Rethinking Andrew Wyeth
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| Author | : David Cateforis |
| Publisher | : Univ of California Press |
| Total Pages | : 0 |
| Release | : 2014-07-09 |
| Genre | : Art |
| ISBN | : 0520280296 |
Andrew Wyeth is one of the best loved and most widely recognized artists in American history, yet for much of his career he was reviled by the art worldÕs critical elite. Rethinking Andrew Wyeth reevaluates Wyeth and his place in American art, trying to reconcile these two opposing images of the man and his work. In addition to surveying the American critical reception of WyethÕs art over the seven decades of his career, David Cateforis brings together a collection of essays featuring new critical and scholarly responses to the artist. Donald KuspitÕs compelling psycho-philosophical interpretation of Wyeth exemplifies the possibility of new approaches to understanding his work that move beyond the Wyeth Òcurse,Ó as do those of the other contributors to this volumeÑfrom the close analysis of WyethÕs technical means offered by Joyce Hill Stoner, to the adventuresome interpretive readings of individual Wyeth paintings advanced by Alexander Nemerov and Randall C. Griffin, the considerations of WyethÕs critical reception in historical context offered by Wanda M. Corn and Katie Robinson Edwards, and the connections of Wyeth to other canonical artists such as Francine WeissÕs comparison of him to Robert Frost and Patricia JunkerÕs linkage of Wyeth and Marcel Duchamp. Rethinking Andrew Wyeth includes an appendix with data from visitor surveys conducted at the Wyeth retrospectives in San Francisco in 1973 and Philadelphia in 2006. Illustrated throughout with both iconic and lesser-known examples of WyethÕs work, this book will appeal to academic, museum, and popular audiences seeking a deeper understanding and appreciation of Andrew WyethÕs art through its critical reception and interpretation.ÊÊ Edited by David Cateforis, with essays by David Cateforis, Wanda M. Corn, Katie Robinson Edwards, Randall C. Griffin, Patricia Junker, Donald Kuspit, Alexander Nemerov, Joyce Hill Stoner, and Francine Weiss. This volumeÕs release coincides with an exhibition at the National Gallery of Art in Washington, D.C. in 2014, Andrew Wyeth: Looking Out, Looking In.
| Author | : Patricia A. Junker |
| Publisher | : Yale University Press |
| Total Pages | : 241 |
| Release | : 2017-01-01 |
| Genre | : Art |
| ISBN | : 0300223951 |
An insightful and essential new survey of Wyeth's entire career, situating the milestones of his art within the trajectory of 20th-century American life This major retrospective catalogue explores the impact of time and place on the work of beloved American painter Andrew Wyeth (1917-2009). While previous publications have mainly analyzed Wyeth's work thematically, this publication places him fully in the context of the long 20th century, tracing his creative development from World War I through the new millennium. Published to coincide with the centenary of Wyeth's birth, the book looks at four major chronological periods in the artist's career: Wyeth as a product of the interwar years, when he started to form his own "war memories" through military props and documentary photography he discovered in his father's art studio; the change from his "theatrical" pictures of the 1940s to his own visceral responses to the landscape around Chadds Ford, Pennsylvania, and his family's home in Mai≠ his sudden turn, in 1968, into the realm of erotic art, including a completely new assessment of Wyeth's "Helga pictures"--a series of secret, nude depictions of his neighbor Helga Testorf--within his career as a who≤ and his late, self-reflective works, which includes the discussion of his previously unknown painting entitled Goodbye, now believed to be Wyeth's last work.
