Public Culture And Islam In Modern Egypt
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| Author | : Hatsuki Aishima |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 219 |
| Release | : 2016-04-25 |
| Genre | : History |
| ISBN | : 0857727605 |
What does it mean to be an intellectual in Egypt today? What is expected from an 'authentic scholar'? Hatsuki Aishima explores these questions byexamining educated, urban Egyptians and their perceptions of what it means to be 'cultured' and 'middle class' - something that, as a result of the neoliberal policies of Egyptian government, is widely thought to be a shrinking sector of society. Through an analysis of the media representations of 'Abd al-Halim Mahmud (1910-78), the French-trained Sufi scholar and the Grand Imam of al-Azhar under president Anwar al-Sadat, Aishima discusses the connection of Islam to these middle-class considerations and makes an original contribution to the debate on the commodification of religious teaching and knowledge. Public Culture and Islam in Modern Egypt is thereby aunique addition to the fields of anthropology, Middle East and media studies.
| Author | : Hatsuki Aishima |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 251 |
| Release | : 2016-04-25 |
| Genre | : Social Science |
| ISBN | : 0857729640 |
What does it mean to be an intellectual in Egypt today? What is expected from an 'authentic scholar'? Hatsuki Aishima explores these questions byexamining educated, urban Egyptians and their perceptions of what it means to be 'cultured' and 'middle class' - something that, as a result of the neoliberal policies of Egyptian government, is widely thought to be a shrinking sector of society. Through an analysis of the media representations of 'Abd al-Halim Mahmud (1910-78), the French-trained Sufi scholar and the Grand Imam of al-Azhar under president Anwar al-Sadat, Aishima discusses the connection of Islam to these middle-class considerations and makes an original contribution to the debate on the commodification of religious teaching and knowledge. Public Culture and Islam in Modern Egypt is thereby aunique addition to the fields of anthropology, Middle East and media studies.
| Author | : Ziad Fahmy |
| Publisher | : Stanford University Press |
| Total Pages | : 265 |
| Release | : 2011-05-31 |
| Genre | : History |
| ISBN | : 0804772126 |
Examines how popular media and culture provided ordinary Egyptians with a framework to construct and negotiate a modern national identity.
| Author | : Hilary Kalmbach |
| Publisher | : Cambridge University Press |
| Total Pages | : 289 |
| Release | : 2020-10-22 |
| Genre | : History |
| ISBN | : 1108530346 |
For 130 years, tensions have raged over the place of Islamic ideas and practices within modern Egypt. This history focuses on a pivotal yet understudied school, Dar al-Ulum, whose alumni became authoritative arbiters of how to be modern and authentic within a Muslim-majority community, including by founding the Muslim Brotherhood.
| Author | : Karin van Nieuwkerk |
| Publisher | : University of Texas Press |
| Total Pages | : 405 |
| Release | : 2016-04-12 |
| Genre | : Religion |
| ISBN | : 1477309047 |
Popular culture serves as a fresh and revealing window on contemporary developments in the Muslim world because it is a site where many important and controversial issues are explored and debated. Aesthetic expression has become intertwined with politics and religion due to the uprisings of the “Arab Spring,” while, at the same time, Islamist authorities are showing increasingly accommodating and populist attitudes toward popular culture. Not simply a “westernizing” or “secularizing” force, as some have asserted, popular culture now plays a growing role in defining what it means to be Muslim. With well-structured chapters that explain key concepts clearly, Islam and Popular Culture addresses new trends and developments that merge popular arts and Islam. Its eighteen case studies by eminent scholars cover a wide range of topics, such as lifestyle, dress, revolutionary street theater, graffiti, popular music, poetry, television drama, visual culture, and dance throughout the Muslim world from Indonesia, Africa, and the Middle East to Europe. The first comprehensive overview of this important subject, Islam and Popular Culture offers essential new ways of understanding the diverse religious discourses and pious ethics expressed in popular art productions, the cultural politics of states and movements, and the global flows of popular culture in the Muslim world.
