Representing African Americans In Transatlantic Abolitionism And Blackface Minstrelsy
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| Author | : Robert Nowatzki |
| Publisher | : LSU Press |
| Total Pages | : 231 |
| Release | : 2010-06 |
| Genre | : Biography & Autobiography |
| ISBN | : 0807137456 |
In this intriguing study, Robert Nowatzki reveals the unexpected relationships between blackface entertainment and antislavery sentiment in the United States and Britain. He contends that the ideological ambiguity of both phenomena enabled the similarities between early minstrelsy and abolitionism in their depictions of African Americans, as well as their appropriations of each other's rhetoric, imagery, sentiment, and characterization. Nowatzki reveals how the most popular form of theatrical entertainment and the most significant reform movement of nineteenth-century Britain and America helped define cultural representations of African Americans.
| Author | : William A. Blair |
| Publisher | : UNC Press Books |
| Total Pages | : 171 |
| Release | : 2012-06-01 |
| Genre | : History |
| ISBN | : 0807852643 |
The Journal of the Civil War Era Volume 2, Number 2 June 2012 TABLE OF CONTENTS New Approaches to Internationalizing the History of the Civil War Era: A Special Issue Editor's Note William Blair Articles W. Caleb Mcdaniel & Bethany L. Johnson New Approaches to Internationalizing the History of the Civil War: An Introduction Gale L. Kenny Manliness and Manifest Racial Destiny: Jamaica and African American Emigration in the 1850s Edward B. Rugemer Slave Rebels and Abolitionists: The Black Atlantic and the Coming of the Civil War Peter Kolchin Comparative Perspectives on Emancipation in the U.S. South: Reconstruction, Radicalism, and Russia Susan-Mary Grant The Lost Boys: Citizen-Soldiers, Disabled Veterans, and Confederate Nationalism in the Age of People's War Book Reviews Books Received Professional Notes Mark W. Geiger "Follow the Money" Notes on Contributors The Journal of the Civil War Era takes advantage of the flowering of research on the many issues raised by the sectional crisis, war, Reconstruction, and memory of the conflict, while bringing fresh understanding to the struggles that defined the period, and by extension, the course of American history in the nineteenth century.
| Author | : Michèle Mendelssohn |
| Publisher | : Oxford University Press |
| Total Pages | : 305 |
| Release | : 2018-05-17 |
| Genre | : Biography & Autobiography |
| ISBN | : 0192523309 |
Witty, inspiring, and charismatic, Oscar Wilde is one of the Greats of English literature. Today, his plays and stories are beloved around the world. But it was not always so. His afterlife has given him the legitimacy that life denied him. Making Oscar Wilde reveals the untold story of young Oscar's career in Victorian England and post-Civil War America. Set on two continents, it tracks a larger-than-life hero on an unforgettable adventure to make his name and gain international acclaim. 'Success is a science,' Wilde believed, 'if you have the conditions, you get the result.' Combining new evidence and gripping cultural history, Michèle Mendelssohn dramatizes Wilde's rise, fall, and resurrection as part of a spectacular transatlantic pageant. With superb style and an instinct for story-telling, she brings to life the charming young Irishman who set out to captivate the United States and Britain with his words and ended up conquering the world. Following the twists and turns of Wilde's journey, Mendelssohn vividly depicts sensation-hungry Victorian journalism and popular entertainment alongside racial controversies, sex scandals, and the growth of Irish nationalism. This ground-breaking revisionist history shows how Wilde's tumultuous early life embodies the story of the Victorian era as it tottered towards modernity. Riveting and original, Making Oscar Wilde is a masterful account of a life like no other.
