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| Author | : Shane Moran |
| Publisher | : University Rochester Press |
| Total Pages | : 223 |
| Release | : 2009 |
| Genre | : Literary Collections |
| ISBN | : 1580462944 |
A detailed and compelling volume that contributes significantly to current trends in post-apartheid scholarship.
| Author | : Vibeke Maria Viestad |
| Publisher | : Wits University Press |
| Total Pages | : 208 |
| Release | : 2018-08-01 |
| Genre | : Social Science |
| ISBN | : 1776141911 |
The history of dress in the South African bush To dress is a uniquely human experience, but practices and meanings of dress vary greatly among people. In a Western cultural tradition, the practice of dressing ‘properly’ has for centuries distinguished ‘civilised’ people from ‘savages’. Through travel literature and historical ethnographic descriptions of the Bushmen of southern Africa, such perceptions and prejudices have made their mark also on the modern research tradition. Because Bushmen were widely considered to be ‘nearly naked’ the study of dress has played a limited part in academic writings on Bushman culture. In Dress as Social Relations, Vibeke Maria Viestad challenges this myth of the nearly naked Bushman and provides an interdisciplinary study of Bushman dress, as it is represented in the archives and material culture of historical Bushman communities. Maintaining a critical perspective, Viestad provides an interpretation of the significance of dress for historical Bushman people. Dress, she argues, formed an embodied practice of social relations between humans, animals and other powerful beings of the Bushman world; moreover, this complex and meaningful practice was intimately related to subsistence strategies and social identity. The historical collections under scrutiny present a wide variety of research material representing different aspects of the bodily practice of dress. Whereas the Bleek & Lloyd archive of oral myths and narratives has become renowned for its great research potential, the artefact collections of Dorothea Bleek and Louis Fourie are much less known and have not earlier been published in a richly illustrated and comprehensive way. Dress as Social Relations is aimed at scholars and students of archaeology, anthropology, material culture studies, dress studies, ethnographic studies, museology, culture historical studies and African studies, but will also be of interest to people of descendant communities.
| Author | : Bradford Keeney |
| Publisher | : Simon and Schuster |
| Total Pages | : 209 |
| Release | : 2015-05-29 |
| Genre | : Body, Mind & Spirit |
| ISBN | : 1591437849 |
The first comprehensive presentation of the core teachings of the Kalahari Bushmen as told by the Tribal Elders • Reveals how the Bushmen are able to receive direct transmissions of God’s love for healing and spiritual transformation • Explores tribal legends and teaching tales, the importance of dreams and animals, and the origins of their dances, rituals, and ceremonies Step into the imaginative realm of one of the oldest continuous cultures on Earth, the Kalahari Ju/’hoansi Bushmen. Translated by Beesa Boo, a Bushman, and interspersed with detailed commentary from Bradford and Hillary Keeney, this book presents the core teachings of the Kalahari Bushmen as told by the tribal elders themselves. Decades in the making, it constitutes the first comprehensive work on the world’s oldest tradition of healing and spiritual experience. Told in their own words, these teachings reveal how the Bushmen are able to receive direct transmissions of God’s love in the form of the universal life force, n/om. The individuals who are filled with this force describe it as an awakened, energized feeling of love that inspires a spontaneous and heightened ecstatic awareness that opens mystical perception. Having your heart transfixed by this force enables true healing and spiritual growth to occur. Experiencing the force in your entire being, through a vision of “God’s egg”, awakens deep spiritual wisdom and extraordinary healing gifts. Those who “own the egg” are blessed with the ability to have direct communication with the Divine, a “rope to God,” and can communicate with others for all “ropes” are connected. Conveying the deep love that is the dominant emotion of Bushman spirituality, the book explores tribal legends and teaching tales, the importance of dreams and encounters with animals, the origins of their dances, such as the giraffe dance, and specific rituals and ceremonies, including puberty rites for boys and girls. “As the elder teachers of the Ju’/hoan Bushman (San) people, we hold the most enduring traditional wisdom concerning healing and spiritual experience. This book is a testimony of our ecstatic ways. We happily share our basic teachings about spirituality and healing with those whose hearts are sincerely open.”
