Progressive American Architecture
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Author | : Martin Aurand |
Publisher | : University of Pittsburgh Pre |
Total Pages | : 455 |
Release | : 1994-04-15 |
Genre | : Architecture |
ISBN | : 0822970376 |
Frederick G. Scheibler, Jr. (1872-1958) was the rare turn-of-the-century American architect who looked to progressive movements such as Art Nouveau and Arts and Crafts for inspiration, rather than conventional styles. His fresh house designs and plans for apartment buildings and multifamily "group cottages" feature dramatic massing, rich detailing, and a wide variety of materials. Scheibler envisioned each building as a work of art, integrating architecture and ornamentation. Prized today, his best works are scattered throughout Pittsburgh's East End and eastern suburbs. This richly illustrated volume, the first comprehensive study of Scheibler, includes 125 historic and contemporary photographs and drawings, a catalogue raisonne of all of his known projects—including many not recorded in any other published source—a list of books in his library, and a selected bibliography.
Author | : Gilbert Bostwick Croff |
Publisher | : |
Total Pages | : 222 |
Release | : 1875 |
Genre | : Architecture |
ISBN | : |
Author | : Jeffrey T. Tilman |
Publisher | : W W Norton & Company Incorporated |
Total Pages | : 271 |
Release | : 2006 |
Genre | : Architecture |
ISBN | : 9780393731781 |
Arthur Brown Jr. (1874-1957) is one of the most important, yet underpublished, architects of the twentieth century.
Author | : Mardges Bacon |
Publisher | : MIT Press (MA) |
Total Pages | : 432 |
Release | : 1986 |
Genre | : Architecture |
ISBN | : |
This study of one of the most innovative practitioners of the Beaux-Arts movement in America covers Flagg's early training and Beaux-Arts works, his town and country houses, his commercial and utilitarian buildings, the Singer Tower, urban housing reform, and his small houses of modular design.
Author | : Gwendolyn Wright |
Publisher | : Reaktion Books |
Total Pages | : 324 |
Release | : 2008-02-15 |
Genre | : Architecture |
ISBN | : 1861895402 |
From the Reliance Building and Coney Island to the Kimbell Museum and Disney Hall, the United States has been at the forefront of modern architecture. American life has generated many of the quintessential images of modern life, both generic types and particular buildings. Gwendolyn Wright’s USA is an engaging account of this evolution from the late nineteenth century to the twenty-first. Upending conventional arguments about the origin of American modern architecture, Wright shows that it was not a mere offshoot of European modernism brought across the Atlantic Ocean by émigrés but rather an exciting, distinctive and mutable hybrid. USA traces a history that spans from early skyscrapers and suburbs in the aftermath of the American Civil War up to the museums, schools and ‘green architecture’ of today. Wright takes account of diverse interests that affected design, ranging from politicians and developers to ambitious immigrants and middle-class citizens. Famous and lesser-known buildings across America come together--model dwellings for German workers in rural Massachusetts, New York’s Rockefeller Center, Cincinnati’s Carew Tower, Frank Lloyd Wright’s Taliesin West in the Arizona desert, the University of Miami campus, the Texas Instruments Semiconductor Plant, and the Corning Museum of Glass, among others--to show an extraordinary range of innovation. Ultimately, Wright reframes the history of American architecture as one of constantly evolving and volatile sensibilities, engaged with commerce, attuned to new media, exploring multiple concepts of freedom. The chapters are organized to show how changes in work life, home life and public life affected architecture--and vice versa. This book provides essential background for contemporary debates about affordable and luxury housing, avant-garde experiments, local identities, inspiring infrastructure and sustainable design. A clear, concise and richly illustrated account of modern American architecture, this timely book will be essential for all those who wonder about the remarkable legacy of American modernity in its most potent cultural expression.
Author | : Blake Emerson |
Publisher | : |
Total Pages | : 289 |
Release | : 2019 |
Genre | : Law |
ISBN | : 0190682876 |
The Public's Law is a theory and history of democracy in the American administrative state. The book describes how American Progressive thinkers - such as John Dewey, W.E.B. Du Bois, and Woodrow Wilson - developed a democratic understanding of the state from their study of Hegelian political thought. G.W.F. Hegel understood the state as an institution that regulated society in the interest of freedom. This normative account of the state distinguished his view from later German theorists, such as Max Weber, who adopted a technocratic conception of bureaucracy, and others, such as Carl Schmitt, who prioritized the will of the chief executive. The Progressives embraced Hegel's view of the connection between bureaucracy and freedom, but sought to democratize his concept of the state. They agreed that welfare services, economic regulation, and official discretion were needed to guarantee conditions for self-determination. But they stressed that the people should participate deeply in administrative policymaking. This Progressive ideal influenced administrative programs during the New Deal. It also sheds light on interventions in the War on Poverty and the Second Reconstruction, as well as on the Administrative Procedure Act of 1946. The book develops a normative theory of the state on the basis of this intellectual and institutional history, with implications for deliberative democratic theory, constitutional theory, and administrative law. On this view, the administrative state should provide regulation and social services through deliberative procedures, rather than hinge its legitimacy on presidential authority or economistic reasoning.