| Author | : Nicole Eustace |
| Publisher | : UNC Press Books |
| Total Pages | : 513 |
| Release | : 2017-08-08 |
| Genre | : History |
| ISBN | : 1469631768 |
The War of 1812 was one of a cluster of events that left unsettled what is often referred to as the Revolutionary settlement. At once postcolonial and neoimperial, the America of 1812 was still in need of definition. As the imminence of war intensified the political, economic, and social tensions endemic to the new nation, Americans of all kinds fought for country on the battleground of culture. The War of 1812 increased interest in the American democratic project and elicited calls for national unity, yet the essays collected in this volume suggest that the United States did not emerge from war in 1815 having resolved the Revolution's fundamental challenges or achieved a stable national identity. The cultural rifts of the early republican period remained vast and unbridged. Contributors: Brian Connolly, University of South Florida Anna Mae Duane, University of Connecticut Duncan Faherty, Queens College, CUNY James M. Greene, Pittsburg State University Matthew Rainbow Hale, Goucher College Jonathan Hancock, Hendrix College Tim Lanzendoerfer, University of Mainz Karen Marrero, Wayne State University Nathaniel Millett, St. Louis University Christen Mucher, Smith College Dawn Peterson, Emory University Carroll Smith-Rosenberg, University of Michigan David Waldstreicher, The Graduate Center, CUNY Eric Wertheimer, Arizona State University
| Author | : Malte Hinrichsen |
| Publisher | : LIT Verlag Münster |
| Total Pages | : 129 |
| Release | : 2012 |
| Genre | : Business & Economics |
| ISBN | : 3643902859 |
Since the beginning of commodity culture, products have been marketed with images reflecting racist concepts of otherness. Using the prominent examples of three companies - Uncle Ben's, Sarotti, and Banania - this book examines how racist trademark figures were established in the U.S., Germany, and France, and built on nation-specific processes of racial stereotyping. While it finds that the three figures mirror their national histories of slavery, Orientalism, and colonialism, the book reveals that their paths through popular culture also followed strikingly similar patterns. Conceived in an era of overt racism, each symbol was challenged by social movements over the course of the 20th century and became increasingly marginalized in promotional activities. In the early 2000s, however, all three figures were relaunched with supposedly new makeovers, hitting once again at the heart of commodity culture and illustrating the subtle prevalence of racist stereotypes. (Series: Racism Analysis - Series A: Studies - Vol. 3)
| Author | : Len Platt |
| Publisher | : Cambridge University Press |
| Total Pages | : 315 |
| Release | : 2015-02-19 |
| Genre | : Literary Criticism |
| ISBN | : 1107042488 |
Postmodernism and Race explores the question of how dramatic shifts in conceptions of race in the late twentieth and early twenty-first centuries have been addressed by writers at the cutting edge of equally dramatic transformations of literary form. An opening section engages with the broad question of how the geographical and political positioning of experimental writing informs its contribution to racial discourses, while later segments focus on central critical domains within this field: race and performativity, race and the contemporary nation, and postracial futures. With essays on a wide range of contemporary writers, including Bernadine Evaristo, Alasdair Gray, Jhumpa Lahiri, Andrea Levy, and Don DeLillo, this volume makes an important contribution to our understanding of the politics and aesthetics of contemporary writing.
| Author | : David Olusoga |
| Publisher | : Pan Macmillan |
| Total Pages | : 809 |
| Release | : 2016-11-03 |
| Genre | : History |
| ISBN | : 1447299744 |
'[A] comprehensive and important history of black Britain . . . Written with a wonderful clarity of style and with great force and passion.' – Kwasi Kwarteng, Sunday Times In this vital re-examination of a shared history, historian and broadcaster David Olusoga tells the rich and revealing story of the long relationship between the British Isles and the people of Africa and the Caribbean. This edition, fully revised and updated, features a new chapter encompassing the Windrush scandal and the Black Lives Matter protests of 2020, events which put black British history at the centre of urgent national debate. Black and British is vivid confirmation that black history can no longer be kept separate and marginalised. It is woven into the cultural and economic histories of the nation and it belongs to us all. Drawing on new genealogical research, original records, and expert testimony, Black and British reaches back to Roman Britain, the medieval imagination, Elizabethan ‘blackamoors’ and the global slave-trading empire. It shows that the great industrial boom of the nineteenth century was built on American slavery, and that black Britons fought at Trafalgar and in the trenches of both World Wars. Black British history is woven into the cultural and economic histories of the nation. It is not a singular history, but one that belongs to us all. Unflinching, confronting taboos, and revealing hitherto unknown scandals, Olusoga describes how the lives of black and white Britons have been entwined for centuries. Winner of the 2017 PEN Hessell-Tiltman Prize. Winner of the Longman History Today Trustees’ Award. A Waterstones History Book of the Year. Longlisted for the Orwell Prize. Shortlisted for the inaugural Jhalak Prize.
