Ravenous A Life Of Barbara Villiers Charles Iis Most Infamous Mistress
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Author | : Andrea Zuvich |
Publisher | : Pen and Sword History |
Total Pages | : 387 |
Release | : 2024-09-30 |
Genre | : Biography & Autobiography |
ISBN | : 1526769115 |
Barbara Villiers was a woman so beautiful, so magnetic and so sexually attractive that she captured the hearts of many in Stuart-era Britain. Her beauty is legendary: she became the muse of artists such as Peter Lely, the inspiration of writers such as John Dryden and the lover of John Churchill, the future great military leader whom we also know as the 1st Duke of Marlborough. Her greatest amorous conquest was King Charles II, King of England, Scotland, and Ireland, with whom she had a tempestuous and passionate relationship for the better part of a decade. But this loveliest of Stuart-era ladies had a dark side. She hurt and humiliated her husband, Roger Palmer, for decades with her unashamedly adulterous lifestyle, she plotted the ruin of her enemies, constantly gambled away vast sums of money, is remembered for the destruction of the Tudor-era Nonsuch Palace, and was known to unleash terrible rages when crossed. Crassly lampooned by John Wilmot, 2nd Earl of Rochester, and subjected to verbal and written assaults, she was physically abused by a later, violent spouse. Barbara lived through some of the most turbulent times in British history: civil war, the Great Plague of London, which saw the deaths of around 100,000 people, the Great Fire of London, which destroyed much of the medieval city, and foreign conflicts such as the Anglo-Dutch Wars, the Williamite wars, and the War of the Spanish Succession. An impoverished aristocrat who rose to become a wealthy countess and then a duchess, taking her lovers from all walks of life, Barbara laughed at the morals of her time and used her natural talents and her ruthless determination to the material benefit of herself and her numerous offspring. In great stately homes and castles such as Hampton Court Palace, her portraits are widely seen and appreciated even today. She had an insatiable appetite for life, love, riches, amusement, and power. She was simply ‘ravenous’…
Author | : Andrea Zuvich |
Publisher | : Pen and Sword History |
Total Pages | : 0 |
Release | : 2024-09-30 |
Genre | : Biography & Autobiography |
ISBN | : 9781526769107 |
Barbara Villiers was a woman so beautiful, so magnetic and so sexually attractive that she captured the hearts of many in Stuart-era Britain. Her beauty is legendary: she became the muse of artists such as Peter Lely, the inspiration of writers such as John Dryden and the lover of John Churchill, the future great military leader whom we also know as the 1st Duke of Marlborough. Her greatest amorous conquest was King Charles II, King of England, Scotland, and Ireland, with whom she had a tempestuous and passionate relationship for the better part of a decade. But this loveliest of Stuart-era ladies had a dark side. She hurt and humiliated her husband, Roger Palmer, for decades with her unashamedly adulterous lifestyle, she plotted the ruin of her enemies, constantly gambled away vast sums of money, is remembered for the destruction of the Tudor-era Nonsuch Palace, and was known to unleash terrible rages when crossed. Crassly lampooned by John Wilmot, 2nd Earl of Rochester, and subjected to verbal and written assaults, she was physically abused by a later, violent spouse. Barbara lived through some of the most turbulent times in British history: civil war, the Great Plague of London, which saw the deaths of around 100,000 people, the Great Fire of London, which destroyed much of the medieval city, and foreign conflicts such as the Anglo-Dutch Wars, the Williamite wars, and the War of the Spanish Succession. An impoverished aristocrat who rose to become a wealthy countess and then a duchess, taking her lovers from all walks of life, Barbara laughed at the morals of her time and used her natural talents and her ruthless determination to the material benefit of herself and her numerous offspring. In great stately homes and castles such as Hampton Court Palace, her portraits are widely seen and appreciated even today. She had an insatiable appetite for life, love, riches, amusement, and power. She was simply 'ravenous'...