| Author | : S. S. Hasan |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 337 |
| Release | : 2003 |
| Genre | : History |
| ISBN | : 0195138686 |
Review: "Christians versus Muslims in Modern Egypt is the first study of Christian identity politics in contemporary Egypt. S.S. Hasan begins by looking at how the Coptic generation of the 1940s and 1950s remembered, recovered, and imagined the ancient history of Christianity in Egypt in order to weld the Copts into a unified nation, resistant to the growing encroachments of Islam. She argues that this interpretation of history, in which Egyptian martyrs figure prominently, made possible the rebirth of the Coptic church and community - in much the same way as the preservation of Hebrew and the historical memory of Jewish tribulations served the purpose of national reconstruction of the state of Israel."--Jacket
| Author | : Alex Dika Seggerman |
| Publisher | : UNC Press Books |
| Total Pages | : 292 |
| Release | : 2019-08-13 |
| Genre | : Art |
| ISBN | : 1469653052 |
Analyzing the modernist art movement that arose in Cairo and Alexandria from the late nineteenth century through the 1960s, Alex Dika Seggerman reveals how the visual arts were part of a multifaceted transnational modernism. While the work of diverse, major Egyptian artists during this era may have appeared to be secular, she argues, it reflected the subtle but essential inflection of Islam, as a faith, history, and lived experience, in the overarching development of Middle Eastern modernity. Challenging typical views of modernism in art history as solely Euro-American, and expanding the conventional periodization of Islamic art history, Seggerman theorizes a "constellational modernism" for the emerging field of global modernism. Rather than seeing modernism in a generalized, hyperconnected network, she finds that art and artists circulated in distinct constellations that encompassed finite local and transnational relations. Such constellations, which could engage visual systems both along and beyond the Nile, from Los Angeles to Delhi, were materialized in visual culture that ranged from oil paintings and sculpture to photography and prints. Based on extensive research in Egypt, Europe, and the United States, this richly illustrated book poses a compelling argument for the importance of Muslim networks to global modernism.
| Author | : Mohammad Salama |
| Publisher | : Cambridge University Press |
| Total Pages | : 238 |
| Release | : 2020-06-18 |
| Genre | : History |
| ISBN | : 9781108404679 |
Telling a new story of modern Egypt, Mohammad Salama uses textual and cinematic sources to construct a clear and accessible narrative of the dynamics of Islam and culture in the first half of the twentieth century. The conflict between tradition and secular values in modern Egypt is shown in a stimulating and challenging new light as Salama bridges analysis of nationalism and its connection to Islamism, and outlines the effects of secular education versus traditional Islamic teaching on varied elements of Egyptian society. These include cultural production, politics, economic, identity, and gender relations. All of this helps to discern the harbingers that led to Egypt's social transition from the monarchy to the republic and opens the possibility of Islam as an inspiring and inspirational force. This illuminating, provocative and informative study will be of use to anyone interested in the period, whether general readers, students, or researchers.
| Author | : Hilary Kalmbach |
| Publisher | : Cambridge University Press |
| Total Pages | : 289 |
| Release | : 2020-10-22 |
| Genre | : History |
| ISBN | : 1108423477 |
A history of Egypt's first teacher-training school, exploring 130 years of tension over the place of Islamic ideas and practices within modernized public spheres.
| Author | : Robert W. Hefner |
| Publisher | : Princeton University Press |
| Total Pages | : 291 |
| Release | : 2010-12-16 |
| Genre | : Religion |
| ISBN | : 1400837456 |
Since the Taliban seized Kabul in 1996, the public has grappled with the relationship between Islamic education and radical Islam. Media reports tend to paint madrasas--religious schools dedicated to Islamic learning--as medieval institutions opposed to all that is Western and as breeding grounds for terrorists. Others have claimed that without reforms, Islam and the West are doomed to a clash of civilizations. Robert Hefner and Muhammad Qasim Zaman bring together eleven internationally renowned scholars to examine the varieties of modern Muslim education and their implications for national and global politics. The contributors provide new insights into Muslim culture and politics in countries as different as Morocco, Egypt, Pakistan, India, Indonesia, Iran, and Saudi Arabia. They demonstrate that Islamic education is neither timelessly traditional nor medieval, but rather complex, evolving, and diverse in its institutions and practices. They reveal that a struggle for hearts and minds in Muslim lands started long before the Western media discovered madrasas, and that Islamic schools remain on its front line. Schooling Islam is the most comprehensive work available in any language on madrasas and Islamic education.
