Refractions of Reality: Philosophy and the Moving Image

Refractions of Reality: Philosophy and the Moving Image
Author: John Mullarkey
Publisher: Springer
Total Pages: 300
Release: 2008-12-11
Genre: Performing Arts
ISBN: 0230582311

This is the first book to explore all central issues surrounding the relationship between the film-image and philosophy. It tackles the work of particular philosophers of film (Žižek, Deleuze and Cavell) as well as general philosophical positions (Cognitivist and Culturalist), and analyses the ability of film to teach and create philosophy.

Thinking on Screen

Thinking on Screen
Author: Thomas E. Wartenberg
Publisher: Routledge
Total Pages: 175
Release: 2007-10-31
Genre: Performing Arts
ISBN: 1135975892

Thinking on Screen: Film as Philosophy is an accessible and thought-provoking examination of the way films raise and explore complex philosophical ideas. Written in a clear and engaging style, Thomas Wartenberg examines films’ ability to discuss, and even criticize ideas that have intrigued and puzzled philosophers over the centuries such as the nature of personhood, the basis of morality, and epistemological skepticism. Beginning with a demonstration of how specific forms of philosophical discourse are presented cinematically, Wartenberg moves on to offer a systematic account of the ways in which specific films undertake the task of philosophy. Focusing on the films The Man Who Shot Liberty Valance, Modern Times, The Matrix, Eternal Sunshine of the Spotless Mind, The Third Man, The Flicker, and Empire, Wartenberg shows how these films express meaningful and pertinent philosophical ideas. This book is essential reading for students of philosophy with an interest in film, aesthetics, and film theory. It will also be of interest to film enthusiasts intrigued by the philosophical implications of film.

Practical Julia

Practical Julia
Author: Lee Phillips
Publisher: No Starch Press
Total Pages: 529
Release: 2023-10-31
Genre: Computers
ISBN: 171850277X

Learn to use Julia as a tool for research, and solve problems of genuine interest—like modeling the course of a pandemic—in this practical, hands-on introduction to the language. The Julia programming language is acclaimed in scientific circles for its unparalleled ease, interactivity, and speed. Practical Julia is a comprehensive introduction to the language, making it accessible even if you’re new to programming. Dive in with a thorough guide to Julia’s syntax, data types, and best practices, then transition to craft solutions for challenges in physics, statistics, biology, mathematics, scientific machine learning, and more. Whether you’re solving computational problems, visualizing data, writing simulations, or developing specialized tools, Practical Julia will show you how. As you work through the book, you’ll: • Use comprehensions and generators, higher-level functions, array initialization and manipulation, and perform operations on Unicode text • Create new syntax and generate code with metaprogramming and macros, and control the error system to manipulate program execution • Visualize everything from mathematical constructs and experimental designs to algorithm flowcharts • Elevate performance using Julia’s unique type system with multiple dispatch • Delve into scientific packages tailored for diverse fields like fluid dynamics, agent-based modeling, and image processing Whether your interest is in scientific research, statistics, mathematics, or just the fun of programming with Julia, Practical Julia will have you writing high-performance code that can do real work in no time. Online Resources: Ready-to-run code samples, illustrations, and supplemental animations available at https://julia.lee-phillips.org.

Cinema, Philosophy, Bergman

Cinema, Philosophy, Bergman
Author: Paisley Livingston
Publisher: Oxford University Press
Total Pages: 226
Release: 2009-07-02
Genre: Language Arts & Disciplines
ISBN: 0199570175

Can cinema be a medium for philosophy? If so, how is the philosophizing done? Paisley Livingston explores the philosophical value of cinema. As a case-study for his intentionalist theory of authorship and interpretation he focuses on Ingmar Bergman's cinematic explorations of motivated irrationality, inauthenticity, and self-knowledge.

Colonial Proximities

Colonial Proximities
Author: Renisa Mawani
Publisher: UBC Press
Total Pages: 288
Release: 2010-01-01
Genre: Law
ISBN: 0774858850

Real and imagined encounters among Aboriginal peoples, European colonists, Chinese migrants, and mixed-race populations produced racial anxieties that underwrote crossracial contacts in the salmon canneries, the illicit liquor trade, and the (white) slavery scare in late-nineteenth- and early-twentieth-century British Columbia. Colonial Proximities explores the legal and spatial strategies of rule deployed by Indian agents, missionaries, and legal authorities who aspired to restrict crossracial encounters. By connecting genealogies of aboriginal-European contact with those of Chinese migration, this book reveals that territorial dispossession and Chinese exclusion were never distinct projects but two conjunctive processes in the making of the settler regime. Drawing on archival documents and historical records, Colonial Proximities historicizes current discussions of multiculturalism and pluralism in modern settler societies by revealing how crossracial interactions in one colonial contact zone inspired juridical racial truths and forms of governance that continue to linger in contemporary racial politics. It is essential reading for students and practitioners of history, anthropology, sociology, colonial/ postcolonial studies, and critical race and legal studies.

Reel Arguments

Reel Arguments
Author: Andrew Light
Publisher: Routledge
Total Pages: 211
Release: 2019-08-30
Genre: Motion pictures
ISBN: 9780367317638

Reel Arguments collects an integrated series of essays addressing the role of film as social criticism. By looking at films and the creators of such films as Alice in the Cities, Enemy of the State, The Conversation, Falling Down, City of Hope, and Matewan, Light persuasively argues that film can be both highly philosophical and influential on publ