Revelry Rivalry And Longing For The Goddesses Of Bengal
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| Author | : Rachel Fell McDermott |
| Publisher | : Columbia University Press |
| Total Pages | : 392 |
| Release | : 2011 |
| Genre | : History |
| ISBN | : 023112919X |
Annually during the months of autumn, Bengal hosts three interlinked festivals to honor its most important goddesses: Durga, Kali, and Jagaddhatri. While each of these deities possesses a distinct iconography, myth, and character, they are all martial. Durga, Kali, and Jagaddhatri often demand blood sacrifice as part of their worship and offer material and spiritual benefits to their votaries. Richly represented in straw, clay, paint, and decoration, they are similarly displayed in elaborately festooned temples, thronged by thousands of admirers. The first book to recount the history of these festivals and their revelry, rivalry, and nostalgic power, this volume marks an unprecedented achievement in the mapping of a major public event. Rachel Fell McDermott describes the festivals' origins and growth under British rule. She identifies their iconographic conventions and carnivalesque qualities and their relationship to the fierce, Tantric sides of ritual practice. McDermott confronts controversies over the tradition of blood sacrifice and the status-seekers who compete for symbolic capital. Expanding her narrative, she takes readers beyond Bengal's borders to trace the transformation of the goddesses and their festivals across the world. McDermott's work underscores the role of holidays in cultural memory, specifically the Bengali evocation of an ideal, culturally rich past. Under the thrall of the goddess, the social, political, economic, and religious identity of Bengalis takes shape.
| Author | : Rachel Fell McDermott |
| Publisher | : Columbia University Press |
| Total Pages | : 392 |
| Release | : 2011 |
| Genre | : Religion |
| ISBN | : 0231129181 |
Annually during the months of autumn, Bengal hosts three interlinked festivals to honor its most important goddesses: Durga, Kali, and Jagaddhatri. While each of these deities possesses a distinct iconography, myth, and character, they are all martial. Durga, Kali, and Jagaddhatri often demand blood sacrifice as part of their worship and offer material and spiritual benefits to their votaries. Richly represented in straw, clay, paint, and decoration, they are similarly displayed in elaborately festooned temples, thronged by thousands of admirers. The first book to recount the history of these festivals and their revelry, rivalry, and nostalgic power, this volume marks an unprecedented achievement in the mapping of a major public event. Rachel Fell McDermott describes the festivals' origins and growth under British rule. She identifies their iconographic conventions and carnivalesque qualities and their relationship to the fierce, Tantric sides of ritual practice. McDermott confronts controversies over the tradition of blood sacrifice and the status-seekers who compete for symbolic capital. Expanding her narrative, she takes readers beyond Bengal's borders to trace the transformation of the goddesses and their festivals across the world. McDermott's work underscores the role of holidays in cultural memory, specifically the Bengali evocation of an ideal, culturally rich past. Under the thrall of the goddess, the social, political, economic, and religious identity of Bengalis takes shape.
| Author | : Sudarshana Bhaumik |
| Publisher | : Taylor & Francis |
| Total Pages | : 317 |
| Release | : 2022-08-26 |
| Genre | : History |
| ISBN | : 1000641430 |
This book challenges the prevalent assumptions of caste, hierarchy and social mobility in pre-colonial and colonial Bengal. It studies the writings of colonial ethnographers, Orientalist scholars, Christian missionaries and pre-colonial literary texts like the Mangalkavyas to show how the concept of caste emerged and argues that the jati order in Bengal was far from being a rigidly reified structure, but one which had room for spatial and social mobility. The volume highlights the processes through which popular myths and beliefs of the lower caste orders of Bengal were Sanskritized. It delineates the linkages between sedantized peasant culture and the emergence of new agricultural castes in colonial Bengal. Moreover, the author discusses a wide spectrum of issues like marginality and hierarchy, the spread of Brahmanical hegemony, the creation of deities and the process of Sanskritization, popular Saivism, the cult of Manasa in Bengal and the revolt of 1857 and the caste question. Rich in archival sources, this book will be an essential read for scholars and researchers of colonial history, Indian history, political sociology, caste studies, exclusion studies, cultural studies, social history, cultural history and South Asian studies, especially those interested in undivided Bengal.
