Proserpine & Midas
Author | : Mary Wollstonecraft Shelley |
Publisher | : |
Total Pages | : 132 |
Release | : 1922 |
Genre | : Drama |
ISBN | : |
Download Proserpine And Midas Two Unpublished Mythological Dramas full books in PDF, epub, and Kindle. Read online free Proserpine And Midas Two Unpublished Mythological Dramas ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Mary Wollstonecraft Shelley |
Publisher | : |
Total Pages | : 132 |
Release | : 1922 |
Genre | : Drama |
ISBN | : |
Author | : Mary Wollstonecraft Shelley |
Publisher | : Simon and Schuster |
Total Pages | : 61 |
Release | : 2014-04-25 |
Genre | : Fiction |
ISBN | : 1609778790 |
Mary Shelley (née Mary Wollstonecraft Godwin, often known as Mary Wollstonecraft Shelley) was a British novelist, short story writer, dramatist, essayist, biographer, travel writer, and editor of the works of her husband, Romantic poet and philosopher Percy Bysshe Shelley. She was the daughter of the political philosopher William Godwin and the writer, philosopher, and feminist Mary Wollstonecraft. Mary Shelley was taken seriously as a writer in her own lifetime, though reviewers often missed the political edge to her novels. After her death, however, she was chiefly remembered only as the wife of Percy Bysshe Shelley and as the author of Frankenstein. It was not until 1989, when Emily Sunstein published her prizewinning biography Mary Shelley: Romance and Reality, that a full-length scholarly biography analyzing all of Shelley's letters, journals, and works within their historical context was published. The well-meaning attempts of Mary Shelley's son and daughter-in-law to "Victorianise" her memory through the censoring of letters and biographical material contributed to a perception of Mary Shelley as a more conventional, less reformist figure than her works suggest. Her own timid omissions from Percy Shelley's works and her quiet avoidance of public controversy in the later years of her life added to this impression. The eclipse of Mary Shelley's reputation as a novelist and biographer meant that, until the last thirty years, most of her works remained out of print, obstructing a larger view of her achievement. She was seen as a one-novel author, if that. In recent decades, however, the republication of almost all her writings has stimulated a new recognition of its value. Her voracious reading habits and intensive study, revealed in her journals and letters and reflected in her works, is now better appreciated. Shelley's recognition of herself as an author has also been recognized; after Percy's death, she wrote about her authorial ambitions: "I think that I can maintain myself, and there is something inspiriting in the idea". Scholars now consider Mary Shelley to be a major Romantic figure, significant for her literary achievement and her political voice as a woman and a liberal.
Author | : James Uden |
Publisher | : Oxford University Press, USA |
Total Pages | : 285 |
Release | : 2020 |
Genre | : Literary Criticism |
ISBN | : 0190910275 |
Spectres of Antiquity is the first full-length study of the relationship between Greco-Roman culture and the eighteenth-century Gothic. In fascinating and compelling detail, James Uden's book rewrites the history of the Gothic genre, demonstrating that the genre was haunted by a deeper sense of history than has previously been assumed.
Author | : Mary Wollstonecraft Shelley |
Publisher | : BoD – Books on Demand |
Total Pages | : 106 |
Release | : 2023-09-16 |
Genre | : Fiction |
ISBN | : 3387053002 |
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Author | : Mary Wollstonecraft Shelley |
Publisher | : Fairleigh Dickinson Univ Press |
Total Pages | : 380 |
Release | : 1997 |
Genre | : Religion |
ISBN | : 9780838636848 |
"Iconoclastic Departures contributes to the ongoing reevaluation of Mary Shelley as a professional author in her own right with a lifelong commitment to the development of her craft. Many of its essays acknowledge the importance of her family to her work - the steady theme of much earlier scholarship - but for them the family has become an imperative socio-psychological context within which to better understand her innovations in the many literary forms she worked with during her career: journals, letters, travelogues, biographies, poems, dramas, tales, and novels." "The book's essays also convey the conviction that even if Mary Shelley, after Percy Shelley's death, gradually retired from public life as his relatives wished, she retained a resiliently resistant attitude toward many of the established orders of her day, easily recovered by a careful look beyond her "feelings" to the productions of her literary "imagination."" "The Mary Shelley who inhabits this three-part collection of portraits is a radical, even if a quiet radical. Part 1 focuses on various moments in her construction of her authorial identity; parts 2 and 3 anatomize the nature of her resistance and her innovation. She is presented as a writer who reappropriates authority for herself, who redesigns genres, who redefines gender, who rewrites history and biography, who revises her readers' aesthetic expectations, and who protests cultural imperialism at home and abroad. It seems significant to the contributors to this volume that this new, radical Mary Shelley was not invented by a pointed call for papers but emerged spontaneously from an open invitation to scholars working in various corners of the English-speaking world."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author | : John George Robertson |
Publisher | : |
Total Pages | : 566 |
Release | : 1923 |
Genre | : Languages, Modern |
ISBN | : |
Each number includes the section "Reviews."