| Author | : Nancy K. Anderson |
| Publisher | : National Gallery of Art, Washington/D.A.P. |
| Total Pages | : 0 |
| Release | : 2014 |
| Genre | : Windows in art |
| ISBN | : 9781938922190 |
One of Andrew Wyeth's most important paintings, Wind from the Sea, a recent gift to the National Gallery of Art, is also the artist's first full realization of the window as a recurring subject in his art. Wyeth returned to windows over the next sixty years, producing more than 250 works that explore both the formal and conceptual richness of the subject. Spare, elegant and abstract, these paintings are free of the narrative element inevitably associated with Wyeth's better-known figural compositions. In 2014 the Gallery will present an exhibition of a select group of these deceptively 'realistic' works, window paintings that are in truth skilfully manipulated constructions engaged with the visual complexities posed by the transparency, beauty and formal structure of windows. In its exclusive focus on paintings without human subjects, this catalogue will offer a new approach to Wyeth's work, being the first time that his non-figural compositions have been published as a group. The authors explore Wyeth's fascination with windows - their formal structure and metaphorical complexity. In essays that address links with the poetry of Robert Frost and the paintings of Edward Hopper, Charles Sheeler and Franz Kline, the authors consider Wyeth's statement that he was, in truth, an 'abstract' painter.
| Author | : Christina Baker Kline |
| Publisher | : HarperCollins |
| Total Pages | : 220 |
| Release | : 2017-02-21 |
| Genre | : Fiction |
| ISBN | : 0062356283 |
INSTANT NEW YORK TIMES BESTSELLER "A must-read for anyone who loves history and art.” --Kristin Hannah From the #1 New York Times bestselling author of the smash bestseller Orphan Train, a stunning and atmospheric novel of friendship, passion, and art, inspired by Andrew Wyeth’s mysterious and iconic painting Christina’s World. "Later he told me that he’d been afraid to show me the painting. He thought I wouldn’t like the way he portrayed me: dragging myself across the field, fingers clutching dirt, my legs twisted behind. The arid moonscape of wheatgrass and timothy. That dilapidated house in the distance, looming up like a secret that won’t stay hidden." To Christina Olson, the entire world was her family’s remote farm in the small coastal town of Cushing, Maine. Born in the home her family had lived in for generations, and increasingly incapacitated by illness, Christina seemed destined for a small life. Instead, for more than twenty years, she was host and inspiration for the artist Andrew Wyeth, and became the subject of one of the best known American paintings of the twentieth century. As she did in her beloved smash bestseller Orphan Train, Christina Baker Kline interweaves fact and fiction in a powerful novel that illuminates a little-known part of America’s history. Bringing into focus the flesh-and-blood woman behind the portrait, she vividly imagines the life of a woman with a complicated relationship to her family and her past, and a special bond with one of our greatest modern artists. Told in evocative and lucid prose, A Piece of the World is a story about the burdens and blessings of family history, and how artist and muse can come together to forge a new and timeless legacy.
| Author | : Peter Smith |
| Publisher | : Routledge |
| Total Pages | : 397 |
| Release | : 2015-09-16 |
| Genre | : Social Science |
| ISBN | : 1317524896 |
Rethinking Photography is an accessible and illuminating critical introduction to the practice and interpretation of photography today. Peter Smith and Carolyn Lefley closely link critical approaches to photographic practices and present a detailed study of differing historical and contemporary perspectives on social and artistic functions of the medium, including photography as art, documentary forms, advertising and personal narratives. Richly illustrated full colour images throughout connect key concepts to real world examples. It also includes: Accessible book chapters on key topics including early photography, photography and industrial society, the rise of photography theory, critical engagement with anti-realist trends in the theory and practice of photography, photography and language, photography education, and photography and the creative economy Specific case studies on photographic practices include snapshot and portable box cameras, digital and mobile phone cultures, and computer-generated imagery Critical summaries of current photography theoretical studies in the field, displaying how critical theory has been mapped on to working practices of photographers and students In-depth profiles of selected key photographers and theorists and studies of their professional practices Assessment of photography as a key area of contemporary aesthetic debate Focused and critical study of the world of working photographers beyond the horizons of the academy. Rethinking Photography provides readers with an engaging mix of photographic case studies and an accessible exploration of essential theory. It is the perfect guide for students of Photography, Fine Art, Art History, and Graphic Design as well as practitioners from any background wishing to understand the place of photography in global societies today.
| Author | : Daniel Crevier |
| Publisher | : |
| Total Pages | : 408 |
| Release | : 1993-05-18 |
| Genre | : Computers |
| ISBN | : |
A fascinating portrait of the people, programs, and ideas that have driven the search to create thinking machines. Rich with anecdotes about the founders and leaders and their celebrated feuds and intellectual gamesmanship, AI chronicles their dramatic successes and failures and discusses the next nece ssary breakthrough: teaching computers "common sense".
