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| Author | : David Toop |
| Publisher | : |
| Total Pages | : 262 |
| Release | : 2000 |
| Genre | : History |
| ISBN | : |
Closing the circle examined in "Rap Attack" and "Rap Attack 2, " this book looks at the fatal shootings of Tupac Shakur and the Notorious B.I.G., gangsta rap overload, and the resultant upsurge of nostalgia for old-school hip-hop. 100 illustrations.
| Author | : David Toop |
| Publisher | : Serpents Tail |
| Total Pages | : 224 |
| Release | : 1991 |
| Genre | : Music |
| ISBN | : 9781852422431 |
Note: Revised, expanded and updated edition of "The Rap Attack" (first published in 1984). First edition published by Pluto Press.
| Author | : Shea Serrano |
| Publisher | : Abrams |
| Total Pages | : 639 |
| Release | : 2015-10-13 |
| Genre | : Music |
| ISBN | : 1613128193 |
A New York Times–bestselling, in-depth exploration of the most pivotal moments in rap music from 1979 to 2014. Here’s what The Rap Year Book does: It takes readers from 1979, widely regarded as the moment rap became recognized as part of the cultural and musical landscape, and comes right up to the present, with Shea Serrano hilariously discussing, debating, and deconstructing the most important rap song year by year. Serrano also examines the most important moments that surround the history and culture of rap music—from artists’ backgrounds to issues of race, the rise of hip-hop, and the struggles among its major players—both personal and professional. Covering East Coast and West Coast, famous rapper feuds, chart toppers, and show stoppers, The Rap Year Book is an in-depth look at the most influential genre of music to come out of the last generation. Picked by Billboard as One of the 100 Greatest Music Books of All-Time Pitchfork Book Club’s first selection
| Author | : William Eric Perkins |
| Publisher | : Temple University Press |
| Total Pages | : 292 |
| Release | : 1996 |
| Genre | : Biography & Autobiography |
| ISBN | : 9781566393621 |
Rap and hip hop, the music and culture rooted in African American urban life, bloomed in the late 1970s on the streets and in the playgrounds of New York City. This critical collection serves as a historical guide to rap and hip hop from its beginnings to the evolution of its many forms and frequent controversies, including violence and misogyny. These wide-ranging essays discuss white crossover, women in rap, gangsta rap, message rap, raunch rap, Latino rap, black nationalism, and other elements of rap and hip hop culture like dance and fashion. An extensive bibliography and pictorial profiles by Ernie Pannicolli enhance this collection that brings together the foremost experts on the pop culture explosion of rap and hip hop. Author note: William Eric Perkins is a Faculty Fellow at the W.E.B. DuBois House at the University of Pennsylvania, and an Adjunct Professor of Communications at Hunter College, City University of New York.
| Author | : Dan Charnas |
| Publisher | : Penguin |
| Total Pages | : 880 |
| Release | : 2011-11-01 |
| Genre | : Music |
| ISBN | : 1101568119 |
“There has never been a better book about hip-hop…a record-biz portrait that jumps off the page.”—A.V. Club The perfect read for music lovers and business aficionados alike, The Big Payback reveals the secret histories of the early long-shot successes of Sugar Hill Records and Grandmaster Flash, Run DMC’s crossover breakthrough on MTV, the marketing of gangsta rap, and the rise of artist/entrepreneurs like Jay-Z and Sean “Diddy” Combs. THE INSPIRATION FOR THE VH1 SERIES THE BREAKS The Big Payback takes readers from the first $15 made by a “rapping DJ” in 1970s New York to the multi-million-dollar sales of the Phat Farm and Roc-a-Wear clothing companies in 2004 and 2007. On this four-decade-long journey from the studios where the first rap records were made to the boardrooms where the big deals were inked, The Big Payback tallies the list of who lost and who won. 300 industry giants like Def Jam founders Rick Rubin and Russell Simmons gave their stories to renowned hip-hop journalist Dan Charnas, who provides a compelling, never-before-seen, myth-debunking view into the victories, defeats, corporate clashes, and street battles along the 40-year road to hip-hop’s dominance. INCLUDES PHOTOGRAPHS
| Author | : Peter John Dye |
| Publisher | : Naval Institute Press |
| Total Pages | : 287 |
| Release | : 2018-10-15 |
| Genre | : History |
| ISBN | : 1682473597 |
This is the first biography of Sir Robert Brooke-Popham, a key figure in the early development of airpower, whose significant and varied achievements have been overlooked because of his subsequent involvement in the fall of Singapore. It highlights Brooke-Popham’s role in developing the first modern military logistic system, the creation of the Royal Air Force Staff College and the organizational arrangements that underpinned Fighter Command’s success in the Battle of Britain. Peter Dye challenges longstanding views about performance as Commander-in-Chief Far East and, based on new evidence, offers a more nuanced narrative that sheds light on British and Allied preparations for the Pacific War, inter-service relations and the reasons for the disastrous loss of air and naval superiority that followed the Japanese attack. “The Man Who Took the Rap” highlights the misguided attempts at deterrence, in the absence of a coordinated information campaign, and the unprecedented security lapse that betrayed the parlous state of the Allied defenses.
| Author | : Murray Forman |
| Publisher | : Psychology Press |
| Total Pages | : 652 |
| Release | : 2004 |
| Genre | : Hip-hop |
| ISBN | : 9780415969192 |
Spanning 25 years of serious writing on hip-hop by noted scholars and mainstream journalists, this comprehensive anthology includes observations and critiques on groundbreaking hip-hop recordings.
| Author | : Russell A. Potter |
| Publisher | : State University of New York Press |
| Total Pages | : 212 |
| Release | : 1995-08-31 |
| Genre | : Social Science |
| ISBN | : 1438416393 |
Spectacular Vernaculars examines hip-hop's cultural rebellion in terms of its specific implications for postmodern theory and practice, using the politics of reception as its primary rhetorical ground. Hip-hop culture in general, and rap music in particular, present model sites for such an inquiry, since they enact both postmodern modes of production—the appropriation of tropes, technologies, and material culture—and a potential means of resistance to the commodification of cultural forms under late capitalism. By paying specific attention to the historical and cultural context of hip-hop as a black artform and locating its practice of resistance in terms of a postmodernist reading of consumer culture, this book offers a complex reading of hip-hop as a postmodern practice, with implications both for theories of postmodernism and cultural studies as a whole.
| Author | : David Foster Wallace |
| Publisher | : Back Bay Books |
| Total Pages | : 175 |
| Release | : 2013-07-23 |
| Genre | : Music |
| ISBN | : 0316401110 |
David Foster Wallace and Mark Costello's exuberant exploration of rap music and culture. Living together in Cambridge in 1989, David Foster Wallace and longtime friend Mark Costello discovered that they shared "an uncomfortable, somewhat furtive, and distinctively white enthusiasm for a certain music called rap/hip-hop." The book they wrote together, set against the legendary Boston music scene, mapped the bipolarities of rap and pop, rebellion and acceptance, glitz and gangsterdom. Signifying Rappers issued a fan's challenge to the giants of rock writing, Greil Marcus, Robert Palmer, and Lester Bangs: Could the new street beats of 1989 set us free, as rock had always promised? Back in print at last, Signifying Rappers is a rare record of a city and a summer by two great thinkers, writers, and friends. With a new foreword by Mark Costello on his experience writing with David Foster Wallace, this rerelease cannot be missed.
