Readings In Italian Mannerism
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| Author | : Liana De Girolami Cheney |
| Publisher | : Peter Lang Pub Incorporated |
| Total Pages | : 348 |
| Release | : 2004-01-01 |
| Genre | : Art |
| ISBN | : 9780820470634 |
The aim of this book is to focus on the origin of the historiography of the terms <I>Mannerism and <I>Maniera in paintings and drawings of the sixteenth-century in Italy. The articles herewith presented fall into two categories. The first group explains the definition of the terms <I>Mannerism and <I>Maniera, their periodicity, and their sources as illustrated by Giorogio Vasari, John Shearman, Craig Hugh Smyth, and Sydney Freedberg. The second deals with the polemic associated with the usage of the term and historiography and its application as voiced by Walter Friedlaender, Max Dvorak, Ernst Gombrich, Henri Zerner, David Summers, Malcolm Campbell, and Iris Cheney.
| Author | : Liana Cheney |
| Publisher | : |
| Total Pages | : |
| Release | : 2018 |
| Genre | : Architecture |
| ISBN | : 9781433160585 |
| Author | : Walter Friedlaender |
| Publisher | : Columbia University Press |
| Total Pages | : 150 |
| Release | : 1990 |
| Genre | : Art |
| ISBN | : 9780231083881 |
Here are presented two essays by one of the pioneers in the modern exploration of 16th century Italian art. The first, on the Kunstwissenschaft, v.XLVII; the second, on the style translated and published in a 1957 edition, of which this is a reprint (with inclusion of a 1964 foreword).
| Author | : Liana De Girolami Cheney |
| Publisher | : Peter Lang Incorporated, International Academic Publishers |
| Total Pages | : 236 |
| Release | : 2019-12-24 |
| Genre | : Architecture |
| ISBN | : 9781433160721 |
This collection celebrates the 450th year anniversary of the publication of Giorgio Vasari's Vite (The Lives of the Most Excellent Painters, Sculptors and Architects [Florence: Giunti, 1568]), in which, in the prolegomenon, architects were highly praised along with the principles and technology of architecture. To honor this significant event, the selected articles in this book contain some published excerpts, some revised and expanded, some never published. These articles demonstrate the extraordinary influence of the classical tradition in Renaissance and Mannerist architecture and its role in the education of architectural students. In particular, these essays discuss the materials employed and their functions as well as the architect's role in society. These articles also address the impact of Mannerist architecture and art theory in sixteenth-century European architecture and culture.
| Author | : Christiane L. Joost-Gaugier |
| Publisher | : John Wiley & Sons |
| Total Pages | : 288 |
| Release | : 2013-03-04 |
| Genre | : Art |
| ISBN | : 1118306074 |
Richly illustrated, and featuring detailed descriptions of works by pivotal figures in the Italian Renaissance, this enlightening volume traces the development of art and architecture throughout the Italian peninsula in the fifteenth and sixteenth centuries. A smart, elegant, and jargon-free analysis of the Italian Renaissance – what it was, what it means, and why we should study it Provides a sustained discussion of many great works of Renaissance art that will significantly enhance readers’ understanding of the period Focuses on Renaissance art and architecture as it developed throughout the Italian peninsula, from Venice to Sicily Situates the Italian Renaissance in the wider context of the history of art Includes detailed interpretation of works by a host of pivotal Renaissance artists, both well and lesser known
| Author | : John Shearman |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 1979 |
| Genre | : |
| ISBN | : |
| Author | : Laurie Schneider Adams |
| Publisher | : Routledge |
| Total Pages | : 988 |
| Release | : 2018-05-04 |
| Genre | : Art |
| ISBN | : 0429974744 |
"The chronology of the Italian Renaissance, its character, and context have long been a topic of discussion among scholars. Some date its beginnings to the fourteenthcentury work of Giotto, others to the generation of Masaccio, Brunelleschi, and Donatello that fl ourished from around 1400. The close of the Renaissance has also proved elusive. Mannerism, for example, is variously considered to be an independent (but subsidiary) late aspect of Renaissance style or a distinct style in its own right."
| Author | : Jeffrey Bailey |
| Publisher | : Matador |
| Total Pages | : 288 |
| Release | : 2018-12-05 |
| Genre | : History |
| ISBN | : 1784626082 |
Interpreting Italians is a socio-cultural travel guide designed for people whose interest in Italy goes beyond the readymade impression or the hackneyed cliché.
| Author | : Jean-Pierre Maquerlot |
| Publisher | : Cambridge University Press |
| Total Pages | : 220 |
| Release | : 1995 |
| Genre | : Drama |
| ISBN | : 9780521410830 |
This 1996 book offers an original approach to Shakespeare's so-called 'problem plays' by contending that they can be viewed as experiments in the Mannerist style. The plays reappraised here are Julius Caesar, Hamlet, Troilus and Cressida, All's Well That Ends Well and Measure for Measure. How can a term used to define a movement in art history be made relevant to theatrical analysis? Maquerlot shows how famous painters of sixteenth-century Italy cultivated structural ambiguity or dissonance in reaction to the classical canons of the High Renaissance. Close readings of Shakespeare's plays, from the period 1599 to 1604, reveal intriguing analogies with Mannerist art and the dramatist's response to Elizabethan formalism. Maquerlot concludes by examining Othello, which marks the end of Shakespeare's Mannerist experiments, and the less equivocal use of artifice in his late romances.
| Author | : Lynette M. F. Bosch |
| Publisher | : Routledge |
| Total Pages | : 235 |
| Release | : 2020-01-23 |
| Genre | : Art |
| ISBN | : 1000025098 |
This book employs a new approach to the art of sixteenth-century Europe by incorporating rhetoric and theory to enable a reinterpretation of elements of Mannerism as being grounded in sixteenth-century spirituality. Lynette M. F. Bosch examines the conceptual vocabulary found in sixteenth-century treatises on art from Giorgio Vasari to Federico Zuccari, which analyses how language and spirituality complement the visual styles of Mannerism. By exploring the way in which writers from Leone Ebreo to Gabriele Paleotti describe the interaction between art and spirituality, Bosch establishes a religious base for the language of art in sixteenth-century Europe. The book will be of interest to scholars working in art history, Renaissance studies, religious studies, and religious history.
