Representing Acts Of Violence In Comics
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| Author | : Nina Mickwitz |
| Publisher | : Routledge |
| Total Pages | : 215 |
| Release | : 2019-08-01 |
| Genre | : Social Science |
| ISBN | : 1351051768 |
This book is part of a nuanced two-volume examination of the ways in which violence in comics is presented in different texts, genres, cultures and contexts. Representing Acts of Violence in Comics raises questions about depiction and the act of showing violence, and discusses the ways in which individual moments of violence develop, and are both represented and embodied in comics and graphic novels. Contributors consider the impact of gendered and sexual violence, and examine the ways in which violent acts can be rendered palatable (for example through humour) but also how comics can represent trauma and long lasting repercussions for both perpetrators and victims. This will be a key text and essential reference for scholars and students at all levels in Comics Studies, and Cultural and Media Studies more generally.
| Author | : Kristy Beers Fägersten |
| Publisher | : Routledge |
| Total Pages | : 272 |
| Release | : 2021-07-01 |
| Genre | : Social Science |
| ISBN | : 1000404595 |
This edited collection explores how the relationship between comic art and feminism has been shaped by global, transnational, and local trends, curating analyses of multinational comic art that encompass themes of gender, sexuality, power, vulnerability, assault, abuse, taboo, and trauma. The chapters illuminate in turn the defining features of the aesthetics, materiality, and thematic content of their source material – often expressed with humorous undertones of self-reflection or social criticism – as well as recurring strategies of visualising and narrating female experiences. Broadening the research perspective of feminist comics to include national comics cultures peripheral to the cultural centers of Anglo-American, Franco-Belgian, and Japanese comics, the anthology explores how the dominant narrative or history of canonical works can be challenged or deconstructed by local histories of comics and feminism and their transnational connections, and how local histories complement or challenge the current understanding of the relationship between feminism and comic art. This is an essential collection for scholars and students in comics studies, women and gender studies, media studies, and literature.
| Author | : Ian Hague |
| Publisher | : Routledge |
| Total Pages | : 237 |
| Release | : 2019-08-01 |
| Genre | : Social Science |
| ISBN | : 1351051849 |
This book is part of a nuanced two-volume examination of the ways in which violence in comics is presented in different texts, genres, cultures and contexts. Contexts of Violence in Comics asks the reader to consider the ways in which violence and its representations may be enabled or restricted by the contexts in which they take place. It analyzes how structures and organising principles, be they cultural, historical, legal, political or spatial, might encourage, demand or prevent violence. It deals with the issue of scale: violence in the context of war versus violence in the context of an individual murder, and provides insights into the context of war and peace, ethnic and identity-based violence, as well as examining issues of justice and memory. This will be a key text and essential reference for scholars and students at all levels in Comics Studies, and Cultural and Media Studies more generally.
| Author | : Ian Hague |
| Publisher | : Routledge |
| Total Pages | : 236 |
| Release | : 2014-01-10 |
| Genre | : Literary Criticism |
| ISBN | : 113468455X |
Attempts to define what comics are and explain how they work have not always been successful because they are premised upon the idea that comic strips, comic books and graphic novels are inherently and almost exclusively visual. This book challenges that premise, and asserts that comics is not just a visual medium. The book outlines the multisensory aspects of comics: the visual, audible, tactile, olfactory and gustatory elements of the medium. It rejects a synaesthetic approach (by which all the senses are engaged through visual stimuli) and instead argues for a truly multisensory model by which the direct stimulation of the reader’s physical senses can be understood. A wide range of examples demonstrates how multisensory communication systems work in both commercial and more experimental contexts. The book concludes with a case study that looks at the works of Alan Moore and indicates areas of interest that multisensory analysis can draw out, but which are overlooked by more conventional approaches.
| Author | : Zanne Domoney-Lyttle |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 122 |
| Release | : 2023-11-30 |
| Genre | : Religion |
| ISBN | : 0567713911 |
This interdisciplinary volume seeks to trace the diverse ways in which stories of biblical women have been reimagined in and as comic books. Feminist biblical scholarship has previously addressed the tradition that relegates female biblical characters to secondary roles, merely enabling the male characters to attain their own goals. Using examples from both secular and religious comic Bibles, and comic Bibles aimed at children and older audiences, Zanne Domoney-Lyttle now fully considers contemporary remediations of biblical narratives to the same degree. Remediating ancient, biblical text into modern, graphical comic books affects the reception of the text in several ways. This book aims to investigate how the production, format, and function of comic Bibles encourages the depiction of biblical characters from a contemporary perspective, while also showing some fidelity to the text. By presenting a focused analysis on women in the Bible, wider issues concerning popular-cultural retellings of the Bible in general begin to surface, including matters concerning reception history, the space between art and literature inhabited by biblical comics, and issues of translation and interpretations within contemporary remediations.
