Rethinking Photography
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| Author | : Peter Smith |
| Publisher | : Routledge |
| Total Pages | : 442 |
| Release | : 2015-09-16 |
| Genre | : Social Science |
| ISBN | : 1317524888 |
Rethinking Photography is an accessible and illuminating critical introduction to the practice and interpretation of photography today. Peter Smith and Carolyn Lefley closely link critical approaches to photographic practices and present a detailed study of differing historical and contemporary perspectives on social and artistic functions of the medium, including photography as art, documentary forms, advertising and personal narratives. Richly illustrated full colour images throughout connect key concepts to real world examples. It also includes: Accessible book chapters on key topics including early photography, photography and industrial society, the rise of photography theory, critical engagement with anti-realist trends in the theory and practice of photography, photography and language, photography education, and photography and the creative economy Specific case studies on photographic practices include snapshot and portable box cameras, digital and mobile phone cultures, and computer-generated imagery Critical summaries of current photography theoretical studies in the field, displaying how critical theory has been mapped on to working practices of photographers and students In-depth profiles of selected key photographers and theorists and studies of their professional practices Assessment of photography as a key area of contemporary aesthetic debate Focused and critical study of the world of working photographers beyond the horizons of the academy. Rethinking Photography provides readers with an engaging mix of photographic case studies and an accessible exploration of essential theory. It is the perfect guide for students of Photography, Fine Art, Art History, and Graphic Design as well as practitioners from any background wishing to understand the place of photography in global societies today.
| Author | : John Neel |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2011 |
| Genre | : Digital photography |
| ISBN | : 9781600597862 |
Includes a pair of red/cyan glasses (3D glasses).
| Author | : Chris Bruce |
| Publisher | : University of Washington Press |
| Total Pages | : 132 |
| Release | : 1994 |
| Genre | : Architecture |
| ISBN | : |
Published in conjunction with an exhibition of the same name drawn from the remarkable collection of Joseph and Elaine Monsen and organized by the Henry Art Gallery, Seattle. A survey of the development of photography over the last 150 years, revealing its evolution as art and drawing attention to some great individual exemplars. Includes essays by Chris Bruce and Andy Grundberg. 11.75x11.75". Distributed by the U. of Washington Press. Annotation copyright by Book News, Inc., Portland, OR
| Author | : Tanya Sheehan |
| Publisher | : Routledge |
| Total Pages | : 301 |
| Release | : 2014-11-20 |
| Genre | : Photography |
| ISBN | : 1317578953 |
Recent decades have seen a flourishing interest in and speculation about the origins of photography. Spurred by rediscoveries of ‘first’ photographs and proclamations of photography’s death in the digital age, scholars have been rethinking who and what invented the medium. Photography and Its Origins reflects on this interest in photography’s beginnings by reframing it in critical and specifically historiographical terms. How and why do we write about the origins of the medium? Whom or what do we rely on to construct those narratives? What’s at stake in choosing to tell stories of photography’s genesis in one way or another? And what kind of work can those stories do? Edited by Tanya Sheehan and Andrés Mario Zervigón, this collection of 16 original essays, illustrated with 32 colour images, showcases prominent and emerging voices in the field of photography studies. Their research cuts across disciplines and methodologies, shedding new light on old questions about histories and their writing. Photography and Its Origins will serve as a valuable resource for students and scholars in art history, visual and media studies, and the history of science and technology.
| Author | : Stacy I. Morgan |
| Publisher | : University of Georgia Press |
| Total Pages | : 374 |
| Release | : 2004 |
| Genre | : Literary Criticism |
| ISBN | : 9780820325798 |
The social realist movement, with its focus on proletarian themes and its strong ties to New Deal programs and leftist politics, has long been considered a depression-era phenomenon that ended with the start of World War II. This study explores how and why African American writers and visual artists sustained an engagement with the themes and aesthetics of social realism into the early cold war-era--far longer than a majority of their white counterparts. Stacy I. Morgan recalls the social realist atmosphere in which certain African American artists and writers were immersed and shows how black social realism served alternately to question the existing order, instill race pride, and build interracial, working-class coalitions. Morgan discusses, among others, such figures as Charles White, John Wilson, Frank Marshall Davis, Willard Motley, Langston Hughes, Sterling Brown, Elizabeth Catlett, and Hale Woodruff.