| Author | : Jenna M. Gibbs |
| Publisher | : JHU Press |
| Total Pages | : 328 |
| Release | : 2014-06-20 |
| Genre | : History |
| ISBN | : 1421413396 |
Scholars and students interested in slavery and abolition, British and American politics and culture, and Atlantic history will take an interest in this provocative work.
| Author | : Julia Prest |
| Publisher | : Liverpool University Press |
| Total Pages | : 280 |
| Release | : 2023-10-15 |
| Genre | : Performing Arts |
| ISBN | : 1837644810 |
Cutting across academic boundaries, this volume brings together scholars from different disciplines who have explored together the richness and complexity of colonial-era Caribbean theatre. The volume offers a series of original essays that showcase individual expertise in light of broader group discussions. Asking how we can research effectively and write responsibly about colonial-era Caribbean theatre today, our primary concern is methodology. Key questions are examined via new research into individual case studies on topics ranging from Cuban blackface, commedia dell’arte in Suriname and Jamaican oratorio to travelling performers and the influence of the military and of enslaved people on theatre in Saint-Domingue. Specifically, we ask what particular methodological challenges we as scholars of colonial-era Caribbean theatre face and what methodological solutions we can find to meet those challenges. Areas addressed include our linguistic limitations in the face of Caribbean multilingualism; issues raised by national, geographical or imperial approaches to the field; the vexed relationship between metropole and colony; and, crucially, gaps in the archive. We also ask what implications our findings have for theatre performance today – a question that has led to the creation of a new work set in a colonial theatre and outlined in the volume’s concluding chapter.
| Author | : Cheryl Thompson |
| Publisher | : Coach House Books |
| Total Pages | : 228 |
| Release | : 2021-03-02 |
| Genre | : Social Science |
| ISBN | : 1770566317 |
From martyr to insult, how “Uncle Tom” has influenced two centuries of racial politics. Jackie Robinson, President Barack Obama, Supreme Court Justice Clarence Thomas, O.J. Simpson and Christopher Darden have all been accused of being an Uncle Tom during their careers. How, why, and with what consequences for our society did Uncle Tom morph first into a servile old man and then to a racial epithet hurled at African American men deemed, by other Black people, to have betrayed their race? Uncle Tom, the eponymous figure in Harriet Beecher Stowe’s sentimental anti-slavery novel, Uncle Tom’s Cabin, was a loyal Christian who died a martyr’s death. But soon after the best-selling novel appeared, theatre troupes across North America and Europe transformed Stowe’s story into minstrel shows featuring white men in blackface. In Uncle, Cheryl Thompson traces Tom’s journey from literary character to racial trope. She explores how Uncle Tom came to be and exposes the relentless reworking of Uncle Tom into a nostalgic, racial metaphor with the power to shape how we see Black men, a distortion visible in everything from Uncle Ben and Rastus The Cream of Wheat chef to Shirley Temple and Bill “Bojangles” Robinson to Bill Cosby. In Donald Trump’s post-truth America, where nostalgia is used as a political tool to rewrite history, Uncle makes the case for why understanding the production of racial stereotypes matters more than ever before.
