronological list of works, a supplementary bibliography, and, when appropriate, critical notes. Authors are listed alphabetically and cross-referenced both within the text and the index to facilitate easy access to information. Selected bibliographical entries are also listed alphabetically by author and include both the original title and English translation, publisher, date and place of publication, and number of pages.
Author | : Oswaldo Estrada |
Publisher | : SUNY Press |
Total Pages | : 262 |
Release | : 2018-10-01 |
Genre | : History |
ISBN | : 1438471890 |
Analyzes literary and cultural representations of iconic Mexican women to explore how these reimaginings can undermine or perpetuate gender norms in contemporary Mexico. In Troubled Memories, Oswaldo Estrada traces the literary and cultural representations of several iconic Mexican women produced in the midst of neoliberalism, gender debates, and the widespread commodification of cultural memory. He examines recent fictionalizations of Malinche, Hernán Cortéss indigenous translator during the Conquest of Mexico; Sor Juana Inés de la Cruz, the famous Baroque intellectual of New Spain; Leona Vicario, a supporter of the Mexican War of Independence; the soldaderas of the Mexican Revolution; and Frida Kahlo, the tormented painter of the twentieth century. Long associated with gendered archetypes and symbols, these women have achieved mythical status in Mexican culture and continue to play a complex role in Mexican literature. Focusing on contemporary novels, plays, and chronicles in connection to films, television series, and corridos of the Mexican Revolution, Estrada interrogates how and why authors repeatedly recreate the lives of these historical women from contemporary perspectives, often generating hybrid narratives that fuse history, memory, and fiction. In so doing, he reveals the innovative and sometimes troublesome ways in which authors can challenge or perpetuate gendered conventions of writing womens lives. A leading scholar on gender and literature, Oswaldo Estrada delivers a thorough, rigorous, and exciting account on the persistence of female icons in contemporary culture. Steeped in his deep knowledge of Mexicos cultural history, Estradas book is a key contribution to questions of gender, iconicity, and the interrelations between popular and literary culturea must read for scholars and students. Ignacio M. Sánchez Prado, author of Strategic Occidentalism: On Mexican Fiction, the Neoliberal Book Market, and the Question of World Literature By studying the way some of the most prominent female Mexican icons of all time have been reimagined in contemporary fiction and transformed into objects of consumerism, symbols of national identity, and memories of the past, this book fills a dire need in the Mexican studies field. The scholarship is exemplary, the style is impeccable, and reading the author is a pleasure. Patricia Saldarriaga, Middlebury College
Author | : Will H. Corral |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 458 |
Release | : 2013-09-26 |
Genre | : Literary Criticism |
ISBN | : 1441142452 |
The Contemporary Spanish-American Novel provides an accessible introduction to an important World literature. While many of the authors covered-Aira, Bolaño, Castellanos Moya, Vásquez-are gaining an increasing readership in English and are frequently taught, there is sparse criticism in English beyond book reviews. This book provides the guidance necessary for a more sophisticated and contextualized understanding of these authors and their works. Underestimated or unfamiliar Spanish American novels and novelists are introduced through conceptually rigorous essays. Sections on each writer include: *the author's reception in their native country, Spanish America, and Spain *biographical history *a critical examination of their work, including key themes and conceptual concerns *translation history *scholarly reception The Contemporary Spanish-American Novel offers an authoritative guide to a rich and varied novelistic tradition. It covers all demographic areas, including United States Latino authors, in exploring the diversity of this literature and its major themes, such as exile, migration, and gender representation.
Author | : Héctor Jaimes |
Publisher | : Springer |
Total Pages | : 211 |
Release | : 2017-10-06 |
Genre | : Literary Criticism |
ISBN | : 3319627163 |
This book provides a rich and cutting-edge analysis of one of the most prominent literary groups in Latin America: the Mexican Crack Writers. The first part explores the history of the group and its relation to the Latin American literary tradition, while the second part is devoted to the critical analysis of the works of each of the authors: Ricardo Chávez Castañeda, Ignacio Padilla, Pedro Ángel Palou, Eloy Urroz and Jorge Volpi. The volume is further enriched by the inclusion, in the appendix, of the two manifestos of the group: the Crack Manifesto and the Crack Postmanifesto (1996-2016). It will be of great interest to students and scholars focusing on contemporary Latin American literature.
Author | : Brian T. Chandler |
Publisher | : Rutgers University Press |
Total Pages | : 153 |
Release | : 2024-03-29 |
Genre | : Literary Criticism |
ISBN | : 1684485215 |
Science Fusion draws on new materialist theory to analyze the relationship between science and literature in contemporary works of fiction, poetry, and theater from Mexico. In this deft new study, Brian Chandler examines how a range of contemporary Mexican writers “fuse” science and literature in their work to rethink what it means to be human in an age of climate change, mass extinctions, interpersonal violence, femicide, and social injustice. The authors under consideration here—including Alberto Blanco, Jorge Volpi, Ignacio Padilla, Sabina Berman, Maricela Guerrero, and Elisa Díaz Castelo—challenge traditional divisions that separate human from nonhuman, subject from object, culture from nature. Using science and literature to engage topics in biopolitics, historiography, metaphysics, ethics, and ecological crisis in the age of the Anthropocene, works of science fusion offer fresh perspectives to address present-day sociocultural and environmental issues.
