Radio Sound Effects
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| Author | : Robert L. Mott |
| Publisher | : McFarland |
| Total Pages | : 308 |
| Release | : 2005-02-18 |
| Genre | : Performing Arts |
| ISBN | : 9780786422661 |
To today's radio listener, it is difficult to imagine the influence radio once held over the American people. Unlike movies or newspapers, radio both informed and entertained its audience without requiring them to participate. Part of its success depended upon the people who created the sound effects--a squeaking door, the approach of a horse, or a typewriter. The author did live sound effects during the "Golden Age" of radio. He provides many insights into the early days of the medium as it grappled with entertaining an audience based on a single sense (hearing). How the sounds were produced is fully covered as are the artists responsible for their production. Stories of successful effects production are balanced by embarrassing or funny failures. A list of artists and their shows is included.
| Author | : Robert L. Mott |
| Publisher | : McFarland |
| Total Pages | : 241 |
| Release | : 2014-07-11 |
| Genre | : Performing Arts |
| ISBN | : 0786494719 |
This work, first published in 1989, includes discussions of the history of sound effects, the different types of sound effects, creating sound effects from scratch, recording sounds in the studio and field, the advantages of live sounds over tape, knowing why and when to use sound effects, the difference between radio, TV and film sounds, Foleying and the Foley stage, and recording and editing equipment.
| Author | : United States. Office of Education. Educational Radio Script Exchange |
| Publisher | : |
| Total Pages | : 72 |
| Release | : 1938 |
| Genre | : Radio |
| ISBN | : |
| Author | : Robert L. Mott |
| Publisher | : McFarland |
| Total Pages | : 241 |
| Release | : 2014-06-26 |
| Genre | : Performing Arts |
| ISBN | : 1476615837 |
This work, first published in 1989, includes discussions of the history of sound effects, the different types of sound effects, creating sound effects from scratch, recording sounds in the studio and field, the advantages of live sounds over tape, knowing why and when to use sound effects, the difference between radio, TV and film sounds, Foleying and the Foley stage, and recording and editing equipment.
| Author | : Alec Nisbett |
| Publisher | : CRC Press |
| Total Pages | : 401 |
| Release | : 2003-07-07 |
| Genre | : Music |
| ISBN | : 1136116869 |
This classic work has inspired and informed a whole generation of artists and technicians working in all branches of the audio industry. Now in its seventh edition, The Sound Studio has been thoroughly revised to encompass the rapidly expanding range of possibilities offered by today's digital equipment. It now covers: the virtual studio; 5.1 surround sound; hard drive mixers and multichannel recorders; DVD and CD-RW. Alec Nisbett provides encyclopaedic coverage of everything from acoustics, microphones and loudspeakers, to editing, mixing and sound effects, as well as a comprehensive glossary. Through its six previous editions, The Sound Studio has been used for over 40 years as a standard work of reference on audio techniques. For a new generation, it links all the best techniques back to their roots: the unchanging guiding principles that have long been observed over a wide range of related media and crafts. The Sound Studio is intended for anyone with a creative or technical interest in sound - for radio, television, film and music recording - but has particularly strong coverage of audio in broadcasting, reflecting the author's prolific career.
| Author | : Ric Viers |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2014-04 |
| Genre | : Performing Arts |
| ISBN | : 9781615932047 |
Introduction - What is a sound effect? - The science of sound - The microphone - Mocrophone models and applications - Microphone accessories - Recorders - Building a field recording package - The ten recording commandments - Sound effects gathering - Building a Foley Stage for a home studio - The art of Foley - Digital audio - Studio equipment - Designing your own studio - The ten sound editing commandments - File naming and metadata - Sound design - The sound effects encyclopedia - The future of sound design - Resources.
| Author | : Christopher H. Sterling |
| Publisher | : Routledge |
| Total Pages | : 965 |
| Release | : 2010-04-12 |
| Genre | : History |
| ISBN | : 1135176841 |
The Concise Encyclopedia of American Radio is an essential single-volume reference guide to this vital and evolving medium. Comprised of more than 300 entries spanning the invention of radio to the Internet, this refernce work addresses personalities, music genres, regulations, technology, programming and stations, the "golden age" of radio and other topics relating to radio broadcasting throughout its history. The entries are updated throughout and the volume includes nine new entries on topics ranging from podcasting to the decline of radio.
| Author | : Christopher H. Sterling |
| Publisher | : Routledge |
| Total Pages | : 3166 |
| Release | : 2004-03-01 |
| Genre | : Reference |
| ISBN | : 1135456488 |
Produced in association with the Museum of Broadcast Communications in Chicago, the Encyclopedia of Radio includes more than 600 entries covering major countries and regions of the world as well as specific programs and people, networks and organizations, regulation and policies, audience research, and radio's technology. This encyclopedic work will be the first broadly conceived reference source on a medium that is now nearly eighty years old, with essays that provide essential information on the subject as well as comment on the significance of the particular person, organization, or topic being examined.
| Author | : Ronald Redvers Lowdermilk |
| Publisher | : |
| Total Pages | : 102 |
| Release | : 1941 |
| Genre | : Radio |
| ISBN | : |
| Author | : Katherine Barnes Echols |
| Publisher | : McFarland |
| Total Pages | : 216 |
| Release | : 2024-08-30 |
| Genre | : Performing Arts |
| ISBN | : 1476667047 |
Before stories of King Arthur and Robin Hood were adapted and readapted for film, television and theater, radio scriptwriters looking for material turned to Thomas Malory's Le Morte Darthur (1485) and Howard Pyle's The Merry Adventures of Robin Hood (1883). Throughout the 1930s to the mid-1950s, their legends inspired storylines for Abbott and Costello, Popeye, Let's Pretend, Escape, Gunsmoke, The Adventures of Superman and others. Many of these adaptations reflect the moral and ethical questions of the day, as characters' faced issues of gender relations, divorce, citizenship, fascism, crime and communism in a medieval setting.