Author | : Andrea Zuvich |
Publisher | : Pen and Sword History |
Total Pages | : 298 |
Release | : 2024-09-30 |
Genre | : Biography & Autobiography |
ISBN | : 1526769131 |
Barbara Villiers was a woman so beautiful, so magnetic and so sexually attractive that she captured the hearts of many in Stuart-era Britain. Her beauty is legendary: she became the muse of artists such as Peter Lely, the inspiration of writers such as John Dryden and the lover of John Churchill, the future great military leader whom we also know as the 1st Duke of Marlborough. Her greatest amorous conquest was King Charles II, King of England, Scotland, and Ireland, with whom she had a tempestuous and passionate relationship for the better part of a decade. But this loveliest of Stuart-era ladies had a dark side. She hurt and humiliated her husband, Roger Palmer, for decades with her unashamedly adulterous lifestyle, she plotted the ruin of her enemies, constantly gambled away vast sums of money, is remembered for the destruction of the Tudor-era Nonsuch Palace, and was known to unleash terrible rages when crossed. Crassly lampooned by John Wilmot, 2nd Earl of Rochester, and subjected to verbal and written assaults, she was physically abused by a later, violent spouse. Barbara lived through some of the most turbulent times in British history: civil war, the Great Plague of London, which saw the deaths of around 100,000 people, the Great Fire of London, which destroyed much of the medieval city, and foreign conflicts such as the Anglo-Dutch Wars, the Williamite wars, and the War of the Spanish Succession. An impoverished aristocrat who rose to become a wealthy countess and then a duchess, taking her lovers from all walks of life, Barbara laughed at the morals of her time and used her natural talents and her ruthless determination to the material benefit of herself and her numerous offspring. In great stately homes and castles such as Hampton Court Palace, her portraits are widely seen and appreciated even today. She had an insatiable appetite for life, love, riches, amusement, and power. She was simply ‘ravenous’…
Author | : Margaret Gilmour |
Publisher | : |
Total Pages | : 200 |
Release | : 1944 |
Genre | : |
ISBN | : |
Biography of Barbara Villiers, wife of Roger Palmer, the Earl of Castlemaine.
Author | : Margaret GILMOUR |
Publisher | : |
Total Pages | : 200 |
Release | : 1944 |
Genre | : |
ISBN | : |
Author | : Patricia Campbell Horton |
Publisher | : Avon Books |
Total Pages | : 452 |
Release | : 1977-09 |
Genre | : Fiction |
ISBN | : 9780380017133 |
Author | : John Aubrey |
Publisher | : Random House |
Total Pages | : 560 |
Release | : 2016-04-07 |
Genre | : Biography & Autobiography |
ISBN | : 1473521734 |
WITH AN INTRODUCTION BY RUTH SCURR John Aubrey was a modest man, a self-styled antiquarian and the man who invented modern biography. His ‘lives’ of the prominent figures of his generation and the Elizabethan era, including Shakespeare, Milton and Sir Walter Raleigh, have been plundered by historians for centuries for their frankness and fascinating detail. Collected here are all of Aubrey’s biographical writings, a series of unforgettable portraits of the characters of his day, still more alive and kicking than in any conventional work of history.
Author | : Leonida Caldesi |
Publisher | : |
Total Pages | : 220 |
Release | : 1864 |
Genre | : |
ISBN | : |
Author | : Allen Andrews |
Publisher | : |
Total Pages | : 266 |
Release | : 1971 |
Genre | : Biography & Autobiography |
ISBN | : |
Author | : Kevin Sharpe |
Publisher | : OUP Oxford |
Total Pages | : 384 |
Release | : 2008-07-03 |
Genre | : Literary Criticism |
ISBN | : 0191550892 |
Biography appears to thrive as never before; and there clearly remains a broad readership for literary biography. But the methods and approaches of recent criticism which have contributed rich insights and asked new questions about the ways in which we interrogate and appreciate literature have scarcely influenced biography. Biography as a form has been largely unaffected by either new critical or historical perspectives. For early-modern scholars the biographical model, fashioned as a stable form in the eighteenth century, has been, in some respects, a distorting lens onto early-modern lives. In the Renaissance and early-modern period rather the biography's organic and developmental narratives of a coherent subject, lives were written and represented in a bewildering array of textual sites and generic forms. And such lives were clearly imagined and written not to entertain or even simply to inform, but to edify and instruct, to counsel and polemicize. It is only when we understand how early moderns imagined and narrated lives, only that is through a full return to history and an exact historicizing, that we can newly conceive the meaning of those lives and begin to rewrite their histories free of the imperatives and teleologies of Enlightenment. In Writing Lives literary scholars, cultural critics, and historians of ideas and visual media, currently engaged both with early modern conceptions of the life and our own conceptualizing of the biographical project, reflect on the problems of writing lives from the various perspectives of their own research and in the form of case studies informed by new questions.