Author | : Jen Hofer |
Publisher | : University of Pittsburgh Press |
Total Pages | : 257 |
Release | : 2014-03-01 |
Genre | : Poetry |
ISBN | : 0822979306 |
Sin puertas visibles (No Visible Doors) is a fully bilingual anthology that features emerging women poets whose work provides a taste of the adventurous new spirit infusing Mexican literature. All eleven poets represented have had at least one book published in Mexico, yet none of their work has been translated into English until now.Featuring the work of: Cristina Rivera-Garza, Carla Faesler, Angelica Tornero, Ana Belen L—pez, Silvia Eugenia Castillero, M—nica Nepote, Dana Gelinas, Maria Rivera, Ofelia Perez Sepœlveda, Dorantes, and Laura Sol—zano. Mexico poesses one of Latin America's most important poetic traditions, but its depth and range are virtually unknown to readers north of the border. Reflecting the diversity and complexity f contemporary mexican poetry, the poems presented here are by turns meditative and explosive, sensuous and inventive, ironic and tender—in short, they are subversive, provocative, and bold.
Author | : Ronald J. Friis |
Publisher | : Rutgers University Press |
Total Pages | : 211 |
Release | : 2021-11-12 |
Genre | : Literary Criticism |
ISBN | : 1684483476 |
White Light: The Poetry of Alberto Blanco examines the interplay of complementary images and concepts in the award-winning Mexican writer's cycle of poems from 1979 to 2018. Blanco’s poetic trilogy A la luz de siempre is characterized by its broad range of form and subject and by the poet's own eclectic background as a chemist, maker of collages, and musician. Blanco speaks the language of the visual arts, science, mathematics, music, and philosophy, and creates work with deep interdisciplinary roots. This book explores how polarities such as space and place, reading and writing, sound and silence, visual and verbal representation, and faith and doubt are woven through A la luz de siempre. These complements reveal how Blanco’s poetry, like the phenomenon of white light, embraces paradox and transforms into something more than the sum of its disparate and polychromatic parts.
Author | : Victoria Carpenter |
Publisher | : University of Wales Press |
Total Pages | : 271 |
Release | : 2018-08-06 |
Genre | : History |
ISBN | : 1786832828 |
In-depth understanding of the way the state and the populace told the story of the Tlatelolco massacre Close reading of media coverage of the massacre Close reading of the testimonial and academic texts about the massacre Close reading of literary works about the massacre
Author | : Elizabeth Villalobos |
Publisher | : University of Arizona Press |
Total Pages | : 273 |
Release | : 2024 |
Genre | : Literary Criticism |
ISBN | : 0816553068 |
Border Killers delves into how recent Mexican creators have reported, analyzed, distended, and refracted the increasingly violent world of neoliberal Mexico, especially its versions of masculinity. By looking to the insights of artists, writers, and filmmakers, Elizabeth Villalobos offers a path for making sense and critiquing very real border violence in contemporary Mexico. Villalobos focuses on representations of "border killers" in literature, film, and theater. The author develops a metaphor of "maquilization" to describe the mass-production of masculine violence as a result of neoliberalism. The author demonstrates that the killer is an interchangeable cog in a societal factory of violence whose work is to produce dead bodies. By turning to cultural narratives, Villalobos seeks to counter the sensationalistic and stereotyped media depictions of border residents as criminals. The cultural works she examines instead indict the Mexican state and the global economic system for producing agents of violence. Focusing on both Mexico's northern and southern borders, Border Killers uses Achille Mbembe's concept of necropolitics and various theories of masculinity to argue that contemporary Mexico is home to a form of necropolitical masculinity that has flourished in the neoliberal era and made the exercise of death both profitable and necessary for the functioning of Mexico's state-cartel-corporate governance matrix.
Author | : Elizabeth Moore Willingham |
Publisher | : Apollo Books |
Total Pages | : 312 |
Release | : 2012-05-18 |
Genre | : Literary Criticism |
ISBN | : 9781845195564 |
This book - now available in paperback - is the first in-depth review and assessment of Laura Esquivel criticism. Outstanding essayists - from diverse critical perspectives in Latin American literature and film - explore Esquivel's critical reputation, contextualize her work in literary movements, and consider her four novels, as well as the film based on Like Water for Chocolate. The book begins with An Introduction to Esquivel Criticism, reviewing 20 years of global praise and condemnation. Elena Poniatowska, in an essay provided in the original Spanish and in translation, reflects on her first reading of Like Water for Chocolate. From unique critical perspectives, Jeffrey Oxford, Patrick Duffey, and Debra Andrist probe the novel as film and fiction. The Rev. Dr. Stephen Butler Murray explores Esquivel's spiritual focus, while cultural geographer Maria Elena Christie uses words and images to compare Mexican kitchen-space and Esquivel's first novel. Elizabeth Coonrod Martinez and Lydia H. Rodriguez affirm divergent readings of The Law of Love, and Elizabeth M. Willingham discusses the contested national identity in Swift as Desire. Jeanne L. Gillespie and Ryan F. Long approach Malinche: A Novel through historical documents and popular and religious culture. In the closing essay, Alberto Julian Perez contextualizes Esquivel's fiction within Feminist and Hispanic literary movements. This book has won the Harvey L. Johnson Book Award for 2011, conferred by the South Central Organization of Latin American Studies at its 44th annual Congress in Miami, Florida (March 9, 2012).