Recent Trends In Realist Painting
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| Author | : John Singer Sargent |
| Publisher | : Turner Palermo/Fundacion Coleccion Thyssen-Bornemisza |
| Total Pages | : 360 |
| Release | : 2006 |
| Genre | : Art |
| ISBN | : |
Joaquín Sorolla y Bastida (1863-1923) studied painting from the age of 15 in his native Valencia, then in Madrid and eventually Rome. On his return to Spain, he became the major portraitist of his time, and worked with subjects including King Alphonso and Queen Victoria Eugénie. Like John Singer Sargent (1856-1925), whose career was unfolding on American shores, Sorolla remained firmly outside of the Impressionist vanguard and was all but indifferent to other popular artistic movements of the day, but nevertheless achieved international renown in the late 1800s and early 1900s. Both artists focused on society portraits but also undertook independent work and commissions for cultural institutions. They encountered one another occasionally, and held one another in very special regard. Sargent & Sorolla highlights the affinities between not just their personal and professional lives but their work itself: the expressive use of color and light, the development of a Modernist sensibility from Naturalist techniques, and the tremendous renown and commercial success each man reached independently. An essential exploration of how the careers of the two great artists ran parallel to each other, intersected, and also diverged.
| Author | : John Seed |
| Publisher | : Schiffer Publishing |
| Total Pages | : 208 |
| Release | : 2019-09-28 |
| Genre | : Art |
| ISBN | : 9780764358012 |
Disrupted Realism is the first book to survey the works of contemporary painters who are challenging and reshaping the tradition of Realism. Helping art lovers, collectors, and artists approach and understand this compelling new phenomenon, it includes the works of 38 artists whose paintings respond to the subjectivity and disruptions of modern experience. Widely published author and blogger John Seed, who believes that we are "the most distracted society in the history of the world," has selected artists he sees as visionaries in this developing movement. The artists' impulses toward disruption are as individual as the artists themselves, but all share the need to include perception and emotion in their artistic process. Six sections lay out and analyze common themes: "Toward Abstraction," "Disrupted Bodies," "Emotions and Identities," "Myths and Visions," "Patterns, Planes, and Formations," and "Between Painting and Photography." Interviews with each artist offer additional insight into some of the most incisive and relevant painting being created today.
| Author | : Amy Holzapfel |
| Publisher | : Routledge |
| Total Pages | : 275 |
| Release | : 2014-01-03 |
| Genre | : Performing Arts |
| ISBN | : 1136768432 |
Realism in theatre is traditionally defined as a mere seed of modernism, a crude attempt to reproduce an exact copy of reality on stage. Art, Vision & Nineteenth-Century Realist Drama redefines realism as a complex and under-examined form of visual modernism, one that positioned theatre at the crux of the encounter between consciousness and the visible world. Tracing a historical continuum of "acts of seeing" on the realist stage, Holzapfel demonstrates how theatre participated in modernity’s aggressive interrogation of vision’s residence in the human body. New findings by scientists and philosophers—such as Diderot, Goethe, Müller, Helmholtz, and Galton—exposed how the visible world is experienced and framed by the unstable relativism of the physiological body rather than the fixed idealism of the mind. Realist artists across media paradoxically embraced this paradigm shift by focusing on the embodied observer. Drawing from extensive archival research, Holzapfel conducts close readings of iconic dramas and their productions—including Scribe’s The Glass of Water, Zola’s Thérèse Raquin, Ibsen’s A Doll House, Strindberg’s The Father, and Hauptmann’s Before Sunrise—alongside analyses of artwork by major painters and photographers—such as Chardin, Nadar, Millais, Rejlander, and Liebermann. In a radical challenge to existing criticism, Holzapfel argues that realism in theatre was never the attempt to reproduce an exact copy of the seen world but rather the struggle to make visible the act of seeing.
| Author | : David Graves |
| Publisher | : Austin Macauley Publishers |
| Total Pages | : 387 |
| Release | : 2023-08-18 |
| Genre | : Art |
| ISBN | : 1398437379 |
Art today can be whatever one wants it to be: a rotting cadaver, a photograph of someone else’s photograph, a banana... In this post-modern age of post-truth, of social media and the selfie, when everyone has a high-resolution digital camera at their fingertips, one wonders what would possess a talented artist to sit for days, weeks, often months, to paint a portrait of a friend or a landscape of home. Today, a group of 20 or so remarkable painters have revived a fascinating style of realistic painting, and in Israel of all places, where realistic art has never played any significant role. Their brand of realism is not mundane photographic realism, but rather it is an intensified sort of realism, a kind of hyper-realism. This book offers an initial explanation as to what these artists are doing, and how they are doing it.
| Author | : Henderikus J. Stam |
| Publisher | : Springer Science & Business Media |
| Total Pages | : 521 |
| Release | : 2012-12-06 |
| Genre | : Psychology |
| ISBN | : 1461227461 |
I was asked and, alas, with little reflection on the magnitude of the task, thoughtlessly consented, to take on the 'simple' job of writing a preface to the collection of essays comprising this volume. That I was asked to carry out this simple task was probably due to one consideration: I was the main representative of the host institution (Clark University) for the 1991 ISTP Conference, at which the talks, foreshadowing and outlining the 'extended remarks' here printed, were originally presented, and hence, as a token of gratitude, I was vouchsafed the honor of setting the stage. It did not dawn on me, until I began piecemeal to receive and accumulate, over a period of months, the remarkably diverse and heterogeneous essays precipitated by the conference, how mind-boggling it would be to pen a preface pertinent to such an aggregate of prima/acie unrelated articles. Typically, prefaces to collections of essays from different hands are attempts by the prefator or a pride of prefators to provide an overview, a concise map, of the complex terrain which readers are invited to enter; or to direct the attention of potential readers to what the editors take to be the essential or central themes of each of the variegated articles: a practice which, not infrequently and often not unjustifiably, irritates and even enrages individual authors, who object to the complexity, profundity, and nuanced character of their thought being reduced to clicMs and editorial equivalents of sound bites.
