Renaissance Drama 40

Renaissance Drama 40
Author: Jeffrey Masten
Publisher: Northwestern University Press
Total Pages: 238
Release: 2012-11-30
Genre: Literary Criticism
ISBN: 0810128454

Rather than assemble a retrospective, the editors of Renaissance Drama use the release of their fortieth volume to survey the present and to attempt a view into the future. Scholars working on different kinds of Renaissance drama contributed brief essays addressing the state of their field, "field" being convenient shorthand for the practical but productive lack of a firm definition under which they and their colleagues study, do research, and write.

The Arden Guide to Renaissance Drama

The Arden Guide to Renaissance Drama
Author: Brinda Charry
Publisher: Bloomsbury Publishing
Total Pages: 361
Release: 2017-10-19
Genre: Literary Criticism
ISBN: 1472572262

The Arden Guide to Renaissance Drama is a single critical and contextual resource for students embarking on an in-depth exploration of early modern drama, providing both critical insight and accessible contextual information. This companion equips students with the information needed to situate the plays in their socio-political, intellectual and literary contexts. Divided into two parts, it introduces students to the major authors and significant dramatic texts of the period and emphasises the importance of both a historicist and close-reading approach to better engage with these works. The Guide offers: · primary texts from key early modern scholars such as Machiavelli, Heywood and Sidney · contextual information vital to a full understanding of the drama of the period · close readings of 14 of the most widely studied play texts by Shakespeare and his contemporaries · a single resource to accompany any study of early modern drama This is an ideal companion for students of Renaissance drama, offering students and teachers a range of primary contextual sources to illuminate their understanding alongside close critical readings of the major plays of the period.

Renaissance Drama

Renaissance Drama
Author: Sandra Clark
Publisher: Polity
Total Pages: 465
Release: 2007-11-19
Genre: Language Arts & Disciplines
ISBN: 0745633102

This work provides a comprehensive overview of one of the richest periods of theatre history - the drama of early modern England.

A New Companion to Renaissance Drama

A New Companion to Renaissance Drama
Author: Arthur F. Kinney
Publisher: John Wiley & Sons
Total Pages: 580
Release: 2017-07-11
Genre: Literary Criticism
ISBN: 1118824032

A New Companion to Renaissance Drama provides an invaluable summary of past and present scholarship surrounding the most popular and influential literary form of its time. Original interpretations from leading scholars set the scene for important paths of future inquiry. A colorful, comprehensive and interdisciplinary overview of the material conditions of Renaissance plays, England's most important dramatic period Contributors are both established and emerging scholars, with many leading international figures in the discipline Offers a unique approach by organizing the chapters by cultural context, theatre history, genre studies, theoretical applications, and material studies Chapters address newest departures and future directions for Renaissance drama scholarship Arthur Kinney is a world-renowned figure in the field

Renaissance Drama 34

Renaissance Drama 34
Author: Jeffrey Masten
Publisher: Northwestern University Press
Total Pages: 218
Release: 2006-07-31
Genre: Drama
ISBN: 0810123088

Renaissance Drama, an annual and interdisciplinary publication, is devoted to drama and performance as a central feature of Renaissance culture. The essays in each volume explore traditional canons of drama, the significance of performance (broadly construed) to early modern culture, and the impact of new forms of interpretation on the study of Renaissance plays, theatre, and performance. This issue of Renaissance Drama, devoted to the topic of "Media, Technology, and Performance" is co-edited by W.B. Worthen, Wendy Wall, and Jeffrey Masten. The various articles displayed here address the interface between drama and its various modes of production over the past four centuries. This volume explores the relationship of drama to other forms of early modern spectacle (pageantry, masques), to the specificities of typography and the economics of the book industry, to the intersection of drama with film and DVD production, and to the way that stage technologies and theatrical economies of the 16th, 17th and 20th centuries define plays and playing. Rather than thinking of the early modern text as something simply reconstituted in its different incarnations, these essays make clear that different media force a rethinking of the terms that we use to envision, conceptualize, and even to see the work of drama.

A Companion to Renaissance Drama

A Companion to Renaissance Drama
Author: Arthur F. Kinney
Publisher: Wiley-Blackwell
Total Pages: 644
Release: 2002-06-10
Genre: Literary Criticism
ISBN: 9780631219507

This expansive, inter-disciplinary guide to Renaissance plays and the world they played to gives readers a colorful overview of England's great dramatic age. Provides an expansive and inter-disciplinary approach to Renaissance plays and the world they played to. Offers a colourful and comprehensive overview of the material conditions of England's most important dramatic period. Gives readers facts and data along with up-to-date interpretation of the plays. Looks at the drama in terms of its cultural agency, its collaborative nature, and its ideological complexity.

Staging Female Characters in Shakespeare's English History Plays

Staging Female Characters in Shakespeare's English History Plays
Author: Hailey Bachrach
Publisher: Cambridge University Press
Total Pages: 207
Release: 2023-10-31
Genre: Literary Criticism
ISBN: 1009356135

"Hailey Bachrach reframes female characters' roles in the history plays, overhauling their critical reputations. Combining literary and theatrical analysis, she illuminates how Shakespeare imagined the past."--

A Cultural History of Theatre in the Early Modern Age

A Cultural History of Theatre in the Early Modern Age
Author: Robert Henke
Publisher: Bloomsbury Publishing
Total Pages: 280
Release: 2019-08-08
Genre: History
ISBN: 1350135380

For both producers and consumers of theatre in the early modern era, art was viewed as a social rather than an individual activity. Emerging in the context of new capitalistic modes of production, the birth of the nation state and the rise of absolute monarchies, theatre also proved a highly mobile medium across geolinguistic boundaries. This volume provides a comprehensive and interdisciplinary overview of the cultural history of theatre from 1400 to 1650, and examines the socioeconomically heterodox nature of theatre and performance during this period. Highly illustrated with 48 images, the ten chapters each take a different theme as their focus: institutional frameworks; social functions; sexuality and gender; the environment of theatre; circulation; interpretations; communities of production; repertoire and genres; technologies of performance; and knowledge transmission.

Walter Benjamin and Political Theology

Walter Benjamin and Political Theology
Author: Brendan Moran
Publisher: Bloomsbury Publishing
Total Pages: 265
Release: 2024-05-16
Genre: Religion
ISBN: 135028436X

Tracing Walter Benjamin's convergences with, and divergences from, influential German legal theorist Carl Schmitt, this edited collection contextualizes Benjamin's thinking in the intellectual currents of his time, while also placing him in dialogue with traditions and thinkers from antiquity to the present. At stake is whether Benjamin presents the possibility of a distinctive political theology-a question which the collection addresses without collapsing the tensions internal to Benjamin's thought. Benjamin's thought has been a touchstone, explicitly or implicitly, in numerous efforts to conceive of a 'new' political theology that is not anchored in legitimizing and preserving power, but in justice and liberation. Benjamin interrogates the political-theological complex from what may be construed as a vantage point opposed to Schmitt. Whereas Schmitt excavates the theological elements in modernity in order to shore up liberalism's illiberal inheritance, Benjamin roots out these latent structures in order to dissolve them and liberate us from their oppressive legacy. This volume's multifaceted contributions explore why Benjamin has been such a fertile source for thinking about political theology beyond – and often against – Schmitt. Benjamin indicates how existing political theologies can be challenged or expanded. This book accordingly makes a wide range of relevant work available for study whilst also opening new perspectives on Benjamin's œuvre.