| Author | : Samir Kumar Das |
| Publisher | : Springer Nature |
| Total Pages | : 240 |
| Release | : 2021-05-21 |
| Genre | : Social Science |
| ISBN | : 9811602638 |
This book examines the making of the Goddess Durga both as an art and as part of the intangible heritage of Bengal. As the ‘original site of production’ of unbaked clay idols of the Hindu Goddess Durga and other Gods and Goddesses, Kumartuli remains at the centre of such art and heritage. The art and heritage of Kumartuli have been facing challenges in a rapidly globalizing world that demands constant redefinition of ‘art’ with the invasion of market forces and migration of idol makers. As such, the book includes chapters on the evolution of idols, iconographic transformations, popular culture and how the public is constituted by the production and consumption of the works of art and heritage and finally the continuous shaping and reshaping of urban imaginaries and contestations over public space. It also investigates the caste group of Kumbhakars (Kumars or the idol makers), reflecting on the complex relation between inherited skill and artistry. Further, it explores how the social construction of art as ‘art’ introduces a tangled web of power asymmetries between ‘art’ and ‘craft’, between an ‘artist’ and an ‘artisan’, and between ‘appreciation’ and ‘consumption’, along with their implications for the articulation of market in particular and social relations in general. Since little has been written on this heritage hub beyond popular pamphlets, documents on town planning and travelogues, the book, written by authors from various fields, opens up cross-disciplinary conversations, situating itself at the interface between art history, sociology of aesthetics, politics and government, social history, cultural studies, social anthropology and archaeology. The book is aimed at a wide readership, including students, scholars, town planners, heritage preservationists, lawmakers and readers interested in heritage in general and Kumartuli in particular.
| Author | : Jessica Vantine Birkenholtz |
| Publisher | : Oxford University Press |
| Total Pages | : 345 |
| Release | : 2018 |
| Genre | : Religion |
| ISBN | : 0199341168 |
Reciting the Goddess is the first book-length study of Nepal's goddess Svasthani and the popular Svasthanivratakatha textual tradition. Drawing on archival and ethnographic research, it examines the making of Hinduism in Nepal, a history that is largely neglected in master narratives of Hinduism on the Indian subcontinent.
| Author | : Kunal Chakrabarti |
| Publisher | : Scarecrow Press |
| Total Pages | : 605 |
| Release | : 2013-08-22 |
| Genre | : History |
| ISBN | : 0810880245 |
The Bengali (Bangla) speaking people are located in the northeastern part of South Asia, particularly in Bangladesh and two states of India – West Bengal and Tripura. There are almost 246 million Bengalis at present, which makes them the fifth largest speech community in the world. Despite political and social divisions, they share a common literary and musical culture and several habits of daily existence which impart to them a distinct identity. The Bengalis are known for their political consciousness and cultural accomplishments The Historical Dictionary of the Bengalis provides an overview of the Bengalis across the world from the earliest Chalcolithic cultures to the present. This is done through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 750 cross-referenced dictionary entries on politicians, educators and entrepreneurs, leaders of religious and secular institutions, writers, painters, actors and other cultural figures, and more generally, on the economy, education, political parties, religions, women and minorities, literature, art and architecture, music, cinema and other major sectors. This book is an excellent access point for students, researchers, and anyone wanting to know more about the Bengalis.
