Recueil Factice Dart De Presse Critiques Sur Mes Cahiers De Maurice Barres
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Memoirs of an Egotist
Author | : Stendhal |
Publisher | : Read Books Ltd |
Total Pages | : 128 |
Release | : 2021-03-22 |
Genre | : Biography & Autobiography |
ISBN | : 1528765311 |
This book contains the memoirs of Stendahl or in his own words the 'chatter about his private life' between 1821 and 1830. It was between these dates that he moved to Paris and here looks back on his life as an eccentric bachelor. 'As well as Beyle the clairvoyant self-investigator, the sardonic analyst of Parisian salon society and deliberate cultivator of wit, here emerges Beyle the despairing lover, the shakespearean enthusiast, whose romantic sentiment run always parallel with his eighteenth-century logic'. Marie-Henri Beyle - better-known by his pen name, Stendhal - was born in Grenoble, France in 1783. He turned to writing after the final defeat of Napoleon in 1815, notable works include A Life of Rossini (1824), A Life of Napoleon (1929) and The Red and the Black published in 1830. A number of works were published posthumously, including Lamiel (1889), Memoirs of an Egotist (1892) and Lucien Leuwen (1894). Stendhal is now regarded as one of the earliest and foremost practitioners of literary realism.
Gustave Courbet
Author | : Georges Riat |
Publisher | : Parkstone Press |
Total Pages | : 266 |
Release | : 2008 |
Genre | : Art |
ISBN | : |
Child of materialism and positivism, Courbet was without a doubt one of the most complex painters of the nineteenth century. Symbolising the rejection of traditions, Courbet did not hesitate to confront the public with the truth by liberating painting of conventional rules. He became from then on the leader of pictorial realism.
The Romantic Agony
Author | : Mario Praz |
Publisher | : [London] : Collins |
Total Pages | : 532 |
Release | : 1956 |
Genre | : Devil in literature |
ISBN | : |
Mario Paz has, in the Romantic Agony, acutely analyzed the effect of the traditions of Byron and De Sade upon poets and painters from 1800 to 1900. It is the analysis of a mood in literature. The mood may ve been transient, but it was widespread, and it was expressed in dreams of "luxurious cruelties," "fatal women," corpse-passions, and the sinful agonies of delight. Professo Praz has described the whole Romantic literature under one of its most characteristic aspects, that of erotic sensibility.
The Poems in Verse
Author | : Stéphane Mallarmé |
Publisher | : Miami University Press Poetry |
Total Pages | : 0 |
Release | : 2012 |
Genre | : Poetry |
ISBN | : 9781881163503 |
Poetry. Translated from the French by Peter Manson. THE POEMS IN VERSE is Peter Manson's translation of The Poésies of Stéphane Mallarmé. Long overshadowed by Mallarmé's theoretical writings and by his legendary visual poem "Un coup de Dés jamais n'abolira le Hasard," the Poésies are lyrics of a uniquely prescient and generative modernity. Grounded in a scrupulous sounding of the complex ambiguities of the original poems, Manson's English translations draw on the resources of the most innovative poetries of our own time these may be the first translations really to trust the English language to bear the full weight of Mallarméan complexity. With THE POEMS IN VERSE, Mallarmé's voice is at last brought back, with all its incisive strangeness, into the conversation it started a hundred and fifty years ago, called contemporary poetry."
The Spectre of Comparisons
Author | : Benedict Anderson |
Publisher | : Verso |
Total Pages | : 392 |
Release | : 1998-09-17 |
Genre | : History |
ISBN | : 9781859841846 |
The Spectre of Comparisons contains important theoretical and historical considerations about the nature of nationalism & the prospects for the Left in the so-called New World Disorder.
Satie the Bohemian
Author | : Steven Moore Whiting |
Publisher | : Clarendon Press |
Total Pages | : 610 |
Release | : 1999-02-18 |
Genre | : Music |
ISBN | : 0191584525 |
Erik Satie (1866-1925) came of age in the bohemian subculture of Montmartre, with its artists' cabarets and cafés-concerts. Yet apologists have all too often downplayed this background as potentially harmful to the reputation of a composer whom they regarded as the progenitor of modern French music. Whiting argues, on the contrary, that Satie's two decades in and around Montmartre decisively shaped his aesthetic priorities and compositional strategies. He gives the fullest account to date of Satie's professional activities as a popular musician, and of how he transferred the parodic techniques and musical idioms of cabaret entertainment to works for concert hall. From the esoteric Gymnopédies to the bizarre suites of the 1910s and avant-garde ballets of the 1920s (not to mention music journalism and playwriting), Satie's output may be daunting in its sheer diversity and heterodoxy; but his radical transvaluation of received artistic values makes far better sense once placed in the fascinating context of bohemian Montmartre.