Report Of The Commissioner General For The United States To The International Universal Exposition Paris 1900 February 28 1901 Volume 1
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Author | : United States. Commission to the Paris Exposition |
Publisher | : |
Total Pages | : 516 |
Release | : 1901 |
Genre | : Exposition universelle |
ISBN | : |
Author | : United States. Commission to the Paris Exposition |
Publisher | : |
Total Pages | : 806 |
Release | : 1901 |
Genre | : Exposition universelle internationale de 1900 |
ISBN | : |
Author | : United States. Commission to the Paris Exposition, 1900 |
Publisher | : |
Total Pages | : 710 |
Release | : 1901 |
Genre | : Exposition universelle internationale de 1900 |
ISBN | : |
Author | : United States Commission to the Paris E. |
Publisher | : Wentworth Press |
Total Pages | : 590 |
Release | : 2019-03-25 |
Genre | : History |
ISBN | : 9781011234806 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : United States. Commission to the Paris Exposition |
Publisher | : |
Total Pages | : |
Release | : 1901 |
Genre | : Exposition universelle |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 748 |
Release | : 1947 |
Genre | : Government publications |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 1118 |
Release | : |
Genre | : Government publications |
ISBN | : |
Author | : United States. Superintendent of Documents |
Publisher | : |
Total Pages | : 1116 |
Release | : 1896 |
Genre | : Government publications |
ISBN | : |
Author | : Alex Wright |
Publisher | : Oxford University Press |
Total Pages | : 361 |
Release | : 2014-05-06 |
Genre | : History |
ISBN | : 0199354200 |
The dream of capturing and organizing knowledge is as old as history. From the archives of ancient Sumeria and the Library of Alexandria to the Library of Congress and Wikipedia, humanity has wrestled with the problem of harnessing its intellectual output. The timeless quest for wisdom has been as much about information storage and retrieval as creative genius. In Cataloging the World, Alex Wright introduces us to a figure who stands out in the long line of thinkers and idealists who devoted themselves to the task. Beginning in the late nineteenth century, Paul Otlet, a librarian by training, worked at expanding the potential of the catalog card, the world's first information chip. From there followed universal libraries and museums, connecting his native Belgium to the world by means of a vast intellectual enterprise that attempted to organize and code everything ever published. Forty years before the first personal computer and fifty years before the first browser, Otlet envisioned a network of "electric telescopes" that would allow people everywhere to search through books, newspapers, photographs, and recordings, all linked together in what he termed, in 1934, a r?seau mondial--essentially, a worldwide web. Otlet's life achievement was the construction of the Mundaneum--a mechanical collective brain that would house and disseminate everything ever committed to paper. Filled with analog machines such as telegraphs and sorters, the Mundaneum--what some have called a "Steampunk version of hypertext"--was the embodiment of Otlet's ambitions. It was also short-lived. By the time the Nazis, who were pilfering libraries across Europe to collect information they thought useful, carted away Otlet's collection in 1940, the dream had ended. Broken, Otlet died in 1944. Wright's engaging intellectual history gives Otlet his due, restoring him to his proper place in the long continuum of visionaries and pioneers who have struggled to classify knowledge, from H.G. Wells and Melvil Dewey to Vannevar Bush, Ted Nelson, Tim Berners-Lee, and Steve Jobs. Wright shows that in the years since Otlet's death the world has witnessed the emergence of a global network that has proved him right about the possibilities--and the perils--of networked information, and his legacy persists in our digital world today, captured for all time.
Author | : The W.E.B. Du Bois Center at the University of Massachusetts Amherst |
Publisher | : Chronicle Books |
Total Pages | : 152 |
Release | : 2018-11-06 |
Genre | : |
ISBN | : 1616897775 |
The colorful charts, graphs, and maps presented at the 1900 Paris Exposition by famed sociologist and black rights activist W. E. B. Du Bois offered a view into the lives of black Americans, conveying a literal and figurative representation of "the color line." From advances in education to the lingering effects of slavery, these prophetic infographics —beautiful in design and powerful in content—make visible a wide spectrum of black experience. W. E. B. Du Bois's Data Portraits collects the complete set of graphics in full color for the first time, making their insights and innovations available to a contemporary imagination. As Maria Popova wrote, these data portraits shaped how "Du Bois himself thought about sociology, informing the ideas with which he set the world ablaze three years later in The Souls of Black Folk."