Renga V Darling 229 Mich 190 1924
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Cases Decided in the Supreme Court of Michigan ...
Author | : Michigan. Supreme Court |
Publisher | : |
Total Pages | : 816 |
Release | : 1925 |
Genre | : Law reports, digests, etc |
ISBN | : |
Autophagy
Author | : Daniel Klionsky |
Publisher | : CRC Press |
Total Pages | : 327 |
Release | : 2003-12-15 |
Genre | : Science |
ISBN | : 1498713270 |
Starting in the early 1970s, a type of programmed cell death called apoptosis began to receive attention. Over the next three decades, research in this area continued at an accelerated rate. In the early 1990s, a second type of programmed cell death, autophagy, came into focus. Autophagy has been studied in mammalian cells for many years. The recen
Michigan Reports
Author | : Michigan. Supreme Court |
Publisher | : |
Total Pages | : 816 |
Release | : 1925 |
Genre | : Law reports, digests, etc |
ISBN | : |
The Divo and the Duce
Author | : Giorgio Bertellini |
Publisher | : University of California Press |
Total Pages | : 328 |
Release | : 2019-01-15 |
Genre | : Performing Arts |
ISBN | : 0520301366 |
At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. In the post–World War I American climate of isolationism, nativism, democratic expansion of civic rights, and consumerism, Italian-born star Rodolfo Valentino and Italy’s dictator Benito Mussolini became surprising paragons of authoritarian male power and mass appeal. Drawing on extensive archival research in the United States and Italy, Giorgio Bertellini’s work shows how their popularity, both political and erotic, largely depended on the efforts of public opinion managers, including publicists, journalists, and even ambassadors. Beyond the democratic celebrations of the Jazz Age, the promotion of their charismatic masculinity through spectacle and press coverage inaugurated the now-familiar convergence of popular celebrity and political authority. This is the first volume in the new Cinema Cultures in Contact series, coedited by Giorgio Bertellini, Richard Abel, and Matthew Solomon.