| Author | : Rebekah Modrak |
| Publisher | : Taylor & Francis |
| Total Pages | : 555 |
| Release | : 2011 |
| Genre | : Art |
| ISBN | : 0415779197 |
In an accessible yet complex way, Rebekah Modrak and Bill Anthes explore photographic theory, history, and technique to bring photographic education up to date with contemporary photographic practice. --
| Author | : John Neel |
| Publisher | : Ilex Press |
| Total Pages | : 0 |
| Release | : 2016-11-01 |
| Genre | : Photography |
| ISBN | : 9781781572382 |
Focus is an important artistic tool, directing your viewers into and around your image, but a technical challenge too. In this book, the first serious treatent of the topic in the digital age, John Neel shows how a mastery of your lens will greatly enhance the quality and 'wow' factor of your photographs. Never losing sight of what real-life photographers need to know, Focus in Photography will let you master bokeh and other focus techniques, giving you a complete understanding of optics-and what actually happens to light within the camera in your hand. Richly illustrated with John's own amazing images, and drawing on his well-known authority in the field, it will be a valuable asset to students of photography, enthusiasts looking to refine their art, product photographers and commercial shooters alike.
| Author | : Joanna Godlewicz-Adamiec |
| Publisher | : V&R unipress |
| Total Pages | : 419 |
| Release | : 2024-10-07 |
| Genre | : |
| ISBN | : 373701762X |
The book explores the multi-faceted nature of contemporary reflections on agency, focusing on various discursive practices that shape the posthumanist approach to the relationship between the human and non-human world from a planetary perspective. The chapters delve into critical human-animal studies, examine new non-anthropocentric identity constructs, and offer analyses that reinterpret meanings through semiotic inversions and challenge static cultural patterns. The book concludes with discussions on decolonization practices that aim to liberate agency from oppressive systems, particularly those dominated by imperial phallogocentrism.
| Author | : Tanya Sheehan |
| Publisher | : Routledge |
| Total Pages | : 254 |
| Release | : 2014-11-20 |
| Genre | : Photography |
| ISBN | : 1317578961 |
Recent decades have seen a flourishing interest in and speculation about the origins of photography. Spurred by rediscoveries of ‘first’ photographs and proclamations of photography’s death in the digital age, scholars have been rethinking who and what invented the medium. Photography and Its Origins reflects on this interest in photography’s beginnings by reframing it in critical and specifically historiographical terms. How and why do we write about the origins of the medium? Whom or what do we rely on to construct those narratives? What’s at stake in choosing to tell stories of photography’s genesis in one way or another? And what kind of work can those stories do? Edited by Tanya Sheehan and Andrés Mario Zervigón, this collection of 16 original essays, illustrated with 32 colour images, showcases prominent and emerging voices in the field of photography studies. Their research cuts across disciplines and methodologies, shedding new light on old questions about histories and their writing. Photography and Its Origins will serve as a valuable resource for students and scholars in art history, visual and media studies, and the history of science and technology.
| Author | : Daniel Palmer |
| Publisher | : Routledge |
| Total Pages | : 198 |
| Release | : 2020-09-14 |
| Genre | : Art |
| ISBN | : 1000213080 |
Photography and Collaboration offers a fresh perspective on existing debates in art photography and on the act of photography in general. Unlike conventional accounts that celebrate individual photographers and their personal visions, this book investigates the idea that authorship in photography is often more complex and multiple than we imagine – involving not only various forms of partnership between photographers, but also an astonishing array of relationships with photographed subjects and viewers. Thematic chapters explore the increasing prevalence of collaborative approaches to photography among a broad range of international artists – from conceptual practices in the 1960s to the most recent digital manifestations. Positioning contemporary work in a broader historical and theoretical context, the book reveals that collaboration is an overlooked but essential dimension of the medium’s development and potential.