| Author | : Jacques Maroger |
| Publisher | : |
| Total Pages | : 208 |
| Release | : 1979 |
| Genre | : Art |
| ISBN | : |
| Author | : He Hao |
| Publisher | : 香港中文大學出版社 |
| Total Pages | : 448 |
| Release | : 2014-12-30 |
| Genre | : Design |
| ISBN | : 9629966549 |
Almost a Hundred Design Projects: Ai Weiwei, Xu Bing, Araki Nobuyoshi, Lin Tianmiao, Wang Gongxin, RongRong & inri, Liu Zheng, Yue Minjun, Miao Xiaochun, Xu Weixin, Zhang Dali, Yang Fudong, Tim Yip, Chen Wenji, Zhan Wang, Yu Hong... An Asian Trend in Contemporary Graphic Design. An independent printmedia practitioner, He Hao has been working with distinctive and representative artists in the Chinese contemporary art world, including Ai Weiwei, Xu Bing, etc., and designed more than 100 highquality books and catalogs since 2003. Recording the current state of art development in China, his works have become an archive of significance. He Hao's practice shows an Asian trend in today's graphic design: the replacement of transplanted Modernism with a contemporaneity informed by the culture and lifestyle of contemporary Ch"a and the East. An independent printmedia practitioner, He Hao has been working with distinctive and representative artists in the Chinese contemporary art world, including Ai Weiwei, Xu Bing, etc., and designed more than 100 highquality books and catalogs since 2003. Recording the current state of art development in China, his works have become an archive of significance. "He Hao's practice shows an Asian trend in today's graphic design: the replacement of transplanted Modernism with a contemporaneity informed by the culture and lifestyle of contemporary China and the East. He Hao's designs grow organically from the content. His sole concern is the discovery and presentation of the content, and his designs show no trace of his hand. This approach might best be called 'essential design'."— Xu Bing
| Author | : Andrew Forge |
| Publisher | : Encounter Books |
| Total Pages | : 213 |
| Release | : 2018-07-17 |
| Genre | : Literary Collections |
| ISBN | : 0985905271 |
Andrew Forge was an English painter and a teacher of painting (Yale University 1975–1994), renowned and respected on both sides of the Atlantic. But he was also known for his writing on the arts, spanning almost fifty years, which was admired for the delicacy and openness of his language and the ways in which he thought about the processes of perception in all their sensual possibilities. The selection here of his writings is intended to show the range of his interests and the particularly personal interpretations he brought to all he saw in an art with which he was so passionately engaged. It is also a fascinating record of the arts that were of concern in the years he wrote, from the work of Rubens to that of Rauschenberg and Frankenthaler, as well as, especially in his last essays, the work of his many friends and associates: Kenneth Martin, Euan Uglow, Jake Berthot, William Bailey, and Graham Nickson.
| Author | : Frank Stella |
| Publisher | : Harvard University Press |
| Total Pages | : 200 |
| Release | : 1986 |
| Genre | : Architecture |
| ISBN | : 9780674959613 |
Caravaggio -- The Madonna of the Rosary -- Annibale Carracci -- Picasso -- A common complaint -- The Dutch savannah.
| Author | : Mark Hussey |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 593 |
| Release | : 2021-04-01 |
| Genre | : Biography & Autobiography |
| ISBN | : 1408894432 |
'Amusing, charming, stimulating, urbane' - THE TIMES 'Revelatory' - GUARDIAN 'Restores Clive Bell vividly to life' - Lucasta Miller ______________ Clive Bell is perhaps better known today for being a Bloomsbury socialite and the husband of artist Vanessa Bell, sister to Virginia Woolf. Yet Bell was a highly important figure in his own right: an internationally renowned art critic who defended daring new forms of expression at a time when Britain was closed off to all things foreign. His groundbreaking book Art brazenly subverted the narratives of art history and cemented his status as the great interpreter of modern art. Bell was also an ardent pacifist and a touchstone for the Wildean values of individual freedoms, and his is a story that leads us into an extraordinary world of intertwined lives, loves and sexualities. For decades, Bell has been an obscure figure, refracted through the wealth of writing on Bloomsbury, but here Mark Hussey brings him to the fore, drawing on personal letters, archives and Bell's own extensive writing. Complete with a cast of famous characters, including Lytton Strachey, T. S. Eliot, Katherine Mansfield, Pablo Picasso and Jean Cocteau, Clive Bell and the Making of Modernism is a fascinating portrait of a man who became one of the pioneering voices in art of his era. Reclaiming Bell's stature among the makers of modernism, Hussey has given us a biography to muse and marvel over – a snapshot of a time and of a man who revelled in and encouraged the shock of the new. 'A book of real substance written with style and panache, copious fresh information and many insights' - Julian Bell
