Beethoven's Theatrical Quartets

Beethoven's Theatrical Quartets
Author: Nancy November
Publisher: Cambridge University Press
Total Pages: 297
Release: 2013
Genre: Music
ISBN: 1107035457

The first detailed contextual study of Beethoven's middle-period quartets, encompassing reception history, early performance practices, aesthetic contexts and theatrical impetus.

The Pro Arte Quartet

The Pro Arte Quartet
Author: John W. Barker
Publisher: Boydell & Brewer
Total Pages: 368
Release: 2017
Genre: Biography & Autobiography
ISBN: 158046906X

An engaging window into a century of musical life, as seen in the history of the Pro Arte String Quartet, first organized in 1912 and still performing today.

Contemporary Orchestration

Contemporary Orchestration
Author: R.J. Miller
Publisher: Routledge
Total Pages: 786
Release: 2014-12-17
Genre: Music
ISBN: 1317806247

Contemporary Orchestration: A Practical Guide to Instruments, Ensembles, and Musicians teaches students how to orchestrate for a wide variety of instruments, ensembles, and genres, while preparing them for various real-world professional settings ranging from the concert hall to the recording studio. Unlike most orchestration texts, it includes coverage of contemporary instruments and ensembles alongside traditional orchestra and chamber ensembles. Features Practical considerations: Practical suggestions for choosing a work to orchestrate, and what to avoid when writing for each instrument. Pedagogical features In the Profession: Professional courtesies, considerations and expectations. Building the Score: Step-by-step construction of an orchestration. Scoring Examples: Multiple scoring examples for each instrument. Exercises: Analyzing, problem solving, and creating orchestration solutions. Critical Thinking: Alternate approaches and solutions.

The Essential Canon of Classical Music

The Essential Canon of Classical Music
Author: David Dubal
Publisher: Macmillan
Total Pages: 796
Release: 2003-10-24
Genre: Music
ISBN: 9780865476646

Identifies almost two hundred forty composers whose works are most important to an understanding of classical music, with essays on sixty of the most significant. Presented in chronological order for the Medieval, Renaissance, and Elizabethan ages, the age of the Baroque, the age of Classicism, the Romantic age, and the age of Modernism.

Heinrich Schenker

Heinrich Schenker
Author: Benjamin Ayotte
Publisher: Routledge
Total Pages: 344
Release: 2020-08-11
Genre: Music
ISBN: 1000101258

This book consists of over 1,500 citations to both primary sources and the burgeoning secondary literature of Heinrich Schenker, annotated and subdivided by category. The citations are supplemented with indices cross-referencing entries according to individual works and analytical topic.

Sonata Forms

Sonata Forms
Author: Charles Rosen
Publisher: W. W. Norton & Company
Total Pages: 438
Release: 1988
Genre: Music
ISBN: 9780393302196

"Nobody writes better about music .... again and again, unerring insight into just the features that make the music special and fine."--The New York Review of Books

Music Fundamentals for Dance

Music Fundamentals for Dance
Author: Nola Nolen Holland
Publisher: Human Kinetics
Total Pages: 138
Release: 2013-01-23
Genre: Performing Arts
ISBN: 149258133X

Music Fundamentals for Dance provides students with a fundamental understanding of music and how it applies to dance performance, composition, and teaching. This valuable reference helps professional choreographers, dance educators, and dancers expand their knowledge of music and understand the relationships between music and dance. Fundamentals of Music for Dance helps dancers understand of the elements of music—form and structure, musical time, melody, texture, and score reading—and how they relate to dance performance and choreography. They will learn music vocabulary for easier communication with other dancers, musicians, and conductors. Overviews of musical forms, styles, and genres are complemented by an examination of their relation to dance and choreography. Each chapter ends with exercises, activities, and projects that offer students a range of active learning experiences to connect music fundamentals to their dance training. An accompanying web resource contains these features: • Extended learning activities and support materials, including practice opportunities combining music skills with dance or choreography, chapter summaries, a glossary, websites, and handouts to help students practice music skills • Music clips on the website offer ready-made examples, which students can use in applying concepts from the book Written by an experienced dance educator, dancer, and choreographer, Music Fundamentals for Dance is the only current text that explains essential concepts of music and examines these concepts in relation to dance performance, composition, and teaching. By providing readers with a foundation of music knowledge, Music Fundamentals for Dance assists both future and current professionals in understanding the art form that will enhance their contributions as performers, choreographers, and educators.

A Practical Approach to 18th Century Counterpoint

A Practical Approach to 18th Century Counterpoint
Author: Robert Gauldin
Publisher: Waveland Press
Total Pages: 351
Release: 2013-03-04
Genre: Music
ISBN: 1478608765

Practical work in writing counterpoint! This volume emphasizes developing analytical and writing skills in the contrapuntal technique of the eighteenth century. The orientation is strongly stylistic, dealing mainly with the polyphony of the late Baroque period. Three aspects are stressed throughout: practical work in writing counterpoint, utilizing various textures, devices, and genre of the period; historical background, to establish the origins of different forms and justify the pedagogical method employed here; analysis of selections from music literature, often in voice-leading reductions. After an opening chapter that reviews some general features of the late Baroque period, there is a brief survey of melodic characteristics, and a study of procedures associated with two, three, and four voices.