String Quartets

String Quartets
Author: Mara Parker
Publisher: Routledge
Total Pages: 514
Release: 2013-05-13
Genre: Music
ISBN: 1135848343

This research guide is an annotated bibliography of sources dealing with the string quartet. This second edition is organized as in the original publication (chapters for general references, histories, individual composers, aspects of performance, facsimiles and critical editions, and miscellaneous topics) and has been updated to cover research since publication of the first edition. Listings in the previous volume have been updated to reflect the burgeoning interest in this genre (social aspects, newly issued critical editions, doctoral dissertations). It also offers commentary on online links, databases, and references.

The Four and the One

The Four and the One
Author: David Rounds
Publisher:
Total Pages: 222
Release: 1999
Genre: Biography & Autobiography
ISBN:

Spotlighting the four women of the Lafayette Quartet, a leading Canadian ensemble, Rounds offers both a comprehensive history of the beloved instrumental form and an inside view of the complex world of professional quartet players, revealing the exultation and heatache that are the performing artists' daily fare. A treat for every music lover, whether player, listener or composer.

Hensel: String Quartet in E flat

Hensel: String Quartet in E flat
Author: Benedict Taylor
Publisher: Cambridge University Press
Total Pages: 133
Release: 2023-11-30
Genre: Music
ISBN: 1009084399

The String Quartet in E flat major (1834) by Fanny Hensel, née Mendelssohn, is one of the most important works by a female composer written in the nineteenth century. Composed at a turning point in her life (as Hensel was not only grappling with her own creative voice but also coming to terms with her identity as a married woman, and the role her family expected of her), the quartet is significant in showing a woman composing in a genre that was then almost exclusively the domain of male artists. Benedict Taylor's illuminating book situates itself within developing scholarly discourse on the music of women composers, going beyond apologetics – or condemnation of those who hindered their development – to examine the strength and qualities of the music and how it responded to the most progressive works of the period.

Music of the Great Composers

Music of the Great Composers
Author: Patrick Kavanaugh
Publisher: Zondervan
Total Pages: 280
Release: 1996
Genre: Biography & Autobiography
ISBN: 0310208076

A unique guide to enhance and enrich your enjoyment of classical music, this book is for music lovers who want to better understand the works of the masters.

Nineteenth-Century Chamber Music

Nineteenth-Century Chamber Music
Author: Stephen Hefling
Publisher: Routledge
Total Pages: 454
Release: 2004-03-01
Genre: Music
ISBN: 1135887616

Nineteenth Century Chamber Music proceeds chronologically by composer, beginning with the majestic works of Beethoven, and continuing through Schubert, Spohr and Weber, Mendelssohn, Schumann, Brahms, the French composers, Smetana and Dvorák, and the end-of-the-century pre-modernists. Each chapter is written by a noted authority in the field. The book serves as a general introduction to Romantic chamber music, and would be ideal for a seminar course on the subject or as an adjunct text for Introduction to Romantic Music courses. Plus, musicologists and students of 19th century music will find this to be an invaluable resource.

Chamber Music

Chamber Music
Author: Mark A. Radice
Publisher: University of Michigan Press
Total Pages: 384
Release: 2012-01-19
Genre: Music
ISBN: 0472028111

Intended for the music student, the professional musician, and the music lover, Chamber Music: An Essential History covers repertoire from the Renaissance to the present, crossing genres to include string quartets, piano trios, clarinet quintets, and other groupings. Mark A. Radice gives a thorough overview and history of this long-established and beloved genre, typically performed by groups of a size to fit into spaces such as homes or churches and tending originally toward the string and wind instruments rather than percussion. Radice begins with chamber music's earliest expressions in the seventeenth century, discusses its most common elements in terms of instruments and compositional style, and then investigates how those elements play out across several centuries of composers- among them Mozart, Bach, Haydn, and Brahms- and national interpretations of chamber music. While Chamber Music: An Essential History is intended largely as a textbook, it will also find an audience as a companion volume for musicologists and fans of classical music, who may be interested in the background to a familiar and important genre.