Author | : |
Publisher | : |
Total Pages | : 202 |
Release | : 1920 |
Genre | : Architectural drawing |
ISBN | : |
Author | : Meredith L. Clausen |
Publisher | : MIT Press |
Total Pages | : 508 |
Release | : 1994 |
Genre | : Architecture |
ISBN | : 9780262531672 |
Meredith Clausen reveals the enormous power that Belluschi wielded as an arbiter of taste and decision-maker in the 1950s and 1960s; his role in shaping the policy of the State Department in its overseas building program; and his role in securing major commissions for favored architects such as I.M. Pei. Equally important is Clausen's discussion of Belluschi's role in the development of regionalism in the Pacific Northwest and its impact on the definition of modernism as it was emerging in the United States.
Author | : Andrew Michael Shanken |
Publisher | : U of Minnesota Press |
Total Pages | : 280 |
Release | : 2009 |
Genre | : Architecture |
ISBN | : 0816653658 |
During the Second World War, American architecture was in a state of crisis. The rationing of building materials and restrictions on nonmilitary construction continued the privations that the profession had endured during the Great Depression. At the same time, the dramatic events of the 1930s and 1940s led many architects to believe that their profession--and society itself--would undergo a profound shift once the war ended, with private commissions giving way to centrally planned projects. The magazine Architectural Forum coined the term "194X" to encapsulate this wartime vision of postwar architecture and urbanism. In a major study of American architecture during World War II, Andrew M. Shanken focuses on the culture of anticipation that arose in this period, as out-of-work architects turned their energies from the built to the unbuilt, redefining themselves as planners and creating original designs to excite the public about postwar architecture. Shanken recasts the wartime era as a crucible for the intermingling of modernist architecture and consumer culture. Challenging the pervasive idea that corporate capitalism corrupted the idealism of modernist architecture in the postwar era, 194X shows instead that architecture's wartime partnership with corporate American was founded on shared anxieties and ideals. Business and architecture were brought together in innovative ways, as shown by Shanken's persuasive reading of magazine advertisements for Revere Copper and Brass, U.S. Gypsum, General Electric, and other companies that prominently featured the work of leading progressive architects, including Louis I. Kahn, Eero Saarinen, and Walter Gropius. Although the unexpected prosperity of the postwar era made the architecture of 194X obsolete before it could be built and led to its exclusion from the story of twentieth-century American architecture, Shanken makes clear that its anticipatory rhetoric and designs played a crucial role in the widespread acceptance
Author | : David Gebhard |
Publisher | : Gibbs Smith |
Total Pages | : 210 |
Release | : 2006 |
Genre | : Architecture |
ISBN | : 9781423600053 |
Purcell and Elmslie: Prairie Progressives explores the work of two important members of the organic architecture movement, and celebrates their tremendously important contributions to American architecture and the Prairie School. Wishing to return to simplicity and honesty, Purcell and Elmslie created homes and buildings that were consistent with a democratic society-simple forms, the natural use of textural materials and decoration, and buildings that accommodated the nature of a site. As did Louis Sullivan and Frank Lloyd Wright, Purcell and Elmslie held the conviction that a building does not end with its simple structure, but reaches its final and logical culmination in the clothing-color, situation and natural environment, together with its decoration of glass, terra-cotta, and other textural materials. The firm of Purcell and Elmslie was tremendously successful in the sense that their small open-planned free-flowing houses could be shared by a great number of Americans of moderate means. Projects discussed in this book can be found throughout the Midwest, including Minnesota, Michigan, Iowa, North Dakota, Illinois, Wisconsin, and more. The time has come to recognize the work of these progressive architects of the Midwest. Purcell and Elmslie: Prairie Progressives includes: Comprehensive biographies of George Grant Elmslie and William Gray Purcell The Work of the Firm The Domestic and Non-Domestic Work of Purcell, Feick and Elmslie Work after the Firm Broke Up The Late Work of Purcell and Elmslie A Catalog of Major Projects