| Author | : Rupert Isaacson |
| Publisher | : Grove Press |
| Total Pages | : 306 |
| Release | : 2004-02 |
| Genre | : History |
| ISBN | : 9780802140517 |
Brought up on stories and myths of the Kalahari Bushmen, Rupert Isaacson journeys to the dry vast grassland -- which stretches across South Africa, Botswana, and Namibia -- to find out the truth behind these childhood stories. Deep in the Kalahari, Isaacson meets the last groups of Bushmen still living the traditional way, caught between their ancient culture and the growing need to protect and reclaim their dwindling hunting grounds. Little by little he is drawn into the fascinating web of ritual and prophecy that make up the Bushman reality. He hears of shamans who turn into lions, sees leopards conjured from the landscape as though by magic. He attends trance-inducing dances and witnesses incredible healings. But he also sees the heart-wrenching social problems of a dispossessed people. What follows is an adventure of an intensity he could never have predicted. The Healing Land records Isaacson's personal transformation amid these extraordinary people, and his passionate contribution to their political struggle. It captures his enchantment with the character, corruption, kindness, and confusion of a place that has wrenched itself from the Stone Age into the new millennium.
| Author | : Robert K. Hitchcock |
| Publisher | : International Work Group for Indigenous Affairs |
| Total Pages | : 0 |
| Release | : 1996 |
| Genre | : San (African people) |
| ISBN | : 9788790730901 |
The data and conclusions presented in this volume were drawn from a series of research and consultancy projects carried out in Botswana, Namibia, Zambia, and Zimbabwe.
| Author | : Thomas A. Dowson |
| Publisher | : |
| Total Pages | : 460 |
| Release | : 1994 |
| Genre | : History |
| ISBN | : |
This volume brings together the work of a number of scholars in the field of rock art studies who engage the so-called trance hypothesis in terms of their own empirical data and theoretical interests.
| Author | : Hillary Keeney |
| Publisher | : |
| Total Pages | : |
| Release | : 2019-04-03 |
| Genre | : |
| ISBN | : 9780997376258 |
| Author | : J.D. Lewis-Williams |
| Publisher | : Ohio University Press |
| Total Pages | : 159 |
| Release | : 2013-02-15 |
| Genre | : Art |
| ISBN | : 0821444581 |
San rock paintings, scattered over the range of southern Africa, are considered by many to be the very earliest examples of representational art. There are as many as 15,000 known rock art sites, created over the course of thousands of years up until the nineteenth century. There are possibly just as many still awaiting discovery. Taking as his starting point the magnificent Linton panel in the Iziko-South African Museum in Cape Town, J. D. Lewis-Williams examines the artistic and cultural significance of rock art and how this art sheds light on how San image-makers conceived their world. It also details the European encounter with rock art as well as the contentious European interaction with the artists’ descendants, the contemporary San people.
| Author | : Sam Crescent |
| Publisher | : Evernight Publishing |
| Total Pages | : 284 |
| Release | : 2018-02-12 |
| Genre | : |
| ISBN | : 9781773395821 |
Bred by the Billionaire Adora Garcia isn't interested in being the breeding vessel for some arrogant billionaire. She has plans for her life and they don't include being knocked up by a man over twice her age. Her single mother cleans Tobias Bennett's penthouse suite, so when Adora refuses his indecent proposal, he threatens to find a new maid. Tobias needs an heir, but he's not ready to settle down, and certainly not interested in love. He doesn't have a plan until he sees the curvy brunette standing in his condo. Everything he wants, he gets, and he wants Adora. What he doesn't expect is the rush of possessiveness that takes him by storm. Will Adora give up her virginity to the ruthless businessman? Can Tobias open his heart after keeping it closed off for decades? Bred by the Bushmen After nearly ending her own life, Opal books a soul-searching Alaskan wilderness tour. She's used to loneliness and rejection, but needs to learn how to love herself. When things go horribly wrong on the tour, she finds herself cold, alone, and facing certain death. Caleb and Damon have the perfect life. They live off the grid, far from society and its destructive influences. But it doesn't take long for the White brothers to realize what's missing. They need a woman, and crave a family of their own. When their dog leads them to a lost hiker in the woods, they swear she was dropped straight from heaven. It will take a lot of hard convincing for the bushmen to prove life at their cabin is better than what Opal left behind in the city. And they won't take no for an answer. They plan on keeping Opal, loving her, and filling her with their baby.
| Author | : Paul S. Landau |
| Publisher | : Univ of California Press |
| Total Pages | : 408 |
| Release | : 2002-10-28 |
| Genre | : History |
| ISBN | : 9780520229495 |
This volume considers the meaning and power of images in African history and culture. It assembles a wide-ranging collection of essays dealing with specific visual forms, including monuments cinema, cartoons, domestic and professional photography, body art, world fairs, and museum exhibits.
