Public Sculpture Of North East England
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| Author | : Paul Usherwood |
| Publisher | : |
| Total Pages | : 402 |
| Release | : 2000 |
| Genre | : Art |
| ISBN | : |
Documents some 450 public monuments and sculptures of the northeast of England. Entries on each piece contain bandw photos and details on materials, physical conditions, ownership and commissioning, and use and interpretation at various times in history. From this emerges a picture both of the development of public sculpture and monuments in the region and of the contribution these objects make to ideas of local identity. Material is arranged geographically. Includes bandw maps, a glossary, introductory essays, and brief biographies of sculptors and architects. Distributed by ISBS. Annotation copyrighted by Book News Inc., Portland, OR
| Author | : George Thomas Noszlopy |
| Publisher | : Liverpool University Press |
| Total Pages | : 371 |
| Release | : 2005-01-01 |
| Genre | : Art |
| ISBN | : 0853239894 |
The "Black Country" is an area historically known as the cradle of the Industrial Revolution—a thriving regioin built around deep coal seams, conjuring up images of fiery red furnaces by night and black, sooty citadels by day. Yet today the resource-rich region also features many striking public sculptures. This volume provides a comprehensive catalog to all of the historic sculptures and public monuments in Staffordshire and the Black Country. George Noszlopy and Fiona Waterhouse catalog each individual sculpture in detail, including information about the sculptor, the sculpture's historical and artistic significance, the commissioning agent, and the date of installation. The volume also features 350 black-and-white photographs that document the diverse and rich beauty of the region's public monuments. The ninth volume in the widely acclaimed, award-winning Public Sculpture of Britain series, Public Sculpture of Staffordshire and the Black Country is an invaluable resource for British historians, art scholars, and travelers alike.
| Author | : GabrielN. Gee |
| Publisher | : Routledge |
| Total Pages | : 464 |
| Release | : 2017-07-05 |
| Genre | : Art |
| ISBN | : 135157552X |
Based on rare archival material and numerous interviews with practitioners, Art in the North of England 1979-2008 analyses the relation between political and economic changes stemming from the 1980s and artistic developments in the principal cities of the North of England in the late 20th century. Looking in particular at the art scenes of Liverpool, Manchester, Leeds, Sheffield and Newcastle, Gabriel Gee unveils a set of powerful aesthetic reactions to industrial change and urban reconstruction during this period on the part of artists including John Davies, Pete Clarke, the Amber collective, Richard Wilson, Karen Watson, Nick Crowe & Ian Rawlinson, John Kippin, and the contribution of organisations such as Projects UK/Locus +, East Street Arts, the Henry Moore Sculpture Trust and the Bluecoat Gallery in Liverpool. While the geographical focus of this study is highly specific, a key concern throughout is the relationship between regional, national and international artistic practices and identities. Of interest to all scholars and students concerned with the developments of British art in the second half of the 20th century, the study is also of direct pertinence to observers of global narratives, which are here described and analysed through the concept of trans-industriality.
| Author | : Terry Wyke |
| Publisher | : Liverpool University Press |
| Total Pages | : 533 |
| Release | : 2004-01-01 |
| Genre | : History |
| ISBN | : 0853235678 |
Public Sculpture of Greater Manchester is a complete catalog and illustrated guide to all of Greater Manchester's public sculptures and monuments. Manchester historian Terry Wyke provides detailed individual entries for each sculpture featured, including information about the artist and the commissioning agent, date of installation, and the sculpture's historical and artistic significance. More than 350 black-and-white photographs reveal the diversity and beauty of Manchester's many public monuments. The eighth volume in Liverpool University Press's highly acclaimed and prize-winning Public Sculpture of Britain series, Public Sculpture of Greater Manchester will be an incomparable resource for both armchair and actual travelers, as well as for English historians and art scholars alike. "These are excellent volumes in an outstanding and continuing series, one of the most original and important such projects under way. They set an international standard for the recording and publication of public sculpture."—Judging panel, 2003 William MB Berger Prize for British Art History, on the Public Sculpture of Britain series
| Author | : Patrick Eyres |
| Publisher | : Routledge |
| Total Pages | : 197 |
| Release | : 2017-07-05 |
| Genre | : Art |
| ISBN | : 1351549588 |
Although the integration of sculpture in gardens is part of a long tradition dating back at least to antiquity, the sculptures themselves are often overlooked, both in the history of art and in the history of the garden. This collection of essays considers the changing relationship between sculpture and gardens over the last three centuries, focusing on four British archetypes: the Georgian landscape garden, the Victorian urban park, the outdoor spaces of twentieth-century modernism and the late-twentieth-century sculpture park. Through a series of case studies exploring the contemporaneous audiences of gardens, the book uncovers the social, political and gendered messages revealed by sculpture's placement and suggests that the garden can itself be read as a sculptural landscape.