| Author | : Caleb Simmons |
| Publisher | : SUNY Press |
| Total Pages | : 376 |
| Release | : 2018-08-01 |
| Genre | : History |
| ISBN | : 143847069X |
Explores the contemporary nature and the diverse narratives, rituals, and performances of the Navar?tri festival. Nine Nights of the Goddess explores the festival of Navarātri—alternatively called Navarātra, Mahānavamī, Durgā Pūjā, Dasarā, and/or Dassain—which lasts for nine nights and ends with a celebration called Vijayadaśamī, or "the tenth (day) of victory." Celebrated in both massive public venues and in small, private domestic spaces, Navarātri is one of the most important and ubiquitous festivals in South Asia and wherever South Asians have settled. These festivals share many elements, including the goddess, royal power, the killing of demons, and the worship of young girls and married women, but their interpretation and performance vary widely. This interdisciplinary collection of essays investigates Navarātri in its many manifestations and across historical periods, including celebrations in West Bengal, Odisha, Karnataka, Maharashtra, Tamil Nadu, Uttar Pradesh, and Nepal. Collectively, the essays consider the role of the festival's contextual specificity and continental ubiquity as a central component for understanding South Asian religious life, as well as how it shapes and is shaped by political patronage, economic development, and social status.
| Author | : Ehud Halperin |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 297 |
| Release | : 2019 |
| Genre | : Religion |
| ISBN | : 0190913584 |
"This book offers a portrait of Haḍimbā, a primary village goddess in the Kullu Valley of the West Indian Himalayan state of Himachal Pradesh, a rural area known as the Land of God. Drawing on diverse ethnographic and textual materials The Many Faces of a Himalayan Goddess is rich with myths and tales, accounts of dramatic rituals and festivals, and descriptions of everyday life in the celebrated but remote Kullu Valley. The book portrays the goddess in varying contexts that radiate outward from her temple to local, regional, national, and indeed global spheres. The result is an important contribution to the study of Indian village goddesses, lived Hinduism, Himalayan Hinduism, and the rapidly growing field of religion and ecology"--
| Author | : Nanette R. Spina |
| Publisher | : Springer |
| Total Pages | : 332 |
| Release | : 2017-02-28 |
| Genre | : Religion |
| ISBN | : 1137589094 |
This book investigates women’s ritual authority and the common boundaries between religion and notions of gender, ethnicity, and identity. Nanette R. Spina situates her study within the transnational Melmaruvathur Adhiparasakthi movement established by the Tamil Indian guru, Bangaru Adigalar. One of the most prominent, defining elements of this tradition is that women are privileged with positions of leadership and ritual authority. This represents an extraordinary shift from orthodox tradition in which religious authority has been the exclusive domain of male Brahmin priests. Presenting historical and contemporary perspectives on the transnational Adhiparasakthi organization, Spina analyzes women’s roles and means of expression within the tradition. The book takes a close look at the Adhiparasakthi society in Toronto, Canada (a Hindu community in both its transnational and diasporic dimensions), and how this Canadian temple has both shaped and demonstrated their own diasporic Hindu identity. The Toronto Adhiparasakthi society illustrates how Goddess theology, women's ritual authority, and “inclusivity” ethics have dynamically shaped the identity of this prominent movement overseas. Based on years of ethnographic fieldwork, the volume draws the reader into the rich textures of culture, community, and ritual life with the Goddess.
| Author | : Ute Hüsken |
| Publisher | : State University of New York Press |
| Total Pages | : 293 |
| Release | : 2021-10-01 |
| Genre | : History |
| ISBN | : 1438484089 |
The autumnal Navarātri festival—also called Durgā Pūjā, Dassehra, or Dasain—is the most important Hindu festival in South Asia and wherever Hindus settle. A nine-night-long celebration in honor of the goddess Durgā, it ends on the tenth day with a celebration called "the victorious tenth" (vijayadaśamī). The rituals that take place in domestic, royal, and public spaces are closely connected with one's station in life and dependent on social status, economic class, caste, and gender issues. Exploring different aspects of the festival as celebrated in diverse regions of South Asia and in the South Asian diaspora, this book addresses the following common questions: What does this festival do? What does it achieve, and how? Why and in what way does it sometimes fail? How do mass communication and social media increase participation in and contribute to the changing nature of the festival? The contributors address these questions from multiple perspectives and discuss issues of agency, authority, ritual efficacy, change, appropriation, and adaptation. Because of the festival's reach beyond its diverse celebrations in South Asia, its influence can be seen in the rituals and dances in many parts of Western Europe and North America.