| Author | : Dominic Davies |
| Publisher | : Springer Nature |
| Total Pages | : 352 |
| Release | : 2020-05-21 |
| Genre | : Comics & Graphic Novels |
| ISBN | : 3030379981 |
Why are so many contemporary comics and graphic narratives written as memoirs or documentaries of traumatic events? Is there a specific relationship between the comics form and the documentation and reportage of trauma? How do the interpretive demands made on comics readers shape their relationships with traumatic events? And how does comics’ documentation of traumatic pasts operate across national borders and in different cultural, political, and politicised contexts? The sixteen chapters and three comics included in Documenting Trauma in Comics set out to answer exactly these questions. Drawing on a range of historically and geographically expansive examples, the contributors bring their different perspectives to bear on the tangled and often fraught intersections between trauma studies, comics studies, and theories of documentary practices and processes. The result is a collection that shows how comics is not simply related to trauma, but a generative force that has become central to its remembrance, documentation, and study.
| Author | : Maggie Gray |
| Publisher | : Springer Nature |
| Total Pages | : 354 |
| Release | : 2022-06-17 |
| Genre | : Comics & Graphic Novels |
| ISBN | : 3030935078 |
This book explores what the methodologies of Art History might offer Comics Studies, in terms of addressing overlooked aspects of aesthetics, form, materiality, perception and visual style. As well as considering what Art History proposes of comic scholarship, including the questioning of some of its deep-rooted categories and procedures, it also appraises what comics and Comics Studies afford and ask of Art History. This book draws together the work of international scholars applying art-historical methodologies to the study of a range of comic strips, books, cartoons, graphic novels and manga, who, as well as being researchers, are also educators, artists, designers, curators, producers, librarians, editors, and writers, with some undertaking practice-based research. Many are trained art historians, but others come from, have migrated into, or straddle other disciplines, such as Comparative Literature, American Literature, Cultural Studies, Visual Studies, and a range of subjects within Art & Design practice.
| Author | : Isabelle Licari-Guillaume |
| Publisher | : Taylor & Francis |
| Total Pages | : 165 |
| Release | : 2022-08-30 |
| Genre | : Literary Criticism |
| ISBN | : 100064085X |
This book explores the so-called "British Invasion" of DC Comics’ Vertigo imprint, which played an important role in redefining the mainstream comics industry in the US during the early 1990s. Focusing on British creators within Vertigo, this study traces the evolution of the line from its creation in 1993 to its demise in 2019. Through an approach grounded in cultural history, the book disentangles the imprint’s complex roots, showing how editors channelled the potential of its British writers at a time of deep-seated economic and cultural change within the comics industry, and promoted a sense of cohesion across titles that defied categories. The author also delves into lesser-known aspects of the Invasion, exploring less-canonical periods and creators that are often eclipsed by Vertigo’s early star writers. An innovative contribution on a key element of comic book history, this volume will appeal both to researchers of Vertigo scholarship and to fans of the imprint. It will also be an essential read for those interested in transatlantic collaborations and exchanges in the entertainment industry, processes of cultural legitimation and cultural hierarchies, and to anyone working on the representation of national and social identities.
| Author | : Ian Horton |
| Publisher | : Springer Nature |
| Total Pages | : 249 |
| Release | : 2022-09-20 |
| Genre | : Comics & Graphic Novels |
| ISBN | : 3031073533 |
This book looks at comics through the lens of Art History, examining the past influence of art-historical methodologies on comics scholarship to scope how they can be applied to Comics Studies in the present and future. It unearths how early comics scholars deployed art-historical approaches, including stylistic analysis, iconography, Cultural History and the social history of art, and proposes how such methodologies, updated in light of disciplinary developments within Art History, could be usefully adopted in the study of comics today. Through a series of indicative case studies of British and American comics like Eagle, The Mighty Thor, 2000AD, Escape and Heartbreak Hotel, it argues that art-historical methods better address overlooked aspects of visual and material form. Bringing Art History back into the interdisciplinary nexus of comics scholarship raises some fundamental questions about the categories, frameworks and values underlying contemporary Comics Studies.
| Author | : Nhora Lucía Serrano |
| Publisher | : Routledge |
| Total Pages | : 235 |
| Release | : 2021-03-09 |
| Genre | : Literary Criticism |
| ISBN | : 1317287673 |
Immigrants and Comics is an interdisciplinary, themed anthology that focuses on how comics have played a crucial role in representing, constructing, and reifying the immigrant subject and the immigrant experience in popular global culture of the twentieth and twenty-first centuries. Nhora Lucía Serrano and a diverse group of contributors examine immigrant experience as they navigate new socio-political milieux in cartoons, comics, and graphic novels across cultures and time periods. They interrogate how immigration is portrayed in comics and how the ‘immigrant’ was an indispensable and vital trope to the development of the comics medium in the twentieth century. At the heart of the book‘s interdisciplinary nexus is a critical framework steeped in the ideas of remembrance and commemoration, what Pierre Nora calls lieux de mémoire. This book will be of interest to students and scholars in Visual Studies, Comparative Literature, English, Ethnic Studies, Francophone Studies, American Studies, Hispanic Studies, art history, and museum studies.