| Author | : Helen Berry |
| Publisher | : Routledge |
| Total Pages | : 263 |
| Release | : 2019-07-16 |
| Genre | : History |
| ISBN | : 1351947869 |
Historians of the long eighteenth century have recently recognised that this period is central both to the history of cultural production and consumption and to the history of national and regional identity. Yet no book has, as yet, directly engaged with these two areas of interest at the same time. By uniting interest in the history of culture with the history of regional identity, Creating and Consuming Culture in North-East England, 1660-1830 is of crucial importance to a wide range of historians and intervenes in a number of highly important historical and conceptual debates in a timely and provocative way. The book makes a substantial contribution to eighteenth-century studies. Not only do these essays demonstrate that in thinking about cultural production and consumption in the eighteenth century there are important continuities as well as changes that need to be considered, but also they complicate the commonplace assumption of metropolitan-led cultural change and cultural innovation. Rather than the usual model of centre-periphery diffusion, a number of contributions show that cultural change in the provinces was happening at the same time as in, or in some cases even before, London. The essays also indicate the complex relationship between cultural consumption and social status, with some cultural forms being more inclusive than others.
| Author | : Guy Hinton |
| Publisher | : Springer Nature |
| Total Pages | : 305 |
| Release | : 2021-09-17 |
| Genre | : History |
| ISBN | : 3030785939 |
This book examines a diverse set of civic war memorials in North East England commemorating three clusters of conflicts: the Crimean War and Indian Rebellion in the 1850s; the ‘small wars’ of the 1880s; and the Boer War from 1899 to 1902. Encompassing a protracted timeframe and embracing disparate social, political and cultural contexts, it analyses how and why war memorials and commemorative practices changed during this key period of social transition and imperial expansion. In assessing the motivations of the memorial organisers and the narratives they sought to convey, the author argues that developments in war commemoration were primarily influenced by – and reflected – broader socio-economic and political transformations occurring in nineteenth-century and early-twentieth century Britain.
| Author | : Jonathan P. Harris |
| Publisher | : Liverpool University Press |
| Total Pages | : 228 |
| Release | : 2004-01-01 |
| Genre | : Art |
| ISBN | : 9780853237396 |
From the phenomenally successful new Tate Modern to the DIA: Beacon and Liverpool Biennial, contemporary visual art seems more than ever enmeshed in prominent public institutions and new forms of patronage, whether public commissions or corporate sponsorships. In Art, Money, Parties, renowned figures from the art world--including artists, dealers, and gallery owners--join scholars to consider these new institutional faces of contemporary art, their influence on art and artists, and how they affect the future of art. The essays in this collection, which originated at a conference organized by Tate Liverpool and the University of Liverpool, offer frequently contentious positions on the role of new institutions and patronage in the world of contemporary art. For example, while Liverpool Biennial director Lewis Biggs delivers a fairly optimistic assessment of the state of contemporary art, scholar Paul Usherwood unleashes a scathing critique of recent public art commissions. From opposing perspectives, gallery owner Sadie Coles reviews the history of her own involvement in the art world during the 1990s, and artist Stewart Home offers a sharply contrasting view of the value of the art produced in that decade. Rather than an attempt to craft a consensus, though, Art, Money, Parties is instead an effort to map out the position of--and possibilities for--contemporary art in a period of growing public sponsorship and attention. The vibrant, growing interest in contemporary art--evidenced by the success of the institutions under consideration--makes Art, Money, Parties a timely and indispensable contribution to any debate on the present and future of art.
| Author | : Robert Colls |
| Publisher | : Northumbria University Press |
| Total Pages | : 220 |
| Release | : 2005 |
| Genre | : History |
| ISBN | : 9781904794127 |
'Geordies' is a celebration of North Eastern virtues, from the lovely countryside to the powerful cultural tradition. It covers the history and life blood of the region and looks at what makes the people of the North East what they are.
| Author | : Linda Van Santvoort |
| Publisher | : Leuven University Press |
| Total Pages | : 201 |
| Release | : 2008 |
| Genre | : History |
| ISBN | : 9058676498 |
"Architectural concepts and styles seem to flourish from the most local of contexts to the global." "This book investigates the regional, often conceived today as a late nineteenth-century phenomenon, primarily on account of the preservation and restoration movements that arose. An interdisciplinary approach to regionalism, as manifested not only in architecture but also in art and literature, necessitates a more thorough examination of the complexity and multilayered quality of the phenomenon." "The research is limited in lime to the nineteenth century plus the years leading up to the First World War, and in place to Western Europe, with an emphasis on Belgium, France and England, and to a lesser extent on the Netherlands, Germany and Spain."--BOOK JACKET.
