Reading Publishing And The Formation Of Literary Taste In England 1880 1914
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| Author | : Mary Hammond |
| Publisher | : Routledge |
| Total Pages | : 358 |
| Release | : 2017-05-15 |
| Genre | : Literary Criticism |
| ISBN | : 1351906461 |
Between 1880 and 1914, England saw the emergence of an unprecedented range of new literary forms from Modernism to the popular thriller. Not coincidentally, this period also marked the first overt references to an art/market divide through which books took on new significance as markers of taste and class. Though this division has received considerable attention relative to the narrative structures of the period's texts, little attention has been paid to the institutions and ideologies that largely determined a text's accessibility and circulated format and thus its mode of address to specific readerships. Hammond addresses this gap in scholarship, asking the following key questions: How did publishing and distribution practices influence reader choice? Who decided whether or not a book was a 'classic'? In a patriarchal, class-bound literary field, how were the symbolic positions of 'author' and 'reader' affected by the increasing numbers of women who not only bought and borrowed, but also wrote novels? Using hitherto unexamined archive material and focussing in detail on the working practices of publishers and distributors such as Oxford University Press and W.H. Smith and Sons, Hammond combines the methodologies of sociology, literary studies and book history to make an original and important contribution to our understanding of the cultural dynamics and rhetorics of the fin-de-siècle literary field in England.
| Author | : Leah Price |
| Publisher | : Princeton University Press |
| Total Pages | : 360 |
| Release | : 2013-10-27 |
| Genre | : Literary Criticism |
| ISBN | : 0691159548 |
How to Do Things with Books in Victorian Britain asks how our culture came to frown on using books for any purpose other than reading. When did the coffee-table book become an object of scorn? Why did law courts forbid witnesses to kiss the Bible? What made Victorian cartoonists mock commuters who hid behind the newspaper, ladies who matched their books' binding to their dress, and servants who reduced newspapers to fish 'n' chips wrap? Shedding new light on novels by Thackeray, Dickens, the Brontës, Trollope, and Collins, as well as the urban sociology of Henry Mayhew, Leah Price also uncovers the lives and afterlives of anonymous religious tracts and household manuals. From knickknacks to wastepaper, books mattered to the Victorians in ways that cannot be explained by their printed content alone. And whether displayed, defaced, exchanged, or discarded, printed matter participated, and still participates, in a range of transactions that stretches far beyond reading. Supplementing close readings with a sensitive reconstruction of how Victorians thought and felt about books, Price offers a new model for integrating literary theory with cultural history. How to Do Things with Books in Victorian Britain reshapes our understanding of the interplay between words and objects in the nineteenth century and beyond.
| Author | : J. Spiers |
| Publisher | : Springer |
| Total Pages | : 272 |
| Release | : 2011-02-18 |
| Genre | : Literary Criticism |
| ISBN | : 0230299369 |
This volume focuses on the publisher's series as a cultural formation - a material artefact and component of cultural hierarchies. Contributors engage with archival research, cultural theory, literary and bibliometric analysis (amongst a range of other approaches) to contextualize the publisher's series in terms of its cultural and economic work.
| Author | : Nicola Louise Wilson |
| Publisher | : BRILL |
| Total Pages | : 233 |
| Release | : 2016-05-18 |
| Genre | : History |
| ISBN | : 9004315888 |
British literature underwent profound changes in the period 1900-1940. What role did audiences and channels of book distribution play in this? In this wide-ranging collection, the influence of publishers, distributors, librarians and readers come to the foreground to open up new perspectives on literature and print culture. Rooted in original archival research, chapters include studies of the engagement of canonical writers and bestsellers with the literary marketplace; the influence of international and mobile audiences; publishing practices involving genre, promotion, and censorship; and the significance of spaces of reading including bookshops, circulating libraries and on-board passenger ships. Through a series of detailed case-studies that focus on under-explored aspects of distribution and readership, the contributors open up new perspectives on literature and the British book trade.
| Author | : Richard Menke |
| Publisher | : Cambridge University Press |
| Total Pages | : 279 |
| Release | : 2019-10-17 |
| Genre | : Design |
| ISBN | : 1108492940 |
Connects British and American literature to a changing media landscape in an era of innovation.
