Quarter Notes And Bank Notes
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Author | : F. M. Scherer |
Publisher | : Princeton University Press |
Total Pages | : 277 |
Release | : 2018-06-05 |
Genre | : Music |
ISBN | : 0691188092 |
In 1700, most composers were employees of noble courts or the church. But by the nineteenth century, Chopin, Schumann, Brahms, Verdi, and many others functioned as freelance artists teaching, performing, and selling their compositions in the private marketplace. While some believe that Mozart's career marks a clean break between these two periods, this book tells the story of a more complex and interesting transition. F. M. Scherer first examines the political, intellectual, and economic roots of the shift from patronage to a freelance market. He describes the eighteenth-century cultural "arms race" among noble courts, the spread of private concert halls and opera houses, the increasing attendance of middle-class music lovers, and the founding of conservatories. He analyzes changing trends in how composers acquired their skills and earned their living, examining such impacts as demographic developments and new modes of transportation. The book offers insight into the diversity of composers' economic aspirations, the strategies through which they pursued success, the burgeoning music publishing industry, and the emergence of copyright protection. Scherer concludes by drawing some parallels to the economic state of music composition in our own times. Written by a leading economist with an unusually broad knowledge of music, this fascinating account is directed toward individuals intrigued by the world of classical composers as well as those interested in economic history or the role of money in art.
Author | : F. M. Scherer |
Publisher | : Princeton University Press |
Total Pages | : 277 |
Release | : 2012-06-24 |
Genre | : Music |
ISBN | : 0691155461 |
"The book offers insight into the diversity of composers' economic aspirations, the strategies through which they pursued such success, the burgeoning music publishing industry, and the emergence of copyright protection. This account is directed toward individuals intrigued by the world of classical composers as well as those interested in economic history of the role of money in art."--Jacket.
Author | : GWYNNE AND DAY. |
Publisher | : |
Total Pages | : 150 |
Release | : 1859 |
Genre | : |
ISBN | : |
Author | : Australia. Commonwealth Bureau of Census and Statistics. New South Wales Office |
Publisher | : |
Total Pages | : 1168 |
Release | : 1912 |
Genre | : Mineral industries |
ISBN | : |
Included also as a part of some vols. of the office's annual Statistical register until it ceased publication with vol. for 1954/55.
Author | : Joshua R. Greenberg |
Publisher | : University of Pennsylvania Press |
Total Pages | : 256 |
Release | : 2020-07-10 |
Genre | : History |
ISBN | : 0812252241 |
The colorful history of paper money before the Civil War Before Civil War greenbacks and a national bank network established a uniform federal currency in the United States, the proliferation of loosely regulated banks saturated the early American republic with upwards of 10,000 unique and legal bank notes. This number does not even include the plethora of counterfeit bills and the countless shinplasters of questionable legality issued by unregulated merchants, firms, and municipalities. Adding to the chaos was the idiosyncratic method for negotiating their value, an often manipulative face-to-face discussion consciously separated from any haggling over the price of the work, goods, or services for sale. In Bank Notes and Shinplasters, Joshua R. Greenberg shows how ordinary Americans accumulated and wielded the financial knowledge required to navigate interpersonal bank note transactions. Locating evidence of Americans grappling with their money in fiction, correspondence, newspapers, printed ephemera, government documents, legal cases, and even on the money itself, Greenberg argues Americans, by necessity, developed the ability to analyze the value of paper financial instruments, assess the strength of banking institutions, and even track legislative changes that might alter the rules of currency circulation. In his examination of the doodles, calculations, political screeds, and commercial stamps that ended up on bank bills, he connects the material culture of cash to financial, political, and intellectual history. The book demonstrates that the shift from state-regulated banks and private shinplaster producers to federally authorized paper money in the Civil War era led to the erasure of the skill, knowledge, and lived experience with banking that informed debates over economic policy. The end result, Greenberg writes, has been a diminished public understanding of how currency and the financial sector operate in our contemporary era, from the 2008 recession to the rise of Bitcoin.
Author | : Timothy Cunningham |
Publisher | : |
Total Pages | : 562 |
Release | : 1761 |
Genre | : Arbitrage |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 1352 |
Release | : 1907 |
Genre | : New South Wales |
ISBN | : |
Author | : Timothy Cunningham |
Publisher | : |
Total Pages | : 572 |
Release | : 1761 |
Genre | : |
ISBN | : |
Author | : New South Wales. Bureau of Statistics and Economics |
Publisher | : |
Total Pages | : 1164 |
Release | : 1903 |
Genre | : New South Wales |
ISBN | : |
Author | : William Thomson |
Publisher | : |
Total Pages | : 702 |
Release | : 1921 |
Genre | : Banking law |
ISBN | : |