| Author | : Timothy J. Standring |
| Publisher | : Yale University Press |
| Total Pages | : 225 |
| Release | : 2015-01-01 |
| Genre | : Art |
| ISBN | : 0300214219 |
"For decades, Andrew and Jamie Wyeth have provided a continuous backdrop against which the twists and turns of American art can be compared, contrasted, and benchmarked. By approaching the Wyeths and their art with a specificity that transcends content and biography, Wyeth: Andrew and Jamie in the Studio provides readers with the opportunity to move beyond a visceral reaction and toward an understanding of the artists' work, media, mindset, and studio practice. Readers will be able to assess their predilection for the images in a more nuanced way, underpinning their reaction to an emotionally charged image with knowledge and practical understanding"--
| Author | : David Cateforis |
| Publisher | : University of California Press |
| Total Pages | : 286 |
| Release | : 2018-11-06 |
| Genre | : Art |
| ISBN | : 0520296591 |
In Hybrid Practices, essays by established and emerging scholars investigate the rich ecology of practices that typified the era of the Cold War. The volume showcases three projects at the forefront of unprecedented collaboration between the arts and new sectors of industrial society in the 1960s and 70s—Experiments in Art and Technology (E.A.T.), the Art and Technology Project at the Los Angeles County Museum of Art (A&T), and the Artist Placement Group (APG) in the UK. The subjects covered include collaborative projects between artists and scientists, commercial ventures and experiments in intermedia, multidisciplinary undertakings, effacing authorship to activate the spectator, suturing gaps between art and government, and remapping the landscape of everyday life in terms of technological mediation. Among the artists discussed in the volume and of interest to a broad public beyond the art world are Bernd and Hilla Becher, John Cage, Hans Haacke, Robert Irwin, John Latham, Fujiko Nakaya, Carolee Schneemann, James Turrell, Yvonne Rainer, Robert Rauschenberg, and Robert Whitman. Prominent engineers and scientists appearing in the book’s pages include Elsa Garmire, Billy Klüver, Frank Malina, Stanley Milgram, and Ed Wortz. This valuable collection aims to introduce readers not only to hybrid work in and as depth, but also to work in and as breadth, across disciplinary practices where the real questions of hybridity are determined.
| Author | : Wu Hung |
| Publisher | : The Museum of Modern Art |
| Total Pages | : 474 |
| Release | : 2010 |
| Genre | : Art, Chinese |
| ISBN | : 0870706470 |
Invaluable resource for anyone who wants to understand contemporary Chinese art, one of the most fascinating art scenes of the late 20th and early 21st centuries.
| Author | : Amy Von Lintel |
| Publisher | : American Wests, Sponsored by W |
| Total Pages | : 341 |
| Release | : 2022 |
| Genre | : Art |
| ISBN | : 9781648430152 |
Offering a fresh perspective on the influence of the American southwest--and particularly West Texas--on the New York art world of the 1950s, Three Women Artists: Expanding Abstract Expressionism in the American West aims to establish the significance of itinerant teaching and western travel as a strategic choice for women artists associated with traditional centers of artistic authority and population in the eastern United States. The book is focused on three artists: Elaine de Kooning, Jeanne Reynal, and Louise Nevelson. In their travels to and work in the High Plains, they were inspired to innovate their abstract styles and introduce new critical dialogues through their work. These women traveled west for the same reason artists often travel to new places: they found paid work, markets, patrons, and friends. This Middle American context offers us a "decentered" modernism--demanding that we look beyond our received truths about Abstract Expressionism. Authors Amy Von Lintel and Bonnie Roos demonstrate that these women's New York avant-garde, abstract styles were attractive to Panhandle-area ranchers, bankers, and aspiring art students. Perhaps as importantly, they show that these artists' aesthetics evolved in light of their regional experiences. Offering their work as a supplement and corrective to the frameworks of patriarchal, East Coast ethnocentrism, Von Lintel and Roos make the case for Texas as influential in the national art scene of the latter half of the twentieth century.
