Pushkins Dramas In Russian Music
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A History of Russian Music
Author | : Francis Maes |
Publisher | : Univ of California Press |
Total Pages | : 468 |
Release | : 2006-02-20 |
Genre | : Music |
ISBN | : 0520248252 |
Introduces the general public to the scholarly debate that has revolutionized Russian music history over the past two decades. Summarizes the new view of Russian music and provides an overview of the relationships between artistic movements and political ideas.
Pushkin
Author | : The U. S. S. R. Society for Cultural Rel |
Publisher | : The Minerva Group, Inc. |
Total Pages | : 284 |
Release | : 2002 |
Genre | : Biography & Autobiography |
ISBN | : 9780898759174 |
"He is the greatest artist in the world, the beginning of all the beginnings of Russian literature. He was the founder of our poetry, and always the teacher of all us." -- Maxim Gorky"He will always remain great, an exemplary master of poetry, and teacher of art. His poetry possessed the peculiar virtue of being able to develop in people a sense of artistic refinement and a sense of humanity... The time will come when he will be held up in Russia as a classical poet, whose works will guide the formation and development of not only the aesthetic but also the moral sense." -- Vissarion BelinskyThe time Belinsky predicted in 1846 has come, for the world.
Alexander Pushkin's Little Tragedies
Author | : Svetlana Evdokimova |
Publisher | : Univ of Wisconsin Press |
Total Pages | : 412 |
Release | : 2003 |
Genre | : Drama |
ISBN | : 9780299190248 |
Alexander Pushkin's four compact plays, later known as The Little Tragedies, were written at the height of the author's creative powers, and their influence on many Russian and Western writers cannot be overestimated. Yet Western readers are far more familiar with Pushkin's lyrics, narrative poems, and prose than with his drama. The Little Tragedies have received few translations or scholarly examinations. Setting out to redress this and to reclaim a cornerstone of Pushkin's work, Evodokimova and her distinguished contributors offer the first thorough critical study of these plays. They examine the historical roots and connective themes of the plays, offer close readings, and track the transformation of the works into other genres. This volume includes a significant new translation by James Falen of the plays-"The Covetous Knight," "Mozart and Salieri," "The Stone Guest," and "A Feast in Time of Plague."
Pushkin
Author | : Jonathan Leaf |
Publisher | : |
Total Pages | : |
Release | : 2021-05 |
Genre | : |
ISBN | : 9781955389006 |
Based on the actual events of the last years of the life of the part-black Russian romantic poet, "Pushkin" combines the dramatic intensity of a Shakespearean tragedy with an unadorned poetic style alike to that of Frost or Yeats. First performed in New York in 2018, it received a series of rave reviews hailing it as a modern classic. The Wall Street Journal picked it as one of the four best plays of the year along with new dramas by Oscar winners Tom Stoppard and Martin McDonagh and two-time Pulitzer winner Lynn Nottage while First Things magazine called it "an extraordinary achievement...a work that will stand the test of time."
Historical Dictionary of Russian Music
Author | : Daniel Jaffé |
Publisher | : Rowman & Littlefield |
Total Pages | : 563 |
Release | : 2022-02-15 |
Genre | : Music |
ISBN | : 1538130084 |
Russian music today has a firm hold around the world in the repertoire of opera houses, ballet companies, and orchestras. The music of Pyotr Tchaikovsky, Nikolai Rimsky-Korsakov, Sergey Rachmaninov, Sergey Prokofiev, and Dmitri Shostakovich is very much today’s lingua franca both in the concert hall and on the soundtracks of international blockbusters from Hollywood. Meanwhile, the innovations of Modest Musorgsky, Alexander Borodin, and Igor Stravinsky have played their crucial role in the development of Western music, influencing the work of virtually every notable composer of the past century. Historical Dictionary of Russian Music, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 600 cross-referenced entries for each of Russia’s major performing organizations and performance venues, and on specific genres such as ballet, film music, symphony and church music. This book is an excellent resource for students, researchers, and anyone wanting to know more about Russian Music.
Two Hundred Years of Pushkin
Author | : Joe Andrew |
Publisher | : Rodopi |
Total Pages | : 242 |
Release | : 2003 |
Genre | : Literary Criticism |
ISBN | : 9789042009585 |
Pushkin's status as Russia's national poet rests as much on the breadth of his cultural influence as on the intrinsic quality of his works. Pushkin's Legacy reflects in various ways the areas in which this influence has been felt. Part I considers some of the key factors in defining Pushkin for posterity, in particular the crucial role played by the critic Belinskii and the problematics of periodising Pushkin. Part II examines the richness of Pushkin's poetics, including the ways in which his work challenged the established boundaries between poetry and prose. Part III examines Russian music's debt to Pushkin and vice versa: Russian music's role in popularising his works. Part IV examines Pushkin's influence abroad via studies of his influence on Mérimée and Henry James and, on a more personal level, through his descendants in England. Pushkin's Legacy offers a variety of approaches to Pushkin and his oeuvre and to the nature of his complex impact on Russian and European culture. Pushkin's Legacy is the third volume devoted to Pushkin to be published in the SSLP series, under the general title Two Hundred Years of Pushkin. It follows volume I, Pushkin's Secret: Russian Writers Reread and Rewrite Pushkin, and volume II, Alexander Pushkin: Myth and Monument.
On Russian Music
Author | : Richard Taruskin |
Publisher | : Univ of California Press |
Total Pages | : 416 |
Release | : 2009 |
Genre | : Biography & Autobiography |
ISBN | : 0520268067 |
This volume gathers 36 essays by one of the leading scholars in the study of Russian music. An extensive introduction lays out the main issues and a justification of Taruskin's approach, seen both in the light of his intellectual development and in that of the changing intellectual environment.