| Author | : Rebecca Fasselt |
| Publisher | : Routledge |
| Total Pages | : 284 |
| Release | : 2022-03-25 |
| Genre | : Literary Criticism |
| ISBN | : 1000562409 |
This book considers the key critical interventions on short story writing in South Africa written in English since the year 2000. The short story genre, whilst often marginalised in national literary canons, has been central to the trajectory of literary history in South Africa. In recent years, the short story has undergone a significant renaissance, with new collections and young writers making a significant impact on the contemporary literary scene, and subgenres such as speculative fiction, erotic fiction, flash fiction and queer fiction expanding rapidly in popularity. This book examines the role of the short story genre in reflecting or championing new developments in South African writing and the ways in which traditional boundaries and definitions of the short story in South Africa have been reimagined in the present. Drawing together a range of critical interventions, including scholarly articles, interviews and personal reflective pieces, the volume traces some of the aesthetic and thematic continuities and discontinuities in the genre and sheds new light on questions of literary form. Finally, the book considers the place of the short story in twenty-first century writing and interrogates the ways in which the short story form may contribute to, or recast ideas of, the post-apartheid or post-transitional. The perfect guide to contemporary short story writing in South Africa, this book will be essential reading for researchers of African literature.
| Author | : Lauren Alex O'Hagan |
| Publisher | : Taylor & Francis |
| Total Pages | : 312 |
| Release | : 2021-03-30 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1000367452 |
This innovative text draws on theories and methodologies from the fields of multimodality, ethnography, and literacy studies to explore the sociocultural significance of book ownership and book inscriptions in Edwardian Britain. The Sociocultural Functions of Edwardian Book Inscriptions examines evidence gathered from historical records, archival documents, and the inscriptive practices of individuals from the Edwardian era to foreground the social, communicative, and performative functions of inscriptive practices and illustrate how material, lexical, and semiotic means were used to perform identity, contest social status, and forge relationships with others. The text adopts a unique ethnohistorical approach to multimodality, supporting the development of a typography of book inscriptions which will serve as a unique interpretive framework for analysis of literary artifacts in the context of broader sociopolitical forces. This text will benefit doctoral students, researchers, and academics in the fields of literacy studies, English language arts, and research methods in education more broadly. Those interested in British book history, anthropology, and 20th-century literature will also enjoy this volume.
| Author | : George Gissing |
| Publisher | : Oxford University Press |
| Total Pages | : 629 |
| Release | : 2016-09-14 |
| Genre | : Fiction |
| ISBN | : 0191045373 |
'Because one book had a sort of success he imagined his struggles were over.' Scholarly, anxious Edwin Reardon had achieved a precarious career as the writer of serious fiction. On the strength of critical acclaim for his fourth novel, he has married the refined Amy Yule. But the brilliant future Amy expected has evaded her husband. The catastrophe of the Reardon's failing marriage is set among the rising and falling fortunes of novelists, journalists, and scholars who labour 'in the valley of the shadow of books'. George Gissing's New Grub Street was written at breakneck speed in the autumn of 1890 and is considered his best novel. Intensely autobiographical, it reflects the literary and cultural crisis in Britain at the end of the nineteenth century.
| Author | : R. Fraser |
| Publisher | : Springer |
| Total Pages | : 219 |
| Release | : 2008-07-10 |
| Genre | : History |
| ISBN | : 0230289134 |
This volume focuses on the publisher's series as a cultural formation - a material artifact and component of cultural hierarchies. Contributors engage with archival research, cultural theory, literary and bibliometric analysis (amongst a range of other approaches) to contextualize the publisher's series in terms of its cultural and economic work.
| Author | : Patrick Scott Belk |
| Publisher | : Routledge |
| Total Pages | : 180 |
| Release | : 2017-05-08 |
| Genre | : Literary Criticism |
| ISBN | : 1317185048 |
At the turn of the twentieth century, the publishing industries in Britain and the United States underwent dramatic expansions and reorganization that brought about an increased traffic in books and periodicals around the world. Focusing on adventure fiction published from 1899 to 1919, Patrick Scott Belk looks at authors such as Joseph Conrad, H.G. Wells, Conan Doyle, and John Buchan to explore how writers of popular fiction engaged with foreign markets and readers through periodical publishing. Belk argues that popular fiction, particularly the adventure genre, developed in ways that directly correlate with authors’ experiences, and shows that popular genres of the late nineteenth and early twentieth centuries emerged as one way of marketing their literary works to expanding audiences of readers worldwide. Despite an over-determined print space altered by the rise of new kinds of consumers and transformations of accepted habits of reading, publishing, and writing, the changes in British and American publishing at the turn of the twentieth century inspired an exciting new period of literary invention and experimentation in the adventure genre, and the greater part of that invention and experimentation was happening in the magazines.