Author | : Margot K. Louis |
Publisher | : Routledge |
Total Pages | : 304 |
Release | : 2016-12-05 |
Genre | : Literary Criticism |
ISBN | : 1351912011 |
Over the course of the nineteenth century, the figure of Persephone rapidly evolved from what was essentially a decorative metaphor into a living goddess who embodied the most spiritual aspects of ancient Greek religion. In the first comprehensive survey of the Persephone myth in English and American literature of the nineteenth and early twentieth centuries, Margot Louis explores the transformation of the goddess to provide not only a basis for understanding how the study of ancient history informed the creation of a new spirituality but for comprehending the deep and bitter tensions surrounding gender that interacted with this process. Beginning with an overview of the most influential ancient texts on Persephone and references to Persephone in Chaucer, Shakespeare, Milton, and Romantic period writing, Louis shows that the earliest theories of matriarchy and patriarchal marriage emerged in the 1860s alongside the first English poems to explore Persephone's story. As scholars began to focus on the chthonic Mystery cults, and particularly on the Eleusinian Mysteries of Demeter and Persephone, poets and novelists explored the divisions between mother and daughter occasioned by patriarchal marriage. Issues of fertility and ritual resonate in Thomas Hardy's Tess of the d'Urbervilles and Willa Cather's My Antonia, while the first advance of a neo-pagan spirituality, as well as early feminist critiques of male mythography and of the Persephone myth, emerge in Modernist poems and fictions from 1908 to 1927. Informed by the latest research and theoretical work on myth, Margot Louis's fascinating study shows the development of Victorian mythography in a new light; offers original takes on Victorian representations of gender and values; exposes how differently male and female Modernists dealt with issues of myth, ritual, and ancient spirituality; and uncovers how deeply the study of ancient spirituality is entwined with controversies about gender.
Author | : Betty T. Bennett |
Publisher | : JHU Press |
Total Pages | : 202 |
Release | : 1998-11-30 |
Genre | : Literary Criticism |
ISBN | : 9780801859762 |
"Recognition of Mary Shelley's systemic dual focus on public and domestic power as the means to interrogate traditional norms and propose alternatives materially alters parochial perceptions of her objectives and her achievements. Her novels, outside of Frankenstein, and recently, The Last Man, have been dismissed as simple, mutual dissociated "romances" or experiments in genre solely to intersect with a market niche; they are neither. Rather, they and all of Mary Shelley's major works voice a cosmopolitan, socio-political reformist ideology that evolved as their author's acute awareness of world events enabled her to calibrate her literary voice to deal with unfolding rather than past societal issues. Her multidisciplinary fusion of literature, political philosophy, and history calls for a commensurate multidisciplinary reading in order to understand the complexities of both the author and her works." —Betty T. Bennett In this book, Betty T. Bennett offers an extensively expanded version of the introduction she wrote for Pickering and Chatto's eight volume set, The Novels and Selected Works of Mary Shelley. Along with her insightful retelling of Mary Shelley's eventful life story, Bennett gives us a fresh reading of Frankenstein in the context of its author's full career. She also discusses a variety of Mary Shelley's lesser known works, including Matilda, Valperga, The Last Man, Perkin Warbeck, Lodore, Falkner, and her travel books. The result is a compelling portrait of Mary Shelley as she saw herself—an inventive, irreverent writer whose desire for political and social reform was at the heart of her literary expression for three decades.