Quartet, B Flat Major, Op. 40, No. 3
Author | : Franz Danzi |
Publisher | : |
Total Pages | : 66 |
Release | : 1960 |
Genre | : Quartets (Bassoon, violin, viola, cello) |
ISBN | : |
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Author | : Franz Danzi |
Publisher | : |
Total Pages | : 66 |
Release | : 1960 |
Genre | : Quartets (Bassoon, violin, viola, cello) |
ISBN | : |
Author | : John Ireland |
Publisher | : |
Total Pages | : 62 |
Release | : 1923 |
Genre | : Orchestral music |
ISBN | : |
Author | : Grosvenor W. Cooper |
Publisher | : University of Chicago Press |
Total Pages | : 232 |
Release | : 1963-04-15 |
Genre | : Music |
ISBN | : 9780226115221 |
In this book, the authors develop a theoretical framework based on a Gestalt approach, viewing rhythmic experience in terms of pattern perception or groupings. Musical examples of increasing complexity are used to provide training in the analysis, performance, and writing of rhythm.
Author | : James M. Keller |
Publisher | : Oxford University Press, USA |
Total Pages | : 518 |
Release | : 2011 |
Genre | : Music |
ISBN | : 0195382536 |
Oxford's highly successful listener's guides--The Symphony, The Concerto, and Choral Masterworks--have been widely praised for their blend of captivating biography, crystal clear musical analysis, and delightful humor. Now James Keller follows these greatly admired volumes with Chamber Music. Approaching the tradition of chamber music with knowledge and passion, Keller here serves as the often-opinionated but always genial guide to 192 essential works by 56 composers, providing illuminating essays on what makes each piece distinctive and admirable. Keller spans the history of this intimate genre of music, from key works of the Baroque through the emotionally stirring "golden age" of the Classical and Romantic composers, to modern masterpieces rich in political, psychological, and sometimes comical overtones. For each piece, from Bach through to contemporary figures like George Crumb and Steve Reich, the author includes an astute musical analysis that casual music lovers can easily appreciate yet that more experienced listeners will find enriching. Keller shares the colorful, often surprising stories behind the compositions while revealing the delights of an art form once described by Goethe as the musical equivalent of "thoughtful people conversing."
Author | : Michael Talbot |
Publisher | : Oxford Monographs on Music |
Total Pages | : 272 |
Release | : 2001 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780198166955 |
The knowledge that finales are by tradition (and perhaps also necessarily) 'different' from other movements has been around a long time, but this is the first time that the special nature of finales in instrumental music has been examined comprehensively and in detail. Three main types offinale, labelled 'relaxant', 'summative', and 'valedictory', are identified. Each type is studied closely, with a wealth of illustration and analytical commentary covering the entire period from the Renaissance to the present day. The history of finales in five important genres -- suite, sonata,string quartet, symphony, and concerto -- is traced, and the parallels and divergences between these traditions are identified. Several wider issues are mentioned, including narrativity, musical rounding, inter-movement relationships, and the nature of codas. The book ends with a look at thefinales of all Shostakovich's string quartets, in which examples of most of the types may be found.
Author | : Siegwart Reichwald |
Publisher | : Indiana University Press |
Total Pages | : 274 |
Release | : 2008-09-25 |
Genre | : Music |
ISBN | : 0253002613 |
Exploring many aspects of Felix Mendelssohn's multi-faceted career as musician and how it intersects with his work as composer, contributors discuss practical issues of music making such as performance space, instruments, tempo markings, dynamics, phrasings, articulations, fingerings, and instrument techniques. They present the conceptual and ideological underpinnings of Mendelssohn's approach to performance, interpretation, and composing through the contextualization of specific performance events and through the theoretic actualization of performances of specific works. Contributors rely on manuscripts, marked or edited scores, and performance parts to convey a deeper understanding of musical expression in 19th-century Germany. This study of Mendelssohn's work as conductor, pianist, organist, violist, accompanist, music director, and editor of old and new music offers valuable perspectives on 19th-century performance practice issues.
Author | : Leander Jan De Bekker |
Publisher | : London : A. & C. Black, Limited |
Total Pages | : 784 |
Release | : 1924 |
Genre | : Encyclopedias and dictionaries |
ISBN | : |
Author | : Novello, Ewer and Co., firm, music publishers, London & New York |
Publisher | : |
Total Pages | : 302 |
Release | : 1890 |
Genre | : Music |
ISBN | : |
Author | : Modeste Tchaikovsky |
Publisher | : The Minerva Group, Inc. |
Total Pages | : 824 |
Release | : 2004-09 |
Genre | : Biography & Autobiography |
ISBN | : 9781410216120 |
The present volume, translated from the monumental Russian biography by the composer's brother, is the result of a careful selection of material. The leading idea which the editor has kept in view has been to preserve as far as possible the autobiographical character of the book, preferring to let Tchaikovsky himself tell the story of his life. This title is cited and recommended by Books for College Libraries. The editor and translator, Rosa Newmarch, was a well-known of English music writer and annotator, and a President of the Royal College of Music. She is also the author of Tchaikovksy: